Yamaha psr 270 инструкция на русском

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PSR-270 Owner’s Manual —

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PSR-2700/PSR-1700 Owner’s Manual —

[1.9MB]
PSR-2700/PSR-1700 Owner’s Manual (Text Version) —

[123KB]
Источник

  • Contents

  • Table of Contents

  • Troubleshooting

  • Bookmarks

Related Manuals for Yamaha PSR-270

Summary of Contents for Yamaha PSR-270

  • Page 2
    Yamaha. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accom- pany the accessory product.
  • Page 3
    SAVING USER DATA • Save all data to an external device such as the Yamaha MIDI Data Filer MDF3, in order to help prevent the loss of important data due to a mal- function or user operating error.

  • Page 4: Main Features

    Its outstanding features also make it a remarkably ex- Read this Owner’s Manual carefully while playing your new PortaTone in order to take full advantage of its various features. The PSR-270 is a sophisticated yet easy-to-use keyboard with the following features and functions: Yamaha Education Suite …

  • Page 5: Table Of Contents

    ACCESSORY JACKS … 9 @@@@ PPPP Quick Guide — How to Use Your New PSR-270 PortaTone Step 1 Voices … 10 Step 2 Auto Accompaniment … 12 Step 3 Chord Guide … 14 Step 4 Songs … 16 Step 5 Function Parameters … 18 Step 6 MIDI …

  • Page 6: Panel Controls And Terminals

    PANEL CONTROLS AND TERMINALS Front Panel 8BEAT 16BEAT ROCK-A-BALLAD 6/8 BALLAD 8BEAT DANCE SWING DISCO JAZZ BALLAD ROCK 2BEAT ROCK & ROLL BOOGIE RHYTHM & BLUES RAGTIME CONTEMPORARY JAZZ ARPEGGIO TRADITIONAL JAZZ WALTZ AMERICAS HAPPY COUNTRY & WESTERN BALLROOM LATIN BALLROOM STANDARD MARCH &…

  • Page 7: Rear Panel

    INTRO/ENDING button When the Style mode is selected, this is used to control the Intro and Ending functions. (See pages 49, 51.) MAIN A/B (AUTO FILL) buttons When the Style mode is selected, these are used to change auto accompaniment sections and control the Auto Fill function.

  • Page 8: Setting Up

    Even when the switch is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum level. When you are not using the PSR-270 for a long time, make sure you unplug the AC power adaptor from the wall AC outlet, and/or…

  • Page 9: Using Headphones

    Using a Footswitch This feature lets you use an optional footswitch (Yamaha FC4 or FC5) to sustain the sound of the voices, or control a variety of other functions. (See page 91.) When this is used for sustain, the footswitch functions the same way as a damper pedal on an acoustic piano —…

  • Page 10: Portatone

    AUTO FILL GUIDE Selecting other voices The PSR-270 features a total of 238 high-quality voices. Let’s try a few of them out… Panel voices … 1 — 100 (100 voices) GM voices … 111 — 238 (128 voices) Enter the Voice mode.

  • Page 11
    Playing along with the Metronome Press the METRONOME button. METRO- NOME Want to find out more? See page 24. Changing the time signature of the Metronome Simultaneously hold down the METRONOME button and one of the number buttons (1 — 9) on the numeric keypad.

  • Page 12: Step 2 Auto Accompaniment

    Step 2 Auto Accompaniment Using the auto accompaniment The PSR-270 has powerful and easy-to-use auto accompaniment features. All you have to do is play chords with your left hand — and the PortaTone automatically produces appropriate bass, chord, and rhythm backing for your perfor- mance.

  • Page 13: Selecting A Complete Music Style

    Selecting a complete music style with ideal voice and other settings — One Touch Setting The PortaTone features 100 different styles in various music genres. With the One Touch Setting function, you can call up voice and other settings that best match the selected style. Each style has been programmed with two Preset One Touch Settings.

  • Page 14: Step 3 Chord Guide

    Step 3 Chord Guide Using the Chord Guide function Learning how to play specific chords Here, you’ll learn how to use the Chord Guide functions to show the individual notes of chords. Enter the Style mode, then press the CHORD GUIDE button until “Dict.” is shown in the display.

  • Page 15
    Playing chord progressions (songs) with just one finger The EZ Chord function gives you an exceptionally easy way to play the chords of a song. Simply press single keys in succession, and the PortaTone automatically plays the proper chords for you! Enter the Style mode, then press the CHORD GUIDE button until “EZ.

  • Page 16: Step 4 Songs

    Step 4 Songs Playing a song Playing back all three songs The PSR-270 has three Demo songs that show- case the authentic voices and dynamic accom- paniment of the instrument. Press the DEMO button. TakeOff! SONG 001 111 MEASURE TEMPO Stop the song.

  • Page 17
    Recording your own song The PSR-270 lets you record your own songs by using two different methods — Realtime and Step. Try out both of these recording methods yourself… Realtime recording Select the desired recording mode by This method is much like using a…

  • Page 18: Step 5 Function Parameters

    Step 5 Function Parameters Using the Function parameters The PSR-270 has a variety of settings in the Function parameters. These give you detailed control over many of the PSR-270’s features. Press the FUNCTION button. Select a Function number. For a list of functions, see page 19.

  • Page 19
    Function Parameters List Function F01 M.Volume Main Voice Volume F02 M.Octave Main Voice Octave F03 M.Pan Main Voice Pan F04 M.RevLvl Main Voice Reverb Send Level F05 M.ChoLvl Main Voice Chorus Send Level F06 M.DspLvl Main Voice DSP Effect Send Level F11 D.Volume Dual Voice Volume F12 D.Octave…

  • Page 20: Step 6 Midi

    MIDI Using MIDI The PSR-270 also features rear panel MIDI terminals (MIDI IN and MIDI OUT) as well as a comprehensive set of MIDI functions, that let you use the instrument in a variety of record- ing and performance applications.

  • Page 21
    Controlling the PSR-270 with a MIDI keyboard controller (not having a tone generator) (Auto accompaniment can also be used in this setup.) PSR-270 MIDI IN See page 97. In this setup you can record your PSR-270 performance, including the auto accompani- ment, to a connected computer or sequencer.

  • Page 22: Panel Display Indications

    The LCD’s backlight will gradually dim over a long period of use. When the display becomes dim or hard to read, contact the store where you purchased the instrument or, Yamaha directly, to have the LCD replaced. A fee will be charged for replacement.

  • Page 23: Music Stand

    Measure and Tempo These show the current measure during play- back of a song or style, and the currently set Tempo value for the song or style. Beat indicators These dark bars (one large, three small) flash in sequence and in time with the song or style. The large bar indicates the first beat of the measure.

  • Page 24: Portable Grand

    PORTABLE GRAND This convenient function lets you automatically exit from any other mode or function and instantly call up the Grand Piano voice. PLAYING THE PORTABLE GRAND Press the PORTABLE GRAND button. Doing this automatically cancels any other mode or function, and resets the entire instrument for playing the special “Stereo Sampled Piano”…

  • Page 25: Setting The Metronome Time Signature

    Change the value. Use the OVERALL +/- buttons to increase or decrease the Tempo value. Holding down either button continuously increases or decreases the value. Decreases Tempo value Turn on the Metronome. Press the METRONOME button. METRO- NOME To turn the Metronome off, press the METRONOME button again. Setting the Metronome Time Signature The time signature of the Metronome can be set to various quarter-note based meters.

  • Page 26: Adjusting The Metronome Volume

    PORTABLE GRAND Adjusting the Metronome Volume You can adjust the volume of the Metronome sound independently of the other PortaTone sounds. The volume range is 000 — 127. Select the Metronome Volume function in the Overall menu. Press one of the OVERALL / buttons, repeatedly if necessary, until “MtrVol” appears in the display.

  • Page 27: Playing Voices — The Voice Mode

    The Voice mode features 228 authentic voices (including 128 General MIDI voices), plus 10 special drum kits — all of which have been created with Yamaha’s sophisticated AWM (Advanced Wave Memory) tone generation system. The Voice mode gives you many powerful and versatile tools for playing and enhancing these Voices.

  • Page 28
    PLAYING VOICES — THE VOICE MODE Select the desired voice number. Use the numeric keypad. The basic categories of voices and their numbers are shown at the right side of the panel. A complete list of the available voices is given on page 109. BASS ENSEMBLE STRINGS…

  • Page 29: About Panel Voices And Gm Voices

    Using the +/- keys Press the + key to select the next voice number, and press the — key to select the previous voice. Holding down either key continuously scrolls up or down through the numbers. The +/- keys have a “wrap around” fea- ture.

  • Page 30: Drum Kit Voice Chart

    PLAYING VOICES — THE VOICE MODE Drum Kit Voice Chart (voices 101 — 110) When one of the 10 panel Drum Kit voices are selected you can play different drums and percussion instruments on the keyboard. The drums and percussion instruments played by the various keys are marked by symbols above the keys.

  • Page 31: F01 M.volume Main Voice Volume

    Change the parameter setting or value. After the “FUNCTION” indication stops flashing, use the numeric keypad or +/- buttons to change the value or setting. (The value/ setting is shown to the left of the parameter name.) STYLE FUNCTION Set other parameters as needed. To select and set other parameters, repeat steps 1 — 3 above.

  • Page 32: Transpose And Tuning

    PLAYING VOICES — THE VOICE MODE TRANSPOSE AND TUNING You can also adjust the tuning and change the transposition (key) of the entire PortaTone sound with the Transpose and Tuning functions. Transpose Transpose determines the key of both the main voice and the bass/chord accompaniment of the selected style.

  • Page 33: Tuning

    Tuning Tuning determines the fine pitch setting of both the main voice and the bass/chord accompaniment of the selected style. It also determines the pitch of the songs. This allows you to accurately match the tuning with that of other instruments. The Tuning settings can be adjusted over a range of 100 (approx.

  • Page 34: Playing Two Voices — Dual Voice

    PLAYING VOICES — THE VOICE MODE PLAYING TWO VOICES — DUAL VOICE The Dual Voice mode lets you create richly textured sounds by “layering” two different voices together — one voice being the Main voice selected in the normal way (page 27), and the other a Dual voice selected as described below.

  • Page 35: Function Parameters — Dual Voice

    Change the parameter setting or value. After the “FUNCTION” indication stops flashing, use the numeric keypad to change the value or setting. For on/off settings, use the +/- buttons. STYLE FUNCTION Restoring the Default Value If you’ve changed the parameter setting, you can instantly restore the default setting by pressing both +/- buttons simultaneously.

  • Page 36: Playing Two Voices — Split Voice

    PLAYING VOICES — THE VOICE MODE PLAYING TWO VOICES — SPLIT VOICE In the Split Voice mode, you can assign two different Voices to opposite sections of the keyboard, and play one Voice with your left hand while your right plays another. For example, you could play bass with the left hand and play piano with the right.

  • Page 37: Function Parameters — Split Voice

    Exit the Function mode. Once you’ve made all desired settings, press one of the other mode but- tons (SONG, STYLE, or VOICE). Function Parameters — Split Voice The Function parameters provide all settings for the Split voice. Like the similar settings in the Main Voice mode, these settings let you change or enhance the sound of the Split voice separate from the Main voice.

  • Page 38: Additional Voice Functions — Voice Set And Touch Sensitivity

    PLAYING VOICES — THE VOICE MODE ADDITIONAL VOICE FUNCTIONS — VOICE SET AND TOUCH SENSITIVITY Voice Set and Touch Sensitivity are two important voice-related parameters, and are found in the Utility section of the Function parameters. When Voice Set (described in greater detail below) is set to on, you can automatically call up a variety of voice-related settings that best suit the selected voice.

  • Page 39: Function Parameters

    Function Parameters — Voice Set and Touch Sensitivity Function Parameters No. Parameter Name Display Name F72 Voice Set VoiceSet F73 Touch Sensitivity TouchSns PLAYING VOICES — THE VOICE MODE Range/Settings Description oFF, on When this is set to on, selecting a voice also automati- cally calls up special voice-related parameters and values that best suit the voice.

  • Page 40: Effects

    EFFECTS The PortaTone is equipped with a wide variety of effects that can be used to enhance the sound of the voices. Four general categories of effects are provided — Reverb, Chorus, DSP, and Harmony — and each category has many effect types to choose from.

  • Page 41: Chorus

    Exit the Function mode. Once you’ve made all desired settings, press one of the other mode but- tons (SONG, STYLE, or VOICE). CHORUS The Chorus effect lets you enhance the sound of a voice with through the use of pitch modulation. Two basic types are provided: Chorus and Flanger.

  • Page 42: Dsp

    EFFECTS The DSP effect section provides many reverb and chorus effects, plus a wealth of other useful and dynamic effects for enhancing and changing the sound of the voices. Included among these miscellaneous effects are reverse gate reverb, phaser, rotary speaker, tremolo, echo, delay, distortion, equalization, and wah.

  • Page 43: Harmony

    HARMONY The Harmony section features a variety of performance effects that enhance the melodies you play when using the accompaniment styles of the PortaTone. A total of twenty-six Harmony types are available. Tremolo, Trill and Echo effects can be used even if accompaniment is off. There are five different Harmony Types that automatically create harmony parts (for notes played in the upper section of the keyboard) to match the accompaniment chords.

  • Page 44: Function Parameters — Effects

    EFFECTS Exit the Function mode. Once you’ve made all desired settings, press one of the other mode but- tons (SONG, STYLE, or VOICE). Function Parameters — Effects The Effect Function parameters provide all effect-related settings (with the exception of the Send parameters in the Main, Dual, and Split sections).

  • Page 45: Effect Types

    Effect Types Reverb Types No. Reverb Display Description Type Name Hall 1 Hall1 Concert hall reverb. Hall 2 Hall2 Room 1 Room1 Small room reverb. Room 2 Room2 Stage 1 Stage1 Reverb for solo instruments. Stage 2 Stage2 Plate 1 Plate1 Simulated steel plate reverb.

  • Page 46
    EFFECTS Harmony Types No. Harmony Type Display Name Duet Duet Trio Trio Block Block Country Country Octave Octave Trill 1/4 note Tril1/4 Trill 1/6 note Tril1/6 Trill 1/8 note Tril1/8 Trill 1/12 note Tril1/12 Trill 1/16 note Tril1/16 Trill 1/24 note Tril1/24 Trill 1/32 note Tril1/32…

  • Page 47: Auto Accompaniment

    AUTO ACCOMPANIMENT — THE STYLE MODE The Style mode provides dynamic rhythm/accompaniment patterns — as well as voice settings appropriate for each pattern — for various popular music styles. A total of 100 different styles are available, in several different categories. Each style is made up of separate “sections”…

  • Page 48
    AUTO ACCOMPANIMENT — THE STYLE MODE Style numbers can be selected in the same way as with the voices (see page 28). You can use the numeric keypad to directly enter the style number, use the +/- keys to step up and down through the styles, or press the STYLE button to advance through the style numbers.
  • Page 49
    Starting with an Intro section Each style has its own two- or four-measure Intro section. When used with the auto accompaniment, many of the Intro sections also in- clude special chord changes and embellishments to enhance your performance. To start with an Intro section: 1) Press the MAIN A or MAIN B button —…
  • Page 50
    AUTO ACCOMPANIMENT — THE STYLE MODE 2) Press the INTRO button. ACMP ON/OFF MEASURE 3) Press the SYNC-START button to enable Sync-Start, and start the Intro section and accompaniment by playing any key on the keyboard. (When auto accompaniment is on, play a key or chord in the auto accompaniment section of the keyboard.) ACMP ON/OFF…
  • Page 51
    About the Beat Display The dark bars underneath the style name in the display flash in time with the current tempo during playback (or Sync-Start standby) of the accompaniment. The flashing bars provide a visual indication of both the tempo and time signature of the accompaniment.

  • Page 52: Accompaniment Controls

    AUTO ACCOMPANIMENT — THE STYLE MODE ACCOMPANIMENT CONTROLS When the Style mode is active, the panel buttons below the display function as accompaniment controls. Pressing this button alternately enables and cancels the bass and chord accompa- niment. (See below.) ACMP SYNC- ON/OFF START…

  • Page 53: Changing The Tempo

    Change chords using the auto ac- companiment feature. Try playing a few successive single notes with your left hand, and notice how the bass and chord accompaniment change with each key you play. You can also play full chords to control the auto accompaniment.

  • Page 54: Accompaniment Sections (Main A, Main Band Fill-Ins)

    AUTO ACCOMPANIMENT — THE STYLE MODE ACCOMPANIMENT SECTIONS (MAIN A, MAIN B AND FILL-INS) While the accompaniment is playing, you can add variation in the rhythm/ accompaniment by pressing the MAIN/AUTO FILL A or B button. This automatically plays one of four Fill-in sections, and smoothly leads into the next section —…

  • Page 55: Accompaniment Volume

    ADJUSTING THE ACCOMPANIMENT VOLUME The playback volume of the accompaniment can be adjusted. This volume control affects only the accompaniment volume. The volume range is 000 — 127. Select the Accompaniment Volume function in the Overall menu. Press one of the OVERALL / buttons, repeatedly if necessary, until “AcmpVol”…

  • Page 56: Using Auto Accompaniment — Multi Fingering

    AUTO ACCOMPANIMENT — THE STYLE MODE USING AUTO ACCOMPANIMENT — MULTI FINGERING When it is set to on (page 52), the auto accompaniment function automati- cally generates bass and chord accompaniment for you to play along with, by using Multi Fingering operation. You can change the chords of the accompaniment by playing keys in the auto accompaniment section of the keyboard using either the “Single Finger”…

  • Page 57
    Chord Name/[Abbreviation] Major [M] Add ninth [(9)] Sixth [6] Sixth ninth [6(9)] Major seventh [M7] Major seventh ninth [M7(9)] Major seventh add sharp eleventh [M7(#11)] Flatted fifth [(b5)] Major seventh flatted fifth [M7b5] Suspended fourth [sus4] Augmented [aug] Major seventh augmented [M7aug] Minor [m] Minor add ninth [m(9)] Minor sixth [m6]…

  • Page 58: Setting The Accompaniment Split Point

    AUTO ACCOMPANIMENT — THE STYLE MODE SETTING THE ACCOMPANIMENT SPLIT POINT The Accompaniment Split Point determines the highest key for the accom- paniment section. The accompaniment can be played with the keys up to and including the Accompaniment Split Point key. This parameter can be set lower (but not higher) than the Split Point in the Split mode.

  • Page 59: Function Parameter — Accompaniment Split Point

    Change the parameter setting or value. After the “FUNCTION” indication stops flashing, use the numeric keypad to change the value or setting. STYLE FUNCTION The value can also be set directly by pressing the desired key while this parameter is selected. After setting this, make sure to select a different parameter or exit the Function mode before playing the keyboard.

  • Page 60: What Is A Chord

    AUTO ACCOMPANIMENT — THE STYLE MODE WHAT IS A CHORD? The simple answer: Three or more notes played simultaneously is a chord. (Two notes played together is an “interval” — an interval being the distance between two different notes. This is also referred to as a “harmony.”) Depending on the intervals between the three or more notes, a chord can sound beautiful or muddy and dissonant.

  • Page 61: Writing Chord Names

    WRITING CHORD NAMES Knowing how to read and write chord names is an easy yet invaluable skill. Chords are often written in a kind of shorthand that makes them instantly recognizable (and gives you the free- dom to play them with the voicing or inversion that you prefer). Once you understand the basic principles of harmony and chords, it’s very simple to use this shorthand to write out the chords of a song.

  • Page 62: Chord Guide

    AUTO ACCOMPANIMENT — THE STYLE MODE CHORD GUIDE The Chord Guide functions of the PortaTone provide powerful, easy-to-use tools for learning chords and chord relationships. Chord Guide features three different types of operation: Dictionary, Smart, and EZ Chord. • Pressing the CHORD GUIDE button automatically turns on the auto accompaniment. •…

  • Page 63
    Specify the type of the chord (major, minor, seventh, etc.). Press the key on the keyboard that corresponds to the desired chord type (as printed on the panel). CHORD TYPE Pressing this key selects the major seventh chord type (M7). The display shows the name of the chord, and the individual notes —…

  • Page 64: Smart

    AUTO ACCOMPANIMENT — THE STYLE MODE Smart The Smart type allows you to set the basic key for the chord accompani- ment. Once this is set, you can simply press single keys in the scale and have harmonically appropriate chords played automatically. For example, with the key set to C, playing an D will result in an D minor chord (rather than a harmonically inappropriate D major).

  • Page 65: Smart Chord List

    For example, to play the following music score, select number 15 so that the key is set to b=1 (F, or Dm). Key of F STYLE Play the accompaniment, and play single note chords (root notes) in the auto accompaniment section.

  • Page 66: Ez Chord

    AUTO ACCOMPANIMENT — THE STYLE MODE EZ Chord The EZ Chord function is an exceptionally flexible and easy way to program semi-automatic backing for your performances. It lets you record all necessary chord changes for an entire song, and then allows you to “play” each chord in the sequence you programmed by simply pressing a single key in the auto accompaniment section of the keyboard.

  • Page 67: Bank Chain

    Select the desired EZ Chord bank. Use the numeric keypad. Buttons 1 — 8 select EZ Chord banks #1 — #8, respectively. Button 9 selects the bank chain “A-1” bank (see box below). Start the accompaniment. Use any one of the methods described on page 48 to start the ac- companiment.

  • Page 68: Ez Chord — Recording

    AUTO ACCOMPANIMENT — THE STYLE MODE EZ Chord — Recording Enable recording. Press the RECORD button, repeatedly if necessary, until EZ Chord recording is selected. (“EZ” appears in the display and the “RECORD” indication flashes for a couple of seconds.) RECORD indication flashes briefly.

  • Page 69: Recording A Space

    3) Press the + button in the numeric keypad. This actually records the chord to the selected block and automati- cally moves to the next block. This step is necessary; the chord is not actually recorded until you press the + button. (Pressing the — button will select the previous block without recording the chord.) To record a sequence of chords, repeat steps 2) and 3) above (play a chord, select the next step, play a different chord, select the next…

  • Page 70: Hint — Using Spaces

    AUTO ACCOMPANIMENT — THE STYLE MODE HINT — Using Spaces If your chord progressions are not long and the maximum memory space for chords isn’t very important to you, you can use the spaces between recorded blocks to good advantage. (Keep in mind that spaces have no effect during playback;…

  • Page 71: Clearing An Ez Chord Bank

    Clearing an EZ Chord Bank This operation lets you erase (clear) all recorded chords for the se- lected EZ Chord bank. Enable the EZ Chord Record mode. Press the RECORD button, repeatedly if necessary, until EZ Chord recording is selected. (“EZ” appears in the display and the “RECORD”…

  • Page 72: One Touch Setting (Ots)

    ONE TOUCH SETTING (OTS) One Touch Setting is a powerful and convenient Style mode function that lets you instantly reconfigure virtually all settings of the PortaTone — with the touch of a single button. Two types of One Touch Settings are available: User and Preset.

  • Page 73: Recalling A User One Touch Setting

    Select the desired User number. Press the corresponding USER ONE TOUCH SETTING button (1 — 4). Doing this records the settings to the selected button. MEASURE TEMPO Exit from the Record mode. Press the RECORD button. Recalling a User One Touch Setting Once you’ve recorded your settings to a User button, you can in- stantly recall those settings any time you want.

  • Page 74: One Touch Setting — Preset

    ONE TOUCH SETTING (OTS) ONE TOUCH SETTING — PRESET Preset One Touch Settings are used in a slightly different way than the User settings. First, select a style, then select a Preset OTS. The Preset A and B settings have been specially programmed at the factory to match the selected style.

  • Page 75: Selecting And Playing Songs — The Song Mode

    SELECTING AND PLAYING SONGS — THE SONG MODE The Song mode features six songs — three demo songs that have been created using the rich and dynamic sounds of the PortaTone, and three User songs to which you can record your own performance. The demo songs are generally for your listening enjoyment;…

  • Page 76: Changing The Tempo

    SELECTING AND PLAYING SONGS — THE SONG MODE Select the desired song number. Use the numeric keypad. Song numbers can be selected in the same way as with the voices (see page 28). You can use the numeric keypad to directly enter the song number, use the +/- keys to step up and down through the songs, or press the SONG button to advance through the song numbers.

  • Page 77: About The Beat Display

    Change the value. Use the OVERALL +/- buttons to increase or decrease the Tempo value. Holding down either button continuously increases or decreases the value. Decreases Tempo value Restoring the Default Tempo Value Each song and style has been given a default or standard tempo. If you’ve changed the tempo, you can restore the original default setting by pressing both OVERALL +/- buttons simultaneously (when Tempo is selected in the Overall menu).

  • Page 78: Adjusting The Song Volume

    SELECTING AND PLAYING SONGS — THE SONG MODE ADJUSTING THE SONG VOLUME The playback volume of the song can be adjusted. This volume control affects only the song volume. The volume range is 000 — 127. Select the Song Volume function in the Overall menu.

  • Page 79: Song Recording

    SONG RECORDING The PortaTone features powerful and easy-to-use song recording features that let you record your keyboard performances — using up to six separate tracks — and create your own complete, fully orchestrated compositions. Up to three User songs can be recorded and saved. There are two record modes: Realtime and Step.

  • Page 80: Recording A User Song — Realtime Recording

    SONG RECORDING RECORDING A USER SONG — REALTIME RECORDING In brief, the basic operation for recording is: 1) Make all desired PortaTone settings. 2) Select the Realtime Record mode. 3) Select a User song for recording. 4) Select a track number. 5) Start recording.

  • Page 81: Using The Metronome

    Using the Metronome You can use the Metronome instead of a style if desired. This allows you to keep your performance “in time,” even when recording without rhythmic accompani- ment. To do this, press the METRONOME button before recording in step #5 below. After the song is completely recorded, simply play back the song with the Metro- nome turned off.

  • Page 82
    SONG RECORDING Recording to the Chord Track A special Chord track is provided for recording accompaniment data. This is automatically recorded to the Chord track (track 6). To select the Chord track and turn on the accompaniment, press the ACMP ON/OFF button.

  • Page 83: Additional Operations

    Listen to your new recording. To play back the song from the beginning, simply press the START/STOP button again. Playback stops automatically at the end of the song, or when the START/STOP button is pressed again. Record to other tracks as desired. To do this, simply repeat steps #4 — #7 above.

  • Page 84: Recording A User Song — Step Recording

    SONG RECORDING RECORDING A USER SONG — STEP RECORDING The basic steps for Step recording are similar to those for Realtime recording. In brief, the basic operation is: 1) Make all desired PortaTone settings. 2) Select the Step Record mode. 3) Select a User song for recording.

  • Page 85: Recording Notes

    Select a User song for recording. This operation is the same as that of Realtime recording (page 81). Select a track number. Press the SONG MEMORY button corresponding to the desired track. Recording to the Chord Track A special Chord track is provided for recording accompaniment data. This is automatically recorded to the Chord track (track 6).

  • Page 86
    SONG RECORDING 3) Select the note (time) value with the numeric keypad. (The note value is shown as an icon in the display.) For example, play middle C (C3), then press the “4” button (1/8 note). SONG MEASURE 001 201 Measure number (96 Clicks) Beat…

  • Page 87: Additional Operations

    Additional Operations Recording Chords and Sections to the Chord Track: 1) Play a chord in the accompaniment section of the keyboard. (“Chord“ and the chord name appears in the display.) RECORD ACMP ON Chords can be entered manually (with the Dictionary function), or played with Multi Fingering.

  • Page 88: Replacing A Note Or Rest

    SONG RECORDING Listen to your new recording. You can listen to the entire step recorded track at any time by pressing the START/STOP button. The track you are working on plays back (until stopped), and returns to Step recording at the next position. Keep in mind that this only plays the selected track.

  • Page 89: Entering Velocity Curves

    Entering Velocity Curves In Step recording, all notes are recorded at the same velocity or volume. To make a Step-recorded track sound more natural or to create some dynamic changes in the track, use the Velocity Curve function. 1) Select the first note to be affected by the Velocity Curve (by using the +/- buttons of the numeric keypad).

  • Page 90: Clearing A Song

    SONG RECORDING CLEARING A SONG The Song Clear operation (of the Function parameters) completely erases all recorded data on all tracks of a selected User song. Use this operation only when you’re sure you want to erase a song and record a new one. Select the Function mode.

  • Page 91: Footswitch

    FOOTSWITCH The PortaTone has a footswitch feature that can be used to control a variety of functions and operations. By using your foot to conveniently control these func- tions, you free your hands to concentrate on your performance. Normally, this is used as a damper pedal, producing pedal-controlled sustain for piano and other instrument sounds that have a natural decay.

  • Page 92: Footswitch Assign Functions

    FOOTSWITCH Footswitch Assign Functions Function Name Sustain EZ Chord Increment Start/Stop Intro/Ending Main A Main B Harmony On/Off Dual On/Off Split On/Off Reverb On/Off Chorus On/Off DSP On/Off Exit the Function mode. Once you’ve made the desired setting, press one of the other mode but- tons (SONG, STYLE, or VOICE).

  • Page 93: Midi Functions

    So then what is the information from the keyboard that becomes the basis for note production? For example, let’s say you play a “C” quarter note using the grand piano sound on the PSR-270 keyboard. Unlike an acoustic instrument that puts out a resonated note, the electronic instrument puts out information from the keyboard such as “with what voice,”…

  • Page 94: Channel Messages

    Control Change, Program Change and various other types of MIDI data, or messages. The PSR-270 can control a MIDI device by transmitting note related data and various types of control- ler data. The PSR-270 can be controlled by the incoming MIDI messages which automatically deter- mine tone generator mode, select MIDI channels, voices and effects, change parameter values and of course play the voices specified for the various parts.

  • Page 95: Connecting To A Personal Computer

    CONNECTING TO A PERSONAL COMPUTER By connecting your PSR-270’s MIDI terminals to a personal computer, you can have access to a wide variety of music software. When using a MIDI interface device installed in the personal computer, connect the MIDI terminals of the personal computer and the PSR-270.

  • Page 96: Function Parameters — Midi

    MIDI FUNCTIONS FUNCTION PARAMETERS — MIDI The Function parameters provide additional, more detailed MIDI settings for the PortaTone. These settings include: • Remote Channel • Keyboard Out • Accompaniment Out • Local Control Call up the Function mode. Press the FUNCTION button. Select the desired Function parameter.

  • Page 97
    Function Parameters No. Parameter Name Display Name Remote Channel RemoteCh This determines how the PortaTone is controlled by a “remote” (external) MIDI keyboard. Set this to one of the 16 channels (01 — 16) for using an external keyboard to remotely control the PortaTone functions over the selected channel.
  • Page 98
    8), which you can then reload any time you need. For example, you can save data to floppy disk on a computer or a MIDI data filer (such as the Yamaha MDF3), and have unlimited storage capability for your valuable PortaTone data. (For detailed instructions, see the section “USING BULK DUMP SEND TO SAVE DATA”…

  • Page 99: Using Bulk Dump Send To Save Data

    First, set up the connected MIDI device for re- cording the data. The actual procedure may differ depending on your particular equip- ment and software. For example, if you are using the Yamaha MDF3 MIDI Data Filer: 1) Make the appropriate MIDI connections.

  • Page 100
    MIDI FUNCTIONS At the “Sure?” prompt, start sending the data. Press the + button to actually start transmitting the data, or press the — button to cancel the operation and return to step 3. STYLE FUNCTION As the data is being sent, the display indicates the various stages of data transmission until the operation is complete: STYLE FUNCTION…

  • Page 101: Loading Bulk Data

    Set up the connected MIDI device for sending the appropriate data. The actual procedure may differ depending on your particular equip- ment and software. For example, if you are using the Yamaha MDF3 MIDI Data Filer: 1) Make the appropriate MIDI connections.

  • Page 102: Using Initial Setup Send With A Sequencer

    MIDI FUNCTIONS When the operation is completed, the following display briefly ap- pears (before returning to the original operation). STYLE FUNCTION USING INITIAL SETUP SEND WITH A SEQUENCER The most common use for the Initial Setup Send function is in recording a song on a sequencer that is intended for playback with the PortaTone.

  • Page 103
    At the “InitSnd?” prompt above, set the opera- tion to standby. Press the + button. Sure? STYLE FUNCTION Start recording on the sequencer, then send the Initial Setup data. Start recording on the sequencer in the normal way, then — with as little delay as possible —…

  • Page 104: Troubleshooting

    TROUBLESHOOTING Problem When the PortaTone is turned on or off, a popping sound is temporarily produced. When using a mobile phone, noise is produced. There is no sound even when the keyboard is played or when a song is being played back. The selected voice does not sound properly, or is too low in volume.

  • Page 105: Data Backup & Initialization

    DATA BACKUP & INITIALIZATION Except for the data listed below, all PSR-270 panel settings are reset to their initial settings whenever the power is turned on. The data listed below are backed up — i.e. retained in memory — as long as an AC adaptor is connected or a set of batteries is installed.

  • Page 106: Specifications

    Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer.

  • Page 107: Song Scores

    SONG SCORES (EZ Chord banks 1, 2) EZ Chord Bank 1 Style No.1 8Beat Pop 1 EZ Chord Bank 2 Style No.93 Swing Menuet The Entertainer…

  • Page 108: Voice List

    VOICE LIST Maximum Polyphony The PSR-270 has 32-note maximum polyphony. This means that it can play a maximum of up to 32 notes at once, regardless of what functions are used. Auto Accompaniment uses a number of the available notes, so when Auto Accompani- ment is used the total number of available notes for playing on the keyboard is correspondingly reduced.

  • Page 109
    Panel Voice List MIDI Bank Select Voice Program Number Change# PIANO Grand Piano Bright Piano Honky-tonk Piano Funky Electric Piano DX Electric Piano MIDI Grand Piano CP 80 Hyper Electric Piano Bell Electric Piano Harpsichord Clavi Celesta MALLET Vibraphone Marimba Xylophone Tubular Bells Timpani…
  • Page 110
    VOICE LIST GM Voice List MIDI Bank Select Voice Program Number Change# PIANO CHROMATIC ORGAN GUITAR BASS STRINGS ENSEMBLE Voice Voice Name Number Acoustic Grand Piano Bright Acoustic Piano Electric Grand Piano Honky-tonk Piano Electric Piano 1 Electric Piano 2 Harpsichord Clavi Celesta…

  • Page 111: Style List

    MIDI Bank Select Voice Program Number Change# Fiddle Shanai PERCUSSIVE Tinkle Bell Agogo Steel Drums Woodblock Taiko Drum Melodic Tom Synth Drum Reverse Cymbal STYLE LIST Style Style Style Name Number Number 8BEAT 8Beat Pop 1 8Beat Pop 2 8Beat Uptempo 8Beat Standard Folkrock Pop Rock…

  • Page 112: Drum Kit List

    DRUM KIT LIST • “<——” indicates that the drum sound is the same as “Standard Kit 1”. • Each percussion voice uses one note. • The MIDI Note # and Note are actually one octave lower than listed. For example, in “101: Standard Kit 1”, the “Seq Click H”…

  • Page 113
    Voice# Bank MSB# Bank LSB# Program Change# Keyboard MIDI Key Alternate Note# Note Note# Note Assign <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— Reverse Cymbal <—— Hi Q SD Elec H2 <—— Bass Drum H <——…

  • Page 114: Midi Implementation Chart

    MIDI IMPLEMENTATION CHART [Portable Keyboard] Model: PSR-270 Function Basic Default 1 — 16 Channel Changed 1 — 16 Default Mode Messages Altered ************** Note 0 — 127 Number : True voice ************** Velocity Note ON O 9nH, v=1 — 127…

  • Page 115
    NOTE: *1 By default (factory settings) the PSR-270 ordinarily functions as a 16- channel multi-timbral tone generator, and incoming data does not affect the panel voices or panel settings. However, the MIDI messages listed below do affect the panel voices, auto accompaniment, and songs.

  • Page 116: Effect Map

    Reverb, Chorus and DSP effect types which are not accessible from the PSR-270 panel itself. When one of the effects is selected by the external sequencer, “ — ” will be shown on the display.

  • Page 117: Index

    INDEX Misc. +/- keys … 29 AC adaptor … 8 accessory jacks … 9 accompaniment controls … 52 accompaniment sections … 54 Accompaniment Split Point … 58, 59 Accompaniment Volume … 55 accompaniment, playing … 47 amplifier/stereo system, using an external .. 9 auto accompaniment …

  • Page 118: Limited Warranty

    PSR SERIES OF PORTATONE ELECTRONIC KEYBOARDS If during the first 90 days that immediately follows the purchase date, your new Yamaha product covered by this warranty is found to have a defect in material and/or workmanship, Yamaha and/or its authorized representative will repair such defect without charge for parts or labor.

  • Page 119: North America

    For details of products, please contact your nearest Yamaha or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. NORTH AMERICA CANADA Yamaha Canada Music Ltd.

  • Page 120
    M.D.G., EMI Division © 1999 Yamaha Corporation V332710 ???PO???.?-01A0 Printed in China…

Источник
  • Yamaha PSR-270 — page 1

    …

  • Yamaha PSR-270 — page 2

    This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If …

  • Yamaha PSR-270 — page 3

    3 • Do not use the instrument near other electrical products such as televi- sions, radios, or speakers, since this might cause interference which can affect proper operation of the other products. • Do not place the instrument in an unstable position where it might acci- dentally fall over. • Before moving the instrument, remove all connecte …

  • Yamaha PSR-270 — page 4

    Congratulations on your purchase of the Y amaha PSR-270 PortaT one! Y ou now own a portable keyboard that combines advanced func- tions, great sound and exceptional ease-of-use in a highly compact package. Its outstanding features also make it a remarkably ex- pressive and versatile instrument. Read this Owner’ s Manual car efully while playing y …

  • Yamaha PSR-270 — page 5

    5 Contents SELECTING AND PLA YING SONGS — THE SONG MODE 75 SELECTING AND PLA YING A SONG 75 CHANGING THE TEMPO ……………. 76 ABOUT THE BEA T DISPLA Y …………. 77 ADJUSTING THE SONG VOLUME … 78 SONG RECORDING 79 RECORDING A USER SONG — REALTIME RECORDING ……………… 80 • Using the Metronome ………… 81 • Additional Op …

  • Yamaha PSR-270 — page 6

    6 P AN E L CO NTRO L S AN D TE R M I NAL S Front Panel 쐃 MASTER VOLUME dial This determines the overall volume of the PortaT one. 쐇 OVERALL buttons ( ▲ , ▼ , +, -) These are for selecting the various “overall” functions and setting their values. (See pages 22, 24.) 쐋 FUNCTION button This selects the Function mode. (See page 18.) 쐏 S …

  • Yamaha PSR-270 — page 7

    7 씈 INTRO/ENDING button When the Style mode is selected, this is used to control the Intro and Ending functions. (See pages 49, 51.) 씉 MAIN A/B (AUTO FILL) buttons When the Style mode is selected, these are used to change auto accompaniment sections and control the Auto Fill function. (See page 54.) 씊 CHORD GUIDE button When the Style mode is …

  • Yamaha PSR-270 — page 8

    8 SE TT I NG U P This section contains infor mation about setting up your PortaT one for playing. Make sure to read this section carefully before using the instrument. ■ When the Batteries Run Down When the batteries run low and the battery voltage drops below a certain level, the PortaT one may not sound or function pr operly . As soon as this h …

  • Yamaha PSR-270 — page 9

    9 ■ Using the MIDI T erminals • Make sure that the footswitch plug is properly connected to the FOOT SWITCH jack before turning on the power . • Do not press the footswitch while turning the power on. Doing this changes the recognized polarity of the footswitch, resulting in reversed footswitch operation. SE TTI NG UP ACCESSO R Y JACKS ■ Us …

  • Yamaha PSR-270 — page 10

    10 The PSR-270 features a total of 238 high-quality voices. Let’ s tr y a few of them out… Panel voices ……….. 1 — 100 (100 voices) 101 — 110 (10 drum kit voices) GM voices ………….. 111 — 238 (128 voices) Selecting other voices z Enter the V oice mode. x Select a voice. c Play the keyboard. W ant to find out more? See page 27. 002 Br …

  • Yamaha PSR-270 — page 11

    11 Step1 V oices Panel V oice List Changing the Metronome V olume 1 Press one of the OVERALL ▲ / ▼ buttons until “MtrVol” is shown in the display . 2 Press the OVERALL + or — button to raise or lower the value. W ant to find out more? See page 24. W ant to find out more? See page 26. Playing along with the Metronome q Press the METRONOME bu …

  • Yamaha PSR-270 — page 12

    12 Using the auto accompaniment The PSR-270 has powerful and easy-to-use auto accompaniment features. All you have to do is play chords with your left hand — and the PortaT one automatically pr oduces appropriate bass, chord, and rhythm backing for your perfor- mance. Use your right hand to play melodies, and you’ll sound like an entire band! z …

  • Yamaha PSR-270 — page 13

    13 Selecting a complete music style with ideal voice and other settings — One T ouch Setting The PortaT one features 100 different styles in various music genres. W ith the One T ouch Setting function, you can call up voice and other settings that best match the selected style. Each style has been programmed with two Preset One T ouch Settings. z …

  • Yamaha PSR-270 — page 14

    14 Using the Chord Guide function Learning how to play specific chords z Enter the Style mode, then press the CHORD GUIDE button until “Dict.” is shown in the display . x Specify the root note of the chord. v Play the notes of the chord as indicated in the keyboard diagram in the display . c Specify the chord type of the chord. Step 3 Chord Gui …

  • Yamaha PSR-270 — page 15

    15 Playing chord progressions (songs) with just one finger q Enter the Style mode, then press the CHORD GUIDE button until “EZ. is shown in the display . w Select an EZ Chord bank. Continue pressing the same key each time you want a new chord to be played. e Start the auto accompaniment. The EZ Chord function gives you an exceptionally easy way t …

  • Yamaha PSR-270 — page 16

    16 Playing a song Changing the tempo (speed) of the song q Press one of the OVERALL ▲ / ▼ buttons until “T empo” is shown in the display . Changing the volume of the song q Press one of the OVERALL ▲ / ▼ buttons until “SongV ol” is shown in the display . w Press the OVERALL + or — button to raise or lower the volume of the song. w P …

  • Yamaha PSR-270 — page 17

    17 Recording your own song The PSR-270 lets you r ecor d your own songs by using two different methods — Realtime and Step. T r y out both of these recording methods yourself… 1 Select the desired recording mode by pressing the RECORD button. Realtime recording Step recording This method is much like using a conventional tape r ecor der , letti …

  • Yamaha PSR-270 — page 18

    18 Using the Function parameters The PSR-270 has a variety of settings in the Function parameters. These give you detailed control over many of the PSR-270’ s features. z Press the FUNCTION button. Step 5 F unction P arameters x Select a Function number . For a list of functions, see page 19. The Function number can be selected while the “FUNCT …

  • Yamaha PSR-270 — page 19

    19 Function page F01 M.Volume Main Voice V olume 31 F02 M.Octave Main Voice Octave 31 F03 M.Pan Main Voice Pan 31 F04 M.RevLvl Main Voice Reverb Send Level 31 F05 M.ChoLvl Main Voice Chor us Send Level 31 F06 M.DspLvl Main Voice DSP Effect Send Level 31 F11 D.Volume Dual V oice V olume 35 F12 D.Octave Dual V oice Octave 35 F13 D.Pan Dual V oice Pan …

  • Yamaha PSR-270 — page 20

    20 Using M I DI The PSR-270 also features rear panel MIDI terminals (MIDI IN and MIDI OUT) as well as a comprehensive set of MIDI functions, that let you use the instrument in a variety of record- ing and performance applications. Step 6 MI D I ● Sending original song and One T ouch Setting data to another PSR-270. ➔ See “Using Bulk Dump Send …

  • Yamaha PSR-270 — page 21

    21 Step 6 M IDI ● In this setup you can record your PSR-270 perfor mance, including the auto accompani- ment, to a connected computer or sequencer . (Up to 16 channels can be used.) Y ou can then edit the recorded data on the computer or sequencer , and play it back using the sounds of the PSR-270. ➔ See page 95. ➔ See “Using Initial Setup …

  • Yamaha PSR-270 — page 22

    22 P A N EL DISPLA Y I N DIC A T IONS The PortaT one features a large multi-function display that shows all important settings for the instrument. The section below briefly explains the various icons and indications in the display . The LCD’ s backlight will gradually dim over a long period of use. When the display becomes dim or hard to read, co …

  • Yamaha PSR-270 — page 23

    23 쐄 Measur e and T empo These show the current measure during play- back of a song or style, and the currently set T empo value for the song or style. 쐂 Beat indicators These dark bars (one large, three small) flash in sequence and in time with the song or style. The large bar indicates the first beat of the measure. (See page 77.) 쐆 Chord W …

  • Yamaha PSR-270 — page 24

    24 PO R T AB LE GR AN D This convenient function lets you automatically exit from any other mode or function and instantly call up the Grand Piano voice. Press the PORT ABLE GRAND button. Doing this automatically cancels any other mode or function, and resets the entire instrument for playing the special “Stereo Sampled Piano” Grand Piano voice …

  • Yamaha PSR-270 — page 25

    25 Decreases T empo value Increases T empo value 2 Change the value. Use the OVERALL +/- buttons to increase or decrease the T empo value. Holding down either button continuously increases or decreases the value. 3 T ur n on the Metronome. Press the METRONOME button. T o tur n the Metronome off, press the METRONOME button again. Setting the Metrono …

  • Yamaha PSR-270 — page 26

    26 Adjusting the Metronome V olume Y ou can adjust the volume of the Metronome sound independently of the other PortaT one sounds. The volume range is 000 — 127. Restoring the Default Metr onome V olume V alue T o restore the default Metronome V olume value (100), press both OVERALL +/- buttons simultaneously (when Metronome Volume is selected in t …

  • Yamaha PSR-270 — page 27

    27 PL A YI N G VO I C ES — TH E VO I C E MO D E The V oice mode featur es 228 authentic voices (including 128 General MIDI voices), plus 10 special drum kits — all of which have been created with Y amaha’ s sophisticated AWM (Advanced W ave Memory) tone generation system. The V oice mode gives you many powerful and versatile tools for playing …

  • Yamaha PSR-270 — page 28

    28 There are three ways to select voices: 1) directly entering the voice number with the numeric keypad, 2) using the +/- keys to step up and down through the voices, or 3) pressing the VOICE button to advance through the voice numbers. 2 Select the desir ed voice number . Use the numeric keypad. The basic categories of voices and their numbers are …

  • Yamaha PSR-270 — page 29

    29 Using the +/- keys Pr ess the + key to select the next voice number , and pr ess the — key to select the previous voice. Holding down either key continuously scrolls up or down through the numbers. The +/- keys have a “wrap around” fea- ture. For example, pressing the + key from voice #238 returns to voice #1. Using the VOICE button Pr ess t …

  • Yamaha PSR-270 — page 30

    30 PL A YI N G VOIC ES — TH E VO ICE MO D E 1 Select the Function mode. Press the FUNCTION button. 2 Select the desir ed Function parameter number . While the “FUNCTION” indication is flashing, use the numeric key- pad to select the desir ed Main V oice Function parameter number (1 — 6). (See the “Parameters” list below for details.) Func …

  • Yamaha PSR-270 — page 31

    31 PLA YI N G VOIC ES — TH E VO ICE MO D E 3 Change the parameter setting or value. After the “FUNCTION” indication stops flashing, use the numeric keypad or +/- buttons to change the value or setting. (The value/ setting is shown to the left of the parameter name.) Restoring the Default V alue If you’ve changed the parameter setting, you c …

  • Yamaha PSR-270 — page 32

    32 PL A YI N G VOIC ES — TH E VO ICE MO D E Y ou can also adjust the tuning and change the transposition (key) of the entir e Por taT one sound with the T ranspose and T uning functions. TR AN SP OSE AN D TU N I N G T ranspose T ranspose deter mines the key of both the main voice and the bass/chord accompaniment of the selected style. It also det …

  • Yamaha PSR-270 — page 33

    33 PLA YI N G VOIC ES — TH E VO ICE MO D E T uning T uning deter mines the fine pitch setting of both the main voice and the bass/chord accompaniment of the selected style. It also determines the pitch of the songs. This allows you to accurately match the tuning with that of other instruments. The T uning settings can be adjusted over a range of …

  • Yamaha PSR-270 — page 34

    34 The Dual V oice mode lets you cr eate richly textur ed sounds by “layering” two different voices together — one voice being the Main voice selected in the normal way (page 27), and the other a Dual voice selected as described below . 1 T urn on the Dual V oice mode. Press the DUAL button. When you play the keyboard, both the currently sele …

  • Yamaha PSR-270 — page 35

    35 5 Set other parameters as needed. T o select and set other parameters, repeat steps 2 — 4 above. 6 Exit the Function mode. Once you’ve made all desired settings, press one of the other mode but- tons (SONG, STYLE, or VOICE). 4 Change the parameter setting or value. After the “FUNCTION” indication stops flashing, use the numeric keypad to c …

  • Yamaha PSR-270 — page 36

    36 In the Split V oice mode, you can assign two differ ent V oices to opposite sections of the keyboard, and play one V oice with your left hand while your right plays another . For example, you could play bass with the left hand and play piano with the right. The right-hand (or upper) V oice is selected in the Main V oice mode (page 27), and the l …

  • Yamaha PSR-270 — page 37

    37 PLA YI N G VOIC ES — TH E VO ICE MO D E 5 Exit the Function mode. Once you’ve made all desired settings, press one of the other mode but- tons (SONG, STYLE, or VOICE). Function Parameters — Split V oice The Function parameters provide all settings for the Split voice. Like the similar settings in the Main V oice mode, these settings let yo …

  • Yamaha PSR-270 — page 38

    38 PL A YI N G VOIC ES — TH E VO ICE MO D E V oice Set and T ouch Sensitivity are two important voice-r elated parameters, and are found in the Utility section of the Function parameters. When V oice Set (described in greater detail below) is set to on, you can automatically call up a variety of voice-related settings that best suit the selected …

  • Yamaha PSR-270 — page 39

    39 PLA YI N G VOIC ES — TH E VO ICE MO D E No. Parameter Name Display Name Range/Settings F72 V oice Set V oiceSet oFF , on F73 T ouch Sensitivity T ouchSns 1 — 3 Description When this is set to on, selecting a voice also automati- cally calls up special voice-related parameters and values that best suit the voice. The parameters included in V …

  • Yamaha PSR-270 — page 40

    40 EF F EC T S The Reverb effect reproduces the natural ambient “wash” of sound that occurs when a instrument is played in a room or concert hall. A total of eight dif ferent Reverb types simulating various different performance environments are available. 1 T ur n on the Reverb effect. Press the REVERB button. Reverb can also be turned on and …

  • Yamaha PSR-270 — page 41

    41 4 Exit the Function mode. Once you’ve made all desired settings, press one of the other mode but- tons (SONG, STYLE, or VOICE). The Chorus effect lets you enhance the sound of a voice with through the use of pitch modulation. Two basic types are pr ovided: Chorus and Flanger . Chorus pr oduces a thicker , war mer , and mor e animated sound, wh …

  • Yamaha PSR-270 — page 42

    42 DS P The DSP effect section provides many reverb and chorus effects, plus a wealth of other useful and dynamic effects for enhancing and changing the sound of the voices. Included among these miscellaneous effects are r everse gate r everb, phaser , rotary speaker , tremolo, echo, delay , distor tion, equalization, and wah. A total of thirty-thr …

  • Yamaha PSR-270 — page 43

    43 EFF ECT S HARM O NY The Harmony section featur es a variety of performance effects that enhance the melodies you play when using the accompaniment styles of the PortaT one. A total of twenty-six Harmony types ar e available. T remolo, T rill and Echo effects can be used even if accompaniment is off. There are five dif ferent Harmony T ypes that …

  • Yamaha PSR-270 — page 44

    44 3 Exit the Function mode. Once you’ve made all desired settings, press one of the other mode but- tons (SONG, STYLE, or VOICE). Function Parameters — Effects The Effect Function parameters provide all effect-related settings (with the exception of the Send parameters in the Main, Dual, and Split sections). These settings include: • Reverb …

  • Yamaha PSR-270 — page 45

    45 EFF ECT S Reverb T ypes No. Reverb Display T ype Name 1 Hall 1 Hall1 2 Hall 2 Hall2 3 Room 1 Room1 4 Room 2 Room2 5 Stage 1 Stage1 6 Stage 2 Stage2 7 Plate 1 Plate1 8 Plate 2 Plate2 9O f f O f f Description Concert hall reverb. Small room reverb. Reverb for solo instruments. Simulated steel plate reverb. No effect. Chor us T ypes No. Chorus Disp …

  • Yamaha PSR-270 — page 46

    46 EFFECT S Harmony T ypes No. Harmony Type Display Name 1 Duet Duet 2 T rio T rio 3 Block Block 4 Country Country 5 Octave Octave 6 T rill 1/4 note T ril1/4 7 T rill 1/6 note T ril1/6 8 T rill 1/8 note T ril1/8 9 T rill 1/12 note T ril1/12 10 T rill 1/16 note T ril1/16 11 T rill 1/24 note T ril1/24 12 T rill 1/32 note T ril1/32 13 T remolo 1/4 not …

  • Yamaha PSR-270 — page 47

    47 AUT O ACCO M P AN I M E NT — TH E ST YLE MO DE The Style mode provides dynamic rhythm/accompaniment patterns — as well as voice settings appropriate for each pattern — for various popular music styles. A total of 100 different styles are available, in several different categories. Each style is made up of separate “sections” — Intro, …

  • Yamaha PSR-270 — page 48

    48 Style numbers can be selected in the same way as with the voices (see page 28). Y ou can use the numeric keypad to dir ectly enter the style number , use the +/- keys to step up and down through the styles, or press the STYLE button to advance through the style numbers. 3 Start the accompaniment. Y ou can do this in one of the following ways: Pr …

  • Yamaha PSR-270 — page 49

    49 AUT O ACCO M P AN IM ENT — TH E ST YLE MODE Starting with an Intro section Each style has its own two- or four-measure Intro section. When used with the auto accompaniment, many of the Intro sections also in- clude special chord changes and embellishments to enhance your performance. T o start with an Intro section: 1) Press the MAIN A or MAIN …

  • Yamaha PSR-270 — page 50

    50 2) Press the INTRO button. 3) Pr ess the SYNC-ST AR T button to enable Sync-Start, and start the Intro section and accompaniment by playing any key on the keyboard. (When auto accompaniment is on, play a key or chord in the auto accompaniment section of the keyboard.) Once the Intro section is finished, the icon section of the display briefly sh …

  • Yamaha PSR-270 — page 51

    51 About the Beat Display The dark bars underneath the style name in the display flash in time with the current tempo during playback (or Sync-Start standby) of the accompaniment. The flashing bars provide a visual indication of both the tempo and time signature of the accompaniment. (For more information, see page 77.) 4 Stop the accompaniment. Y …

  • Yamaha PSR-270 — page 52

    52 ACCO M P AN I M E NT CO NTRO LS When the Style mode is active, the panel buttons below the display function as accompaniment controls. US I N G TH E AUT O ACCO M P AN I M E NT FEA TU R ES 1 T urn on the auto accompaniment. Press the ACMP ON/OFF button to turn on (enable) the auto accompani- ment. 2 Select a style and play the accompaniment. Sele …

  • Yamaha PSR-270 — page 53

    53 3 Change chords using the auto ac- companiment feature. T r y playing a few successive single notes with your left hand, and notice how the bass and chord accompaniment change with each key you play . Y ou can also play full chords to control the auto accompaniment. (Refer to page 56 for more infor- mation on how to use auto accompaniment.) • …

  • Yamaha PSR-270 — page 54

    54 ACCO M P AN I M E NT SEC TI O N S (MAI N A, MAI N B AN D FI LL-I N S) While the accompaniment is playing, you can add variation in the rhythm/ accompaniment by pressing the MAIN/AUTO FILL A or B button. This automatically plays one of four Fill-in sections, and smoothly leads into the next section — even if it is the same section. Each style h …

  • Yamaha PSR-270 — page 55

    55 ADJ US TI N G TH E ACCO M P AN I M E NT VO LU M E The playback volume of the accompaniment can be adjusted. This volume control affects only the accompaniment volume. The volume range is 000 — 127. 1 Select the Accompaniment V olume function in the Overall menu. Pr ess one of the OVERALL ▲ / ▼ buttons, r epeatedly if necessary , until “Acm …

  • Yamaha PSR-270 — page 56

    56 Fingered Chords Using the key of C as an example, the chart below shows the types of chords that can be recognized in the Fingered mode. * Notes enclosed in parentheses are optional; the chords will be recognized without them. US I N G AUT O ACCO M P AN I M E NT — MU L TI FI N G ER I N G When it is set to on (page 52), the auto accompaniment f …

  • Yamaha PSR-270 — page 57

    57 • Notes in parentheses can be omitted. • Playing two same root keys in the adjacent octaves produces accompaniment based only on the root. • A perfect fifth (1 + 5) produces accompaniment based only on the root and fifth which can be used with both major and minor chords. • The chord fingerings listed are all in “root” position, but …

  • Yamaha PSR-270 — page 58

    58 SE T TI N G TH E ACCO M P AN I M ENT SP LIT PO I NT The Accompaniment Split Point determines the highest key for the accom- paniment section. The accompaniment can be played with the keys up to and including the Accompaniment Split Point key . This parameter can be set lower (but not higher) than the Split Point in the Split mode. When set to di …

  • Yamaha PSR-270 — page 59

    59 3 Change the parameter setting or value. After the “FUNCTION” indication stops flashing, use the numeric keypad to change the value or setting. 054 AcmpSPnt STYLE FUNCTION The value can also be set directly by pressing the desired key while this parameter is selected. After setting this, make sure to select a different parameter or exit the …

  • Yamaha PSR-270 — page 60

    60 The simple answer: Three or more notes played simultaneously is a chor d. (Two notes played together is an “interval” — an inter val being the distance between two differ ent notes. This is also r eferred to as a “harmony .”) Depending on the intervals between the thr ee or more notes, a chord can sound beautiful or muddy and dissonant …

  • Yamaha PSR-270 — page 61

    61 Knowing how to read and write chord names is an easy yet invaluable skill. Chords are often written in a kind of shorthand that makes them instantly recognizable (and gives you the free- dom to play them with the voicing or inversion that you prefer). Once you understand the basic principles of harmony and chords, it’ s ver y simple to use thi …

  • Yamaha PSR-270 — page 62

    62 CH O R D GU I D E The Chor d Guide functions of the Por taT one provide power ful, easy-to-use tools for learning chords and chord relationships. Chord Guide features three dif fer ent types of operation: Dictionary , Smar t, and EZ Chord. • Pressing the CHORD GUIDE button automatically turns on the auto accompaniment. • When you wish to use …

  • Yamaha PSR-270 — page 63

    63 3 Specify the type of the chord (major , minor , seventh, etc.). Press the key on the keyboard that corresponds to the desired chord type (as printed on the panel). 4 Play the chord. Play the chord (as indicated in the display) in the auto accompani- ment section of the keyboard. The chord name flashes when the correct notes are held down. (Inve …

  • Yamaha PSR-270 — page 64

    64 Smart The Smart type allows you to set the basic key for the chord accompani- ment. Once this is set, you can simply press single keys in the scale and have har monically appr opriate chords played automatically . For example, with the key set to C, playing an D will result in an D minor chord (rather than a harmonically inappropriate D major). …

  • Yamaha PSR-270 — page 65

    65 For example, to play the following music score, select number 15 so that the key is set to b =1 (F , or Dm). 4 Play the accompaniment, and play single note chords (root notes) in the auto accompaniment section. Start accompaniment playback in the desired way . (For specific instructions on starting the accompaniment, see page 48.) For example, w …

  • Yamaha PSR-270 — page 66

    66 EZ Chord The EZ Chord function is an exceptionally flexible and easy way to program semi-automatic backing for your performances. It lets you record all necessary chord changes for an entire song, and then allows you to “play” each chord in the sequence you programmed by simply pressing a single key in the auto accompaniment section of the k …

  • Yamaha PSR-270 — page 67

    67 3 Select the desired EZ Chord bank. Use the numeric keypad. Buttons 1 — 8 select EZ Chord banks #1 — #8, respectively . Button 9 selects the bank chain “A-1” bank (see box below). 4 Start the accompaniment. Use any one of the methods described on page 48 to start the ac- companiment. The EZ Chord chords can also be played back without the fu …

  • Yamaha PSR-270 — page 68

    68 EZ Chord — Recording 1 Enable recording. Pr ess the RECORD button, r epeatedly if necessar y , until EZ Chord recording is selected. (“EZ” appears in the display and the “RECORD” indication flashes for a couple of seconds.) 2 Select the desired EZ Chord bank. Use the numeric keypad. Buttons 1 — 8 select EZ Chord banks #1 — #8, respecti …

  • Yamaha PSR-270 — page 69

    69 3) Press the + button in the numeric keypad. This actually records the chord to the selected block and automati- cally moves to the next block. This step is necessary; the chord is not actually recorded until you press the + button. (Pressing the — button will select the previous block without recording the chord.) T o record a sequence of chor …

  • Yamaha PSR-270 — page 70

    70 HINT — Using Spaces If your chord progressions are not long and the maximum memory space for chor ds isn’t ver y impor tant to you, you can use the spaces between recorded blocks to good advantage. (Keep in mind that spaces have no effect during playback; the EZ Chord function automatically skips the space or spaces and plays the next chord. …

  • Yamaha PSR-270 — page 71

    71 Clearing an EZ Chord Bank This operation lets you erase (clear) all recorded chords for the se- lected EZ Chord bank. 1 Enable the EZ Chord Record mode. Pr ess the RECORD button, r epeatedly if necessar y , until EZ Chord recording is selected. (“EZ” appears in the display and the “RECORD” indication flashes for a couple of seconds.) 2 S …

  • Yamaha PSR-270 — page 72

    72 ON E TO U C H SE T TI N G — U S E R Four User banks each with four different settings — a total of sixteen — are available for your custom settings. Each of the sixteen User One T ouch Settings can have differ ent settings for the following parameters: • Main voice number • All Main voice settings (Volume, Octave, Pan, Reverb Level, Ch …

  • Yamaha PSR-270 — page 73

    73 ON E TOU CH SETTI NG (OT S) 5 Exit from the Record mode. Press the RECORD button. Recalling a User One T ouch Setting Once you’ve recorded your settings to a User button, you can in- stantly recall those settings any time you want. 1 Call up the Style mode. Press the STYLE button. 2 Press the appropriate ONE TOUCH SETTING USER button. Press th …

  • Yamaha PSR-270 — page 74

    74 Preset One T ouch Settings ar e used in a slightly dif ferent way than the User settings. First, select a style, then select a Preset OTS. The Preset A and B settings have been specially programmed at the factory to match the selected style. This means that you can select the style you want, then choose a Preset that has the best suited voice, e …

  • Yamaha PSR-270 — page 75

    75 SE LEC TI N G AN D PL A YI NG SO N GS — TH E SO N G MO D E SELECTI N G AN D PL A YI N G A SO N G 1 Select the Song mode. Press the SONG button. Indicates Song mode is selected 003 Rockin’ SONG Song name and number The Song mode features six songs — three demo songs that have been created using the rich and dynamic sounds of the PortaT o …

  • Yamaha PSR-270 — page 76

    76 3 Start the selected song. Pr ess the ST ART/STOP button. As the song plays back, the measure num- ber and chords are shown in the display . 4 If you want to change to another song, repeat step 2 above. 5 Stop the song. Pr ess the ST ART/STOP button. If playback was started by pressing the ST AR T/STOP button, the selected song stops automatical …

  • Yamaha PSR-270 — page 77

    77 2 Change the value. Use the OVERALL +/- buttons to increase or decrease the T empo value. Holding down either button continuously increases or decreases the value. Restoring the Default T empo V alue Each song and style has been given a default or standard tempo. If you’ve changed the tempo, you can restore the original default setting by pres …

  • Yamaha PSR-270 — page 78

    78 The playback volume of the song can be adjusted. This volume control affects only the song volume. The volume range is 000 — 127. 1 Select the Song V olume function in the Overall menu. Press one of the OVERALL ▲ / ▼ buttons, repeatedly if necessary , until “SongV ol” appears in the display . AD J U STI N G TH E SO N G VOLU M E 2 Change …

  • Yamaha PSR-270 — page 79

    79 SO N G RECO R D I N G The Por taT one featur es powerful and easy-to-use song recording features that let you recor d your keyboard performances — using up to six separate tracks — and cr eate your own complete, fully or chestrated compositions. Up to three User songs can be recorded and saved. There are two record modes: Realtime and Step. …

  • Yamaha PSR-270 — page 80

    80 In brief, the basic operation for recording is: 1) Make all desired Por taT one settings. 2) Select the Realtime Record mode. 3) Select a User song for recording. 4) Select a track number . 5) Start recording. 6) Stop recording. 7) Listen to your new recording. 8) Record to other tracks as desired. 9) Exit from the Record mode. RECO R D I N G A …

  • Yamaha PSR-270 — page 81

    81 2 Select the Realtime Record mode. Pr ess the RECORD button, r epeatedly if necessar y , until “RealTime” appears at the top of the display . 3 Select a User song for recording. Use the numeric keypad to select the desired song: User 1 (004), User 2 (005), or User 3 (006). User song numbers can be selected in the same way as with the voices …

  • Yamaha PSR-270 — page 82

    82 5 Start recording. When the “RECORD“ indication stops flashing and the beat bars and track number start flashing, you can start recording simply by playing the key- board (or by pressing the ST ART/STOP button). Recor ding to the Chord T rack A special Chord track is provided for recording accompaniment data. This is automatically r ecorded …

  • Yamaha PSR-270 — page 83

    83 ■ Additional Operations Muting T racks During Playback While recording is enabled, you can selectively mute different tracks. This is useful for when you want to clearly hear certain tracks, and not others, during recording. Muting can also be done “on the fly” during playback. T o use muting, press the corresponding SONG MEMORY button, re …

  • Yamaha PSR-270 — page 84

    84 SONG RECO RD I N G RECO R D I N G A US ER SO N G — STE P RECO RD I N G The basic steps for Step recording are similar to those for Realtime recording. In brief, the basic operation is: 1) Make all desired Por taT one settings. 2) Select the Step Record mode. 3) Select a User song for recording. 4) Select a track number . 5) Start r ecording. E …

  • Yamaha PSR-270 — page 85

    85 SONG RECO RD I N G 3 Select a User song for recording. This operation is the same as that of Realtime recording (page 81). 4 Select a track number . Press the SONG MEMORY button corresponding to the desired track. Recor ding to the Chord T rack A special Chord track is provided for recording accompaniment data. This is automatically r ecorded to …

  • Yamaha PSR-270 — page 86

    86 The beat bars also indicate the current recording position (as the beat of the measure). The note is automatically entered and Step recording moves to the next available position. For example, if a whole note is entered at the beginning of measure 1, the next position is the beginning of mea- sure 2. As mentioned above, you can use the +/- keys …

  • Yamaha PSR-270 — page 87

    87 SONG RECO RD I N G =+ Recording T riplets and Dotted Notes: 1) At the desired position, press the corresponding numeric keypad button (“7” for dotted or “9” for triplets). 2) Press the numeric keypad button for the desired note value. ■ Additional Operations Recording Chor ds and Sections to the Chord T rack: 1) Play a chord in the acc …

  • Yamaha PSR-270 — page 88

    88 SONG RECO RD I N G This operation deletes all previously recorded notes that follow the note to be replaced. Make sure you wish to delete any subsequent notes before actually replacing the selected note or rest. Replacing a Note or Rest If you want to change a note or rest you’ve just recorded, you can easily r eplace it with a new one. T o do …

  • Yamaha PSR-270 — page 89

    89 SONG RECO RD I N G Entering V elocity Cur ves In Step r ecording, all notes are recorded at the same velocity or volume. T o make a Step-recorded track sound more natural or to create some dynamic changes in the track, use the V elocity Curve function. 1) Select the first note to be affected by the V elocity Curve (by using the +/- buttons of th …

  • Yamaha PSR-270 — page 90

    90 CLEAR I N G A SO N G The Song Clear operation (of the Function parameters) completely erases all recorded data on all tracks of a selected User song. Use this operation only when you’re sure you want to erase a song and record a new one. 1 Select the Function mode. Press the FUNCTION button. 2 Select the Function parameter (61 — 63) correspond …

  • Yamaha PSR-270 — page 91

    91 FO O T SWIT C H The PortaT one has a footswitch feature that can be used to control a variety of functions and operations. By using your foot to conveniently control these func- tions, you free your hands to concentrate on your per formance. Nor mally , this is used as a damper pedal, producing pedal-controlled sustain for piano and other instru …

  • Yamaha PSR-270 — page 92

    92 Footswitch Assign Functions Function Name Display Name Sustain Sustain EZ Chord Increment EZChdInc Start/Stop StartStp Intro/Ending IntroEnd Main A Main A Main B Main B Harmony On/Off Harmony Dual On/Off Dual Split On/Off Split Reverb On/Off Reverb Chorus On/Off Chorus DSP On/Off Dsp Description Damper pedal or sustain operation. Pressing the fo …

  • Yamaha PSR-270 — page 93

    93 M I D I FU N CTI ON S The Por taT one is MIDI-compatible, featuring MIDI IN and MIDI OUT terminals and providing a variety of MIDI-related controls. By using the MIDI functions you can expand your musical possibilities. This section explains what MIDI is, and what it can do, as well as how you can use MIDI on your PSR-270. WHA T IS M I DI? No do …

  • Yamaha PSR-270 — page 94

    94 MIDI is an acronym that stands for Musical Instrument Digital Interface, which allows electronic musical instruments to communicate with each other , by sending and receiving compatible Note, Control Change, Program Change and various other types of MIDI data, or messages. The PSR-270 can control a MIDI device by transmitting note related data a …

  • Yamaha PSR-270 — page 95

    95 M I DI FU NCTION S CON N EC TI N G T O A PE RSO NAL CO M P UTE R By connecting your PSR-270’s MIDI ter minals to a personal computer , you can have access to a wide variety of music software. When using a MIDI interface device installed in the personal computer , connect the MIDI terminals of the personal computer and the PSR-270. Use only spe …

  • Yamaha PSR-270 — page 96

    96 The Function parameters provide additional, more detailed MIDI settings for the PortaT one. These settings include: • Remote Channel • Keyboard Out • Accompaniment Out • Local Control F UNC T I O N P A R A ME T E R S — MIDI 2 Select the desired Function parameter . While the “FUNCTION” indication is flashing, use the numeric keypad …

  • Yamaha PSR-270 — page 97

    97 M ID I F U NCT ION S Function Parameters No. Parameter Name Display Name Range/Settings This determines how the PortaT one is contr olled by a “remote” (external) MIDI keyboard. Set this to one of the 16 channels (01 — 16) for using an external keyboard to remotely control the PortaT one functions over the selected channel. (The remaining 15 …

  • Yamaha PSR-270 — page 98

    98 No. Parameter Name Display Name Range/Settings 85 External Clock ExtClock on/off MI DI F U N CTI ON S This determines whether the style and song playback functions ar e contr olled by the Por taT one’s internal clock (off) or by MIDI clock data from an external sequencer or computer (on). This should be set to “on” when you want to have st …

  • Yamaha PSR-270 — page 99

    99 M ID I F U NCT ION S Saving Bulk Data 1 First, set up the connected MIDI device for re- cording the data. The actual procedure may differ depending on your particular equip- ment and software. For example, if you are using the Y amaha MDF3 MIDI Data Filer: 1) Make the appropriate MIDI connections. 2) Set up the MDF3 for recording MIDI data. (Ref …

  • Yamaha PSR-270 — page 100

    100 As the data is being sent, the display indicates the various stages of data transmission until the operation is complete: When the operation is completed, the following displays appear: 5 Exit from the Bulk Dump Send operation. T o exit fr om Bulk Dump Send, press one of the other mode buttons: SONG, STYLE, or VOICE. 4 At the “Sure?” prompt …

  • Yamaha PSR-270 — page 101

    101 M ID I F U NCT ION S Loading Bulk Data Once you’ve saved PortaT one data as described above, you can easily reload the data back to the PortaT one. 1 Set up the connected MIDI device for sending the appropriate data. The actual procedure may differ depending on your particular equip- ment and software. For example, if you are using the Y amah …

  • Yamaha PSR-270 — page 102

    102 When the operation is completed, the following display briefly ap- pears (before returning to the original operation). The most common use for the Initial Setup Send function is in recording a song on a sequencer that is intended for playback with the PortaT one. Essentially , this takes a “snapshot” of the Por taT one settings and sends th …

  • Yamaha PSR-270 — page 103

    103 M ID I F U NCT ION S 3 At the “InitSnd?” prompt above, set the opera- tion to standby . Press the + button. 4 Start recording on the sequencer , then send the Initial Setup data. Start recording on the sequencer in the normal way , then — with as little delay as possible — press the + button to actually start transmit- ting the data. An …

  • Yamaha PSR-270 — page 104

    104 TRO U B LES H O O TI N G Problem Possible Cause and Solution When the Por taT one is tur ned on or off, a popping sound is temporarily produced. This is normal and indicates that the PortaT one is receiving electrical power . There is no sound even when the keyboard is played or when a song is being played back. Check that nothing is connected …

  • Yamaha PSR-270 — page 105

    105 A strange “flanging” or “doubling” sound occurs when using the PortaT one with a sequencer . (This may also sound like a “dual” layered sound of two voices, even when Dual is turned off.) • If you are routing the MIDI OUT on the PortaT one to a sequencer and back to the MIDI IN, you may want to set Local Control (page 97) to “of …

  • Yamaha PSR-270 — page 106

    106 Keyboards • 61 standard-size keys (C1 — C6), with T ouch Response and Dynamic Filter . Display • Large multi-function LCD display (backlit) Setup • ST ANDBY/ON • MASTER VOLUME : MIN — MAX Panel Controls • OVERALL ( ▲▼ , +, -), FUNCTION, SONG, VOICE, STYLE, POR T ABLE GRAND, METRONOME, [0]-[9], [+](YES/FWD), [-](NO/BWD), DEMO, TOUC …

  • Yamaha PSR-270 — page 107

    107 SO N G SCO R ES (EZ Chord banks 1, 2) 105 The Entertainer Style No.93 Swing EZ Chord Bank 2 Menuet Style No.1 8Bea t Pop 1 EZ Chord Bank 1 …

  • Yamaha PSR-270 — page 108

    108 ■ Maximum Polyphony The PSR-270 has 32-note maximum polyphony . This means that it can play a maximum of up to 32 notes at once, regardless of what functions are used. Auto Accompaniment uses a number of the available notes, so when Auto Accompani- ment is used the total number of available notes for playing on the keyboard is correspondingly …

  • Yamaha PSR-270 — page 109

    109 VOI CE LIST Panel V oice List Voice Bank Select MIDI Voice Name Number MSB LSB Program Change# Voice Bank Select MIDI Voice Name Number MSB LSB Program Change# PIANO 001 0 112 0 Grand Piano 002 0 112 1 Bright Piano 003 0 112 3 Honky-tonk Piano 004 0 112 4 Funky Electric Piano 005 0 112 5 DX Electric Piano 006 0 112 2 MIDI Grand Piano 007 0 113 …

  • Yamaha PSR-270 — page 110

    110 VOICE LI ST GM V oice List Voice Bank Select MIDI Voice Name Number MSB LSB Program Change# Voice Bank Select MIDI Voice Name Number MSB LSB Program Change# 166 0 0 55 Orchestra Hit BRASS 167 0 0 56 Trumpet 168 0 0 57 Trombone 169 0 0 58 Tuba 170 0 0 59 Muted Trumpet 171 0 0 60 French Horn 172 0 0 61 Brass Section 173 0 0 62 Synth Brass 1 174 0 …

  • Yamaha PSR-270 — page 111

    111 VOI CE LIST Voice Bank Select MIDI Voice Name Number MSB LSB Program Change# 221 0 0 110 Fiddle 222 0 0 111 Shanai PERCUSSIVE 223 0 0 112 Tinkle Bell 224 0 0 113 Agogo 225 0 0 114 Steel Drums 226 0 0 115 Woodblock 227 0 0 116 Taiko Drum 228 0 0 117 Melodic Tom 229 0 0 118 Synth Drum 230 0 0 119 Reverse Cymbal STYLE LI ST Style Style Name Number …

  • Yamaha PSR-270 — page 112

    112 DRU M KIT LI S T • “<——” indicates that the drum sound is the same as “Standard Kit 1”. • Each percussion voice uses one note. • The MIDI Note # and Note are actually one octave lower than listed. For example, in “101: Standard Kit 1”, the “Seq Click H” (Note# 36/Note C1) corresponds to (Note# 24/Note C0). • Key O …

  • Yamaha PSR-270 — page 113

    113 106 107 108 109 110 127 127 127 127 127 0 000 0 25 27 32 40 48 MIDI Key Alternate Analog Kit Dance Kit Jazz Kit Brush Kit Symphony Kit1 Note# Note off Assign 13 C # -1 *3 <—— <—— <—— <—— <—— 14 D -1 *3 <—— <—— <—— <—— <—— 15 D # -1 <—— <—— <—— <—— …

  • Yamaha PSR-270 — page 114

    114 M I D I I M P LE M E NT A TI O N C HAR T [P or tab le K eyboard] Date: 7-Dec-1998 Model: PSR-270 MIDI Implementation Chart V ersion: 1.0 Function T ransmitted Recognized Remarks Basic Def ault 1 — 16 1 — 16 *1 Channel Changed 1 — 16 1 — 16 *1 Def ault 3 3 Mode Messages X X Altered ************** X Note 0 — 127 0 — 127 Number : T rue voice ***** …

  • Yamaha PSR-270 — page 115

    115 NOTE: *1 By default (factory settings) the PSR-270 or dinarily functions as a 16- channel multi-timbral tone generator, and incoming data does not af fect the panel voices or panel settings. However , the MIDI messages listed below do affect the panel voices, auto accompaniment, and songs. • MIDI Master Tuning • System exclusive messages fo …

  • Yamaha PSR-270 — page 116

    116 * If the recei ved v alue does not contain an effect type in the TYPE LSB, the LSB will be directed to TYPE 0. * Panel Ef fects are based on the “(Number) Effect Name”. * By using an e xternal sequencer, which is capable of editing and transmitting the system e xc lusiv e messages and parameter changes, you can select the Re verb, Chorus an …

  • Yamaha PSR-270 — page 117

    117 IND E X Misc. +/- keys …………………………………………. 29 A AC adaptor ………………………………………. 8 accessory jacks …………………………………. 9 accompaniment controls ………………….. 52 accompaniment sections ………………….. 54 Accompaniment Split Point …………. 58, 59 Ac …

  • Yamaha PSR-270 — page 118

    L imited W arr ant y 90 DA YS LABOR 1 YEAR P AR TS Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the categories listed below, that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is applicable to all models inclu …

  • Yamaha PSR-270 — page 119

    For details of products, please contact your nearest Yamaha or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten Nie- derlassung und bei Yamaha Ve …

  • Yamaha PSR-270 — page 120

    M.D.G., EMI Division © 1999 Yamaha Corporation V332710 ???PO???.?-01A0 Printed in China …

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