Скачать руководство для photoshop cs3

Следующие учебники и книги:

• Безопасность глобальных сетевых технологий — Зима В., Молдовян А.А., Молдовян Н.А.
• Создание фильма на компьютере — Кузнецов И.
• 3D Studio МАХ 6.0 — Практический курс — Слободецкий И.М.
• Ретуширование и обработка изображений в Photoshop — Айсманн К.

Предыдущие статьи:

• 3ds max 7 — Бондаренко С., Бондаренко М.
• Linux для чайников — От установки и настройки до работы с сетью и подключение к Internet — Ди-Анн Лебланк, Мелани Хоуг, Эван Бломквист
• Самоучитель Linux для пользователя — Костров В.
• Windows XP для чайников — Энди Ратбон

Page 1 — PHOTOSHOP

USER GUIDEADOBE® PHOTOSHOP® CS3

Page 2 — Copyright

PHOTOSHOP CS3User Guide3Most versions of in-product and LiveDocs Help let you search across the Help systems of multiple products. Topicsmay also cont

Page 3 — Contents

PHOTOSHOP CS3User Guide93Alt-click (Windows) or Option-click (Mac OS) Save to suppress the Camera Raw Save Options dialog box whensaving a file.2 In t

Page 4

PHOTOSHOP CS3User Guide94One common task for adjusting an image is to spread out the pixel values more evenly from left to right on thehistogram, inst

Page 5

PHOTOSHOP CS3User Guide95A digital camera records the white balance at the time of exposure as a metadata entry. The Camera Raw plug-inreads this valu

Page 6

PHOTOSHOP CS3User Guide96Tint Sets the white balance to compensate for a green or magenta tint. Decrease Tint to add green to the image;increase Tint

Page 7

PHOTOSHOP CS3User Guide97Fill Light Attempts to recover details from shadows, without brightening blacks. Camera Raw can reconstruct somedetails from

Page 8 — Chapter 1: Getting started

PHOTOSHOP CS3User Guide98Clarity, Saturation, and Vibrance controls in Camera RawYou can change the color saturation (vividness or color purity) of al

Page 9 — Adobe Help

PHOTOSHOP CS3User Guide99Sometimes colors rendered by the Camera Raw plug-in do not look as expected. The cause may be a differencebetween a camera’s

Page 10 — Using Help in the product

PHOTOSHOP CS3User Guide100Another type of chromatic artifact affects the edges of specular highlights, such as those found when light is reflectedoff

Page 11 — Accessibility features

PHOTOSHOP CS3User Guide101Crop selected images in Camera Raw1 In the Camera Raw dialog box, select the Crop tool .To constrain your initial crop area

Page 12 — Resources

PHOTOSHOP CS3User Guide102• To cancel the operation, press Backspace (Windows) or Delete (Mac OS).Repeat this procedure for each area of the image tha

Page 13 — Photoshop CS3 videos

PHOTOSHOP CS3User Guide4Adobe HelpA. Back/Forward buttons (previously visited links) B. Expandable subtopics C. Icons indicating shared topic D. Previ

Page 14 — Installed resources

PHOTOSHOP CS3User Guide103Moving Luminance Smoothing slider right reduces grayscale noise (above right), and moving Color Noise Reduction slider right

Page 15 — Bridge Home

PHOTOSHOP CS3User Guide104Specify where Camera Raw settings are storedChoose a preference to specify where the settings are stored. The XMP files are

Page 16 — Adobe Design Center

PHOTOSHOP CS3User Guide1053 In the Paste Camera Raw Settings dialog box, choose which settings to apply.Apply saved Camera Raw settings1 In Bridge or

Page 17 — Downloads

PHOTOSHOP CS3User Guide106Camera Raw Workflow optionsWorkflow options specify settings for all files output from Camera Raw, including the color bit d

Page 18 — What’s new?

107Chapter 5: ColorColor can be described in several ways using a color model such as RGB or CMYK. As you work in your image, youspecify colors using

Page 19 — Compositing enhancements

PHOTOSHOP CS3User Guide108Subtractive colors (CMYK)C. Cyan M. Magenta Y. Ye ll o w K. BlackThe color wheelIfyou’renewtoadjustingcolorcomponents,ithelp

Page 21 — Chapter 2: Workspace

PHOTOSHOP CS3User Guide110Color modesRGB Color modePhotoshop RGB Color mode uses the RGB model, assigning an intensity value to each pixel. In 8-bits-

Page 22 — Display panel menu options

PHOTOSHOP CS3User Guide111Lab Color modeThe CIE L*a*b* color model (Lab) is based on the human perception of color. The numeric values in Lab describe

Page 23 — Customize the workspace

PHOTOSHOP CS3User Guide112Although its palette of colors is limited, indexed color can reduce file size yet maintain the visual quality needed formult

Page 24 — Manipulate panel groups

PHOTOSHOP CS3User Guide5Keyboard shortcuts for Help navigation (Windows)• To move between panes, press Ctrl+Tab (forward) and Shift+Ctrl+Tab (backward

Page 25 — Resize or minimize panels

PHOTOSHOP CS3User Guide113Add a conditional mode change to an actionYou can specify conditions for a mode change so that the conversion can occur duri

Page 26 — Panels expanded from icons

PHOTOSHOP CS3User Guide1143 Choose one of the following bitmap conversion methods from the Use pop-up menu:50% Threshold Converts pixels with gray val

Page 27 — ❖ In Interface preferences:

PHOTOSHOP CS3User Guide115Pattern Dither conversion method, and Diffusion Dither conversion methodConvert a Bitmap mode image to Grayscale modeYou can

Page 28 — Palettes and menus

PHOTOSHOP CS3User Guide116• System (Windows) Uses the Windows system’s default 8-bit palette, which is based on a uniform sampling of RGBcolors.• Web

Page 29

PHOTOSHOP CS3User Guide117dither amount. A higher amount dithers more colors but may increase file size. You can choose from the followingdither optio

Page 30

PHOTOSHOP CS3User Guide118Black Body Displays a palette based on the different colors a black body radiator emits as it is heated—from black tored, or

Page 31 — Define a set of menus

PHOTOSHOP CS3User Guide119See also“About the HDR Color Picker (Photoshop Extended)” on page 83Choose colors with the Eyedropper toolThe Eyedropper too

Page 32 — About tools

PHOTOSHOP CS3User Guide120The color field in the Adobe Color Picker displays color components in HSB color mode, RGB color mode, and Labcolor mode. If

Page 33

PHOTOSHOP CS3User Guide121As you adjust the color using the color field and color slider, the numerical values for the different color modelsadjustacc

Page 34 — Retouching tools gallery

PHOTOSHOP CS3User Guide122Choose a color by specifying a hexadecimal valueYou can choose a color by specifying a hexadecimal value that define the R,

Page 35 — Painting tools gallery

PHOTOSHOP CS3User Guide6When you start the Adobe Video Workshop, you choose the products you want to learn and the subjects you wantto view. You can s

Page 36

PHOTOSHOP CS3User Guide123Choose a spot colorThe Adobe Color Picker lets you choose colors from the PANTONE MATCHING SYSTEM®, the Trumatch®Swatching S

Page 37 — Change tool pointers

PHOTOSHOP CS3User Guide124TRUMATCH Provides predictable CMYK color matching with more than 2000 achievable, computer-generatedcolors. Trumatch colors

Page 38 — Create and use tool presets

PHOTOSHOP CS3User Guide125• Current Colors to display the spectrum of colors between the current foreground color and the currentbackground color.2 To

Page 39

PHOTOSHOP CS3User Guide126Color selected from image (left), and added to Swatches palette (right)Note: New colors are saved in the Photoshop preferenc

Page 40 — Viewing images

PHOTOSHOP CS3User Guide127You can save the library anywhere. However, if you place the library file in the Presets/Swatches folder in the defaultprese

Page 41 — Zoom in or out

128Chapter 6: Color managementA color management system reconciles color differences among devices so that you can be reasonably certain of thecolors

Page 42

PHOTOSHOP CS3User Guide129A color management system translates colors with the help of color profiles. A profile is a mathematical descriptionof a dev

Page 43 — Match locations in images

PHOTOSHOP CS3User Guide130Creating a viewing environment for color managementYour work environment influences how you see color on your monitor and on

Page 44 — Work with the Info palette

PHOTOSHOP CS3User Guide131Color settings for Adobe Creative Suite are synchronized in a central location through Adobe Bridge.If you decide to change

Page 45

PHOTOSHOP CS3User Guide1324. Set up color management in Adobe applications.The default color settings are sufficient for most users. However, you can

Page 46 — 7 Click OK

PHOTOSHOP CS3User Guide7• Printing photosVideos also show you how to use Photoshop CS3 with other Adobe products:• Using shared elements in Adobe Phot

Page 47

PHOTOSHOP CS3User Guide133The setting you select determines which color working spaces are used by the application, what happens when youopen and impo

Page 49

PHOTOSHOP CS3User Guide135See also“Color management policy options” on page 148Preparing imported graphics for color managementUse the following gener

Page 50

PHOTOSHOP CS3User Guide136Color-managing documents for online viewingColor-managing documents for online viewingColor management for online viewing is

Page 51

PHOTOSHOP CS3User Guide137Proofing colorsSoft-proofing colorsIn a traditional publishing workflow, you print a hard proof of your document to preview

Page 52 — Show or hide Extras

PHOTOSHOP CS3User Guide138Monitor RGB (Photoshop and Illustrator) Creates a soft proof of colors in an RGB document using your currentmonitor color sp

Page 54 — Manage preset items

PHOTOSHOP CS3User Guide140• Purchase a profile for your specific printer and paper. This method involves printing a profiling target on yourprinter an

Page 55 — Preferences

PHOTOSHOP CS3User Guide141Working with color profilesAbout color profilesPrecise, consistent color management requires accurate ICC-compliant profiles

Page 57 — Plug-ins

PHOTOSHOP CS3User Guide8and websites to DVD menus and video buttons. Each template file is professionally constructed and represents abest-use example

Page 58 — Recovery and undo

PHOTOSHOP CS3User Guide143Calibrate and profile your monitorWhen you calibrate your monitor, you are adjusting it so it conforms to a known specificat

Page 60

PHOTOSHOP CS3User Guide145appearanceofcolorsisdefinedbytheapplication’sworkingspaceprofiles,andyoucannolongerembedaprofileinthe document.Assign Curren

Page 62

PHOTOSHOP CS3User Guide147sRGB is recommended when you prepare images for the web, because it defines the color space of the standardmonitor used to v

Page 63 — Memory and performance

PHOTOSHOP CS3User Guide148If the profile is missing or does not match the working space, the application may display a warning message,depending on op

Page 64 — Free memory

PHOTOSHOP CS3User Guide149Missing Profiles: Ask When Opening Displays a message whenever you open an untagged document. You will begiven the option to

Page 65 — Photoshop images

PHOTOSHOP CS3User Guide150Saturation Tries to produce vivid colors in an image at the expense of color accuracy. This rendering intent issuitable for

Page 66

151Chapter 7: Making color and tonaladjustmentsTraditional photographers use different types of film or lens filters to achieve certain color and tona

Page 67

PHOTOSHOP CS3User Guide152Histogram paletteA. Channel menu B. Palette menu C. Uncached Refresh button D. Cached Data Warning icon E. StatisticsAdjust

Page 68 — Image size and resolution

PHOTOSHOP CS3User Guide9Note: Bridge Home may not be available in all languages.Adobe Design CenterAdobe Design Center offers articles, inspiration, a

Page 69 — File size

PHOTOSHOP CS3User Guide153View a specific channel in the histogramIf you chose the Expanded View or All Channels View of the Histogram palette, you ca

Page 70

PHOTOSHOP CS3User Guide154magnification). The original image is cache level 1. At each level above level 1, four adjacent pixels are averaged toarrive

Page 71 — Resampling

PHOTOSHOP CS3User Guide155View color values in an imageYou can use the Info palette to see the color value of pixels as you make color corrections. Wh

Page 72

PHOTOSHOP CS3User Guide156• To view the color values under the color samplers, look at the lower half of the Info palette. To place additionalcolor sa

Page 73

PHOTOSHOP CS3User Guide157• Duplicate or make a copy of the image file. Working on a copy of your image preserves the original in the eventyou need to

Page 75

PHOTOSHOP CS3User Guide1592 Do one of the following:• Choose Image > Adjustments, and choose a command from the submenu.• Create an adjustment laye

Page 76 — Create a new image

PHOTOSHOP CS3User Guide160In RGB mode, you can tell whether a color is out of gamut in the following ways:• In the Info palette, an exclamation point

Page 77

PHOTOSHOP CS3User Guide161You can save Levels dialog box settings to apply to other images. See “Save and reapply adjustment dialog boxsettings” on pa

Page 78

PHOTOSHOP CS3User Guide162Adjusting black and white points with Levels Input sliders4 To adjust midtones, use the middle Input slider to make a gamma

Page 79

PHOTOSHOP CS3User Guide10New ideas are the heart of Think Tank, Dialog Box, and Gallery:• ThinkTankarticlesconsiderhowtoday’sdesignersengagewithtechno

Page 80

PHOTOSHOP CS3User Guide163• Click Options in the Levels dialog box. Click the Midtones color swatch to display the Adobe Color Picker. Enterthe values

Page 81 — Placing files

PHOTOSHOP CS3User Guide164Default Curves dialog boxes for CMYK and RGB imagesA. Default orientation of CMYK tonal output bar B. CMYK Input and Output

Page 82

PHOTOSHOP CS3User Guide165If the Curves dialog box is set to display levels rather than percentages, the highlights are represented in the top rightco

Page 83

PHOTOSHOP CS3User Guide166Ctrl-click (Windows) or Command-click (Mac OS) three areas of an image to add points to the curve. Lightening the highlights

Page 84 — High dynamic range images

PHOTOSHOP CS3User Guide167Keyboard shortcuts: Curves dialog boxYou can use these keyboard shortcuts in the Curves dialog box:• To set a point on the c

Page 85

PHOTOSHOP CS3User Guide1686 If necessary, make final adjustments in the Levels or Curves dialog box.7 Click OK. If you specified new target colors for

Page 86 — Merge images to HDR

PHOTOSHOP CS3User Guide169Note: Click the Reset button to undo a setting in the Hue/Saturation dialog box. Press Alt (Windows) or Option(Mac OS) to ch

Page 87

PHOTOSHOP CS3User Guide170Colorize a grayscale image or create a monotone effect1If you are colorizing a grayscale image, choose Image > Mode >

Page 88

PHOTOSHOP CS3User Guide171Improve shadow and highlight detailThe Shadow/Highlight command is suitable for correcting photos with silhouetted images du

Page 89 — 4 Do any of the following:

PHOTOSHOP CS3User Guide172Tonal Width is set to 50% by default. If you find that you are trying to lighten a dark subject but the midtones orlighter r

Page 90

PHOTOSHOP CS3User Guide11Adobe LabsAdobe Labs gives you the opportunity to experience and evaluate new and emerging technologies and products fromAdob

Page 91

PHOTOSHOP CS3User Guide173Image pixels don’t extend to the ends of the graph, indicating that the image is not using the full tonal range.A. Shadow In

Page 92 — Chapter 4: Camera Raw

PHOTOSHOP CS3User Guide174Targeting images for pressSetting highlight and shadow target valuesAssigning (targeting) an image’s highlight and shadow va

Page 93

PHOTOSHOP CS3User Guide1753 Do one of the following to identify areas of highlights and shadows that you want to preserve in the image:• Movethepointe

Page 94 — 3. Adjust color

PHOTOSHOP CS3User Guide1765 To assign shadow values to the darkest area of the image that you want preserved, double-click the Set Black PointEyedropp

Page 95

PHOTOSHOP CS3User Guide177• IntheImageStatisticsarea,selectUseSelectionInSourceToCalculateColorsifyoumadeaselectioninthesourceimage and want to use th

Page 96 — Camera Raw view controls

PHOTOSHOP CS3User Guide1788 To adjust the range of color pixel values in the target layer, adjust the Color Intensity slider. Alternatively, enter ava

Page 97 — 2 Do any of the following:

PHOTOSHOP CS3User Guide1792 Select a display option:Selection Displays the mask in the preview box. Masked areas are black, and unmasked areas are whi

Page 98

PHOTOSHOP CS3User Guide180• Choose Layer > New Adjustment Layer > Channel Mixer. Click OK in the New Layer dialog box.3 For Output Channel, choo

Page 99

PHOTOSHOP CS3User Guide181Photoshop displays the total value of the source channels in the Total field. If the combined channel values are above100%,

Page 100 — Format options

PHOTOSHOP CS3User Guide182You can also save the settings you make in the Selective Color dialog box for reuse on other images.See also“Save and reappl

Page 101 — PHOTOSHOP CS3

PHOTOSHOP CS3User Guide12Next generation Camera RawProcess raw data—at high quality—from more than 150 digital cameras. You can also apply Camera Raw

Page 103 — Adjust tone in Camera Raw

PHOTOSHOP CS3User Guide184Note: By default, Auto Levels clips the white and black pixels by 0.1%—that is, it ignores the first 0.1% of either extremew

Page 104

PHOTOSHOP CS3User Guide185Remove a color cast with Auto ColorThe Auto Color command adjusts the contrast and color of an image by searching the image

Page 105

PHOTOSHOP CS3User Guide1862 Specify the algorithm you want Photoshop to use to adjust the overall tonal range of an image:Enhance Monochromatic Contra

Page 106

PHOTOSHOP CS3User Guide187Saturation Changes the degree of hue in the image. If you exceed the maximum saturation for a color, it may beclipped.4 Drag

Page 110 — Camera Raw settings

PHOTOSHOP CS3User Guide191Resampling while cropping uses the default interpolation method set in the General preferences.3 Drag over the part of the i

Page 111

PHOTOSHOP CS3User Guide192Transform perspective while croppingThe Crop tool has an option that lets you transform the perspective in an image. This is

Page 112 — Applying a preset

Copyright© 2007 Adobe Systems Incorporated. All rights reserved.Adobe® Photoshop® CS3 User Guide for Windows® and Mac OS.If this guide is distributed

Page 114 — Chapter 5: Color

PHOTOSHOP CS3User Guide193• To cancel the cropping operation, press Esc or click the Cancel button in the options bar.Crop and Straighten photosYou c

Page 115 — See also

PHOTOSHOP CS3User Guide194Arbitrary Rotates the image by the angle you specify. If you choose this option, enter an angle between -359.99 and359.99 in

Page 116

PHOTOSHOP CS3User Guide195Make a photo frameYou can make a photo frame by increasing the canvas size and filling it with a color.You can also use one

Page 117 — Color modes

PHOTOSHOP CS3User Guide196Altering an image with the Clone Stamp tool1 Select the Clone Stamp tool .2 Choose a brush tip and set brush options for the

Page 118

PHOTOSHOP CS3User Guide197(Photoshop Extended) When cloning video or animation, you can set sampling points in the current frame you’repainting or sam

Page 119 — Multichannel mode

PHOTOSHOP CS3User Guide198Specify the clone source offsetWhen using the Clone Stamp tool or Healing Brush tool, you can paint with the sampled source

Page 120

PHOTOSHOP CS3User Guide1994 (Optional) In the Clone Source palette, click a clone source button and set an additional sampling point.You can set up t

Page 121 — Pattern Dither

PHOTOSHOP CS3User Guide2002 Choose a brush size in the options bar. A brush that is slightly larger than the area you want to fix works best sothat yo

Page 122

PHOTOSHOP CS3User Guide201Patched imageRepair an area using sampled pixels1Select the Patch tool .2 Do one of the following:• Drag in the image to sel

Page 123

PHOTOSHOP CS3User Guide202Remove red eyeTheRedEyetoolremovesredeyeinflashphotosofpeopleoranimals,andwhiteorgreenreflectionsinflashphotosof animals.1 S

Page 124

14Chapter 2: WorkspaceThe Adobe® Photoshop® CS3 workspace is arranged to help you focus on creating and editing images. The workspaceincludes menus an

Page 125 — Choosing colors

PHOTOSHOP CS3User Guide203Smudge image areasThe Smudge tool simulates the effect you see when you drag a finger through wet paint. The tool picks up c

Page 126

PHOTOSHOP CS3User Guide204See also“Sharpen filters” on page 393“List of blending modes” on page 344Dodge or burn areasUsed to lighten or darken areas

Page 127

PHOTOSHOP CS3User Guide205Correcting image distortion and noiseAbout lens distortionBarrel distortion is a lens defect that causes straight lines to b

Page 128

PHOTOSHOP CS3User Guide206Chromatic Aberration Corrects color fringing. Zoom in on the image preview to get a closer view of the fringing asyou make t

Page 129

PHOTOSHOP CS3User Guide207Reduce image noise and JPEG artifactsImage noise appears as random extraneous pixels that aren’t part of the image detail. N

Page 130

PHOTOSHOP CS3User Guide208• Sharpening increases image contrast. If you find that highlights or shadows are clipped after you sharpen, use thelayer bl

Page 131

PHOTOSHOP CS3User Guide209Radius Controls the size of the area around each pixel that is used to determine whether a pixel is in the shadows orhighlig

Page 132

PHOTOSHOP CS3User Guide2103 Drag the Radius slider or enter a value to determine the number of pixels surrounding the edge pixels that affectthe sharp

Page 133

PHOTOSHOP CS3User Guide211Selecting a channel with the greatest contrast• Duplicate the selected channel.• With the duplicate channel selected, choose

Page 134

PHOTOSHOP CS3User Guide2124 Choose Select > Inverse.5 With the selection active on the image layer, choose Filter > Sharpen > Unsharp Mask. S

Page 136

PHOTOSHOP CS3User Guide213Transforming objectsApply transformationsTransforming scales, rotates, skews, stretches, or warps an image. You can apply tr

Page 137 — Keeping colors consistent

PHOTOSHOP CS3User Guide214Distort Stretches an item in all directions.Perspective Applies one-point perspective to an item.Warp Manipulates the shape

Page 138

PHOTOSHOP CS3User Guide215Note: If you are transforming a shape or entire path, the Transform menu becomes the Transform Path menu. If you aretransfor

Page 139 — Set up color management

PHOTOSHOP CS3User Guide216Note: If you are transforming a shape or entire path, the Transform command becomes the Transform Path command.If you are tr

Page 140

PHOTOSHOP CS3User Guide217• To warp, click the Switch Between Free Transform And Warp Modes button in the options bar. Drag controlpoints to manipulat

Page 141

PHOTOSHOP CS3User Guide218• If you chose a different transform command or the Free Transform command, click the Switch Between FreeTransform And Warp

Page 142

PHOTOSHOP CS3User Guide219Liquify filterLiquify filter overviewThe Liquify filter lets you push, pull, rotate, reflect, pucker, and bloat any area of

Page 143

PHOTOSHOP CS3User Guide220Magnify or reduce the preview image❖ Select the Zoom tool in the Liquify dialog box, and click or drag in the preview image

Page 144 — Proofing colors

PHOTOSHOP CS3User Guide221Reconstruct Mode Used for the Reconstruct tool, the mode you choose determines how the tool reconstructs an areaof the previ

Page 146

PHOTOSHOP CS3User Guide16Reconfigure the Tools panelYou can display the tools in the Tools panel in a single column, or side by side in two columns.In

Page 147

PHOTOSHOP CS3User Guide223Reconstruction based on distortions in frozen areas.A. Original image B. Distorted with frozen areas C. Reconstructed in Rig

Page 149

PHOTOSHOP CS3User Guide225Important: Only the active layer is distorted, even if other layers are displayed.Showing the backdrop Select Show Backdrop,

Page 150

PHOTOSHOP CS3User Guide226Vanishing Point dialog boxA. Vanishing Point menu B. Options C. To olbox D. Preview of vanishing point session E. Zoom optio

Page 151

PHOTOSHOP CS3User Guide227Zoom tool Magnifies or reduces the view of the image in the preview window.Hand tool Moves the image in the preview window.M

Page 152

PHOTOSHOP CS3User Guide228Defining the four corner nodes with the Create Plane toolTo tear off additional planes, use the Create Plane tool and Ctrl-d

Page 153 — Color settings

PHOTOSHOP CS3User Guide229About perspective planes and the gridBefore you can make edits in Vanishing Point, you define rectangular planes that line u

Page 154

PHOTOSHOP CS3User Guide230Overlapping planesCreate related perspective planesAfter creating a plane in Vanishing Point, you can create (tear off) addi

Page 155

PHOTOSHOP CS3User Guide231Bounding box and grid alerts in Vanishing PointThe bounding box and grid change colors to indicate the plane’s current condi

Page 156 — About rendering intents

PHOTOSHOP CS3User Guide232Copying a selection and moving a selection from one perspective plane to anotherSee also“Fill selections with another area o

Page 157

PHOTOSHOP CS3User Guide17Navigator panel being dragged out to new dock, indicated by blue vertical highlightNavigator panel now in its own dockTo prev

Page 158 — Histogram palette overview

PHOTOSHOP CS3User Guide2332 Choose one of the following from the Move Mode menu to determine the behavior when you move a selection:• To select the ar

Page 159 — Histogram palette

PHOTOSHOP CS3User Guide234Ctrl-dragging (Windows) or Command-dragging (Mac OS) a selectionA. Original selection B. Moving the selection to the source

Page 160 — 2 Do one of the following:

PHOTOSHOP CS3User Guide235Paste an item into Vanishing PointYoucanpasteanitemfromtheclipboardinVanishingPoint.Thecopieditemcanbefromthesamedocumentora

Page 163 — Adjusting color samplers

PHOTOSHOP CS3User Guide238Automatically drawing a measurement in Vanishing PointThe Measure tool can automatically draw the length and width measureme

Page 164 — Correcting images

PHOTOSHOP CS3User Guide2392 In the Export DXF or Export 3DS dialog box, select a location for the saved file and click Save.Render grids to PhotoshopB

Page 165 — Make a color adjustment

PHOTOSHOP CS3User Guide240Keep the camera level Although Photomerge can process slight rotations between pictures, a tilt of more than a fewdegrees ca

Page 167 — Levels overview

PHOTOSHOP CS3User Guide242Photomerge dialog boxA. Lightbox B. Navigator view box C. Too lb ox D. Work area E. Status barFor a video about using Photom

Page 168 — 1 Do one of the following:

PHOTOSHOP CS3User Guide18Adding a panel to a panel group• To rearrange panels in a group, drag a panel’s tab to a new location in the group.• To remov

Page 169 — Adjust color using Levels

PHOTOSHOP CS3User Guide243Change the vanishing point of a compositionThe Vanishing Point tool selects the vanishing point image, which changes the per

Page 170 — Curves overview

244Chapter 9: SelectingIf you want to apply changes to parts of an image, you first need to select the pixels that make up those parts. Youselect pixe

Page 171 — Set Curve display options

PHOTOSHOP CS3User Guide245Deselect selections❖ Do one of the following:• Choose Select > Deselect.• If you are using the Rectangle Marquee tool, th

Page 172

PHOTOSHOP CS3User Guide246• To drag a marquee from its center, hold down Alt (Windows) or Option (Mac OS) after you begin dragging.Dragging a marquee

Page 173 — Set black and white points

PHOTOSHOP CS3User Guide247Selection optionsA. New B. Add To C. Subtract From D. Intersect With3 (Optional) Set feathering and anti-aliasing in the opt

Page 174

PHOTOSHOP CS3User Guide248To change the lasso pointer so that it indicates the lasso width, press the Caps Lock key. You can change the pointerwhile t

Page 175 — Adjust hue and saturation

PHOTOSHOP CS3User Guide249• To close the border, drag back over the starting point and click.11 (Optional) Click Refine Edge to further adjust the sel

Page 176 — E. Moves entire slider

PHOTOSHOP CS3User Guide250• To change the tool cursor, choose Edit > Preferences > Cursors > Painting Cursors (Windows) or Photoshop >Pref

Page 177

PHOTOSHOP CS3User Guide251To refine an existing selection, use the Color Range command repeatedly to select a subset of colors. For example, toselect

Page 178

PHOTOSHOP CS3User Guide252Increasing fuzziness expands selection6 Adjust the selection:• To add colors, select the plus eyedropper, and click in the p

Page 179 — Add contrast to a photo

PHOTOSHOP CS3User Guide19Minimize buttonManipulate panels collapsed to iconsCollapse panels to icons to reduce clutter on the workspace. (In some case

Page 180

PHOTOSHOP CS3User Guide253Original selection border (left), and selection border moved (right)You can apply geometric transformations to change the sh

Page 181 — Targeting images for press

PHOTOSHOP CS3User Guide2542 Using any selection tool, do one of the following:• Select the Subtract From Selection option in the options bar, and dra

Page 182

PHOTOSHOP CS3User Guide2552 Choose Select > Modify > Border.3 Enter a value between 1 and 200 pixels for the border width of the new selection,

Page 183

PHOTOSHOP CS3User Guide256Contract/Expand Shrinksorenlargestheselectionboundary.Enteravalueormovetheslidertosettheamountfrom0 to 100% to expand, 0 to

Page 184

PHOTOSHOP CS3User Guide2572 Enter a value for the Feather Radius, and click OK.Note: A small selection made with a large feather radius may be so fain

Page 185

PHOTOSHOP CS3User Guide258Remove a matte from a selection❖ Choose Layer > Matting > Remove Black Matte or Layer > Matting > Remove White M

Page 186

PHOTOSHOP CS3User Guide259Copy a selection1Select the area you want to copy.2 Choose Edit > Copy, or Edit > Copy Merged.Copy a selection while d

Page 187

PHOTOSHOP CS3User Guide260Using the Paste Into commandA. Window panes selected B. Copied image C. Paste Into command D. Layer thumbnails and layer mas

Page 188

PHOTOSHOP CS3User Guide261See also“About Smart Objects” on page 309“About file formats and compression” on page 459“Remove fringe pixels from a select

Page 189

PHOTOSHOP CS3User Guide262Deleting and extracting objectsRemove (cut) an object from a photo1 In the Layers palette, select the layer containing the o

Page 191

PHOTOSHOP CS3User Guide263You can add back opacity to the background and create other effects using the Edit > Fade command after anextraction.1 In

Page 192

PHOTOSHOP CS3User Guide2644 Define the foreground area by doing one of the following:• If the object has a well-defined interior, select the Fill tool

Page 194 — Desaturate colors

PHOTOSHOP CS3User Guide266Viewing thumbnails is a convenient way of tracking channel contents; however, turning off the display of thumbnailscan impro

Page 195 — Posterize an image

PHOTOSHOP CS3User Guide267• To edit a channel, select it and then use a painting or editing tool to paint in the image. You can paint on only onechann

Page 196

PHOTOSHOP CS3User Guide2683 Do one of the following:• Drag the channel from the Channels palette into the destination image window. The duplicated cha

Page 197

PHOTOSHOP CS3User Guide269Delete a channelYou may want to delete spot or alpha channels you no longer need before saving an image. Complex alpha chann

Page 198

PHOTOSHOP CS3User Guide270Selection saved as an alpha channel in Channels paletteNote: You can mask or hide parts of a layer using a layer mask.See al

Page 199

PHOTOSHOP CS3User Guide2713 To edit the mask, select a painting tool from the toolbox. The swatches in the toolbox automatically become blackand white

Page 200 — Crop and Straighten photos

PHOTOSHOP CS3User Guide2722 Choose from the following display options:Masked Areas Sets masked areas to black (opaque) and selected areas to white (tr

Page 201

PHOTOSHOP CS3User Guide21Display or hide tool tips❖ In Interface preferences, select or deselect Show Tool Tips.Note: Tool tips may not be available i

Page 202 — Make a photo frame

PHOTOSHOP CS3User Guide273Options available in the New Channel and Channel Options dialog boxes:Masked areas Sets masked areas to black (opaque) and s

Page 203

PHOTOSHOP CS3User Guide274Channel Chooses a destination channel for the selection. By default, the selection is saved in a new channel. You canchoose

Page 204

PHOTOSHOP CS3User Guide275Subtract From Selection Subtracts the loaded selection from existing selections in the image.Intersect With Selection Saves

Page 205

PHOTOSHOP CS3User Guide2769 If you want to apply the blending through a mask, select Mask. Then choose the image and layer containing themask. For Cha

Page 206

PHOTOSHOP CS3User Guide277The Offset value lets you lighten or darken the pixels in the destination channel by any brightness value between+255 and –2

Page 207

278Chapter 10: LayersLayers are the building blocks of many image creation workflows. You may not need to work with layers if you aredoing simple imag

Page 208 — Patched image

PHOTOSHOP CS3User Guide279You work with layers in the Layers palette. Layer groups help you organize and manage layers. You can use groups toarrange y

Page 209

PHOTOSHOP CS3User Guide280Convert background and layersWhen you create a new image with a white background or a colored background, the bottommost ima

Page 210

PHOTOSHOP CS3User Guide281Opacity Specifies an opacity level for the layer or group.Fill With Mode-Neutral Color Fills the layer with a preset, neutra

Page 211

PHOTOSHOP CS3User Guide2822 Choose Duplicate Layer or Duplicate Group from the Layers menu or the Layers palette menu.3 Choose New from the Document p

Page 212 — About lens distortion

PHOTOSHOP CS3User Guide22Ways to enter valuesA. Menu arrow B. Scrubby slider C. Text box D. Dial E. SliderSee also“About scrubby sliders” on page 22Ab

Page 214 — Sharpen images

PHOTOSHOP CS3User Guide2842 Click the triangle to the left of the folder icon.3 Click the individual layer in the group.Group and ungroup layers1 Sele

Page 216 — Sharpen using Unsharp Mask

PHOTOSHOP CS3User Guide286• Hold down Shift and press an arrow key on the keyboard to nudge the objects by 10 pixels.Align objects on different layers

Page 217 — Sharpen selectively

PHOTOSHOP CS3User Guide287Automatically align image layersThe Auto-Align Layers command can automatically align layers based on similar content in dif

Page 218

PHOTOSHOP CS3User Guide288See also“Combine multiple images into a group portrait” on page 324“Image Stacks (Photoshop Extended)” on page 594Auto blend

Page 219 — Add lens blur

PHOTOSHOP CS3User Guide289Lock layersYou can lock layers fully or partially to protect their contents. For instance, you may want to lock a layer full

Page 220 — Transforming objects

PHOTOSHOP CS3User Guide290Assign a color to a layer or groupColor coding layers and groups helps you locate related layers in the Layers palette.1 Do

Page 221

PHOTOSHOP CS3User Guide291Export layersYou can export all layers or visible layers to separate files.❖ Choose File > Scripts > Export Layers To

Page 222

PHOTOSHOP CS3User Guide292Stamp multiple layers or linked layersWhen you stamp multiple selected layers or linked layers, Photoshop creates a new laye

Page 223 — Transform freely

iiiContentsChapter 1: Getting startedInstallation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Page 224 — Warp an item

PHOTOSHOP CS3User Guide23Click a tool thumbnail in the options bar to show its pop-up palette. Click an item in the pop-up palette to select it.Viewin

Page 225 — 4 Do one of the following:

PHOTOSHOP CS3User Guide293Specify fill opacity for a layerIn addition to setting opacity, which affects any layer styles and blending modes applied to

Page 226 — Liquify filter

PHOTOSHOP CS3User Guide294Create a knockoutKnockout options let you specify which layers “punch through” to reveal content from other layers. For exam

Page 227 — Distortion tools

PHOTOSHOP CS3User Guide2956 Click OK.Exclude channels from blendingYou can restrict blending effects to a specified channel when you blend a layer or

Page 228

PHOTOSHOP CS3User Guide296Advanced blending optionsA. FarmLogoandPaintStrokelayers,eachwithitsownblendingmode B. Blend Interior Effects As Group optio

Page 229 — Reconstruct distortions

PHOTOSHOP CS3User Guide2973 Use the This Layer and Underlying Layer sliders to set the brightness range of the blended pixels—measured ona scale from

Page 230

PHOTOSHOP CS3User Guide298Apply preset stylesYou can apply preset styles from the Styles palette. The layer styles that come with Photoshop are groupe

Page 231 — Work with backdrops

PHOTOSHOP CS3User Guide299Layer Styles dialog box. Click a check box to apply the current settings without displaying the effect’s options. Click an e

Page 232 — Vanishing Point

PHOTOSHOP CS3User Guide300Layer style optionsAltitude For the Bevel and Emboss effect, sets the height of the light source. A setting of 0 is equivale

Page 233 — Vanishing Point tools

PHOTOSHOP CS3User Guide301Pattern Specifies the pattern of a layer effect. Click the pop-up palette and choose a pattern. Click the New presetbutton

Page 234 — Work in Vanishing Point

PHOTOSHOP CS3User Guide302You can select, reset, delete, or change the preview of contours in the Contour pop-up palette and Preset Manager.Detail of

Page 235

PHOTOSHOP CS3User Guide24Display context menusContext menus display commands relevant to the active tool, selection, or palette. They are distinct fro

Page 236

PHOTOSHOP CS3User Guide303Hide or show all layer styles in an image❖ Choose Layer > Layer Style > Hide All Effects or Show All Effects.Expand or

Page 237 — • Move the Angle slider

PHOTOSHOP CS3User Guide304Save a set of preset styles as a library1Do one of the following:• Choose Save Styles from the Styles palette menu.• Select

Page 238 — ❖ Do any of the following:

PHOTOSHOP CS3User Guide305Scale a layer effectA layer style may have been fine-tuned for a target resolution and features of a given size. Using Scale

Page 239

PHOTOSHOP CS3User Guide306Adjustment and fill layersAbout adjustment layers and fill layersAn adjustment layer applies color and tonal adjustments to

Page 240

PHOTOSHOP CS3User Guide307Create adjustment and fill layersAdjustment layers and fill layers have the same opacity and blending mode options as image

Page 241

PHOTOSHOP CS3User Guide308Pattern Click the pattern, and choose a pattern from the pop-up palette. Click Scale, and enter a value or drag theslider. C

Page 242

PHOTOSHOP CS3User Guide309Filtering with Smart Filters Filters applied to Smart Objects become Smart Filters and allow for nondestructive filtereffect

Page 243

PHOTOSHOP CS3User Guide310• Work with vector data, such as vector artwork from Illustrator, that otherwise would be rasterized in Photoshop.• Perform

Page 244

PHOTOSHOP CS3User Guide311See also“Place a file in Photoshop” on page 75“Paste Adobe Illustrator art into Photoshop” on page 76Duplicate a Smart Objec

Page 245

PHOTOSHOP CS3User Guide3122 Choose a location for the contents of the Smart Object, then click Save.Photoshop exports the Smart Object in its original

Page 246 — Create panoramic images

PHOTOSHOP CS3User Guide25Choosing a color for a menu item using the Keyboard Shortcuts & Menus dialog boxDelete a set of menus1 Do one of the foll

Page 247 — 4 Choose a Layout option

PHOTOSHOP CS3User Guide313Note: IfyouapplyoneormorefiltersusingtheFilterGallery,theyappearasagroupintheLayerspalettenamed“FilterGallery.” You can’t re

Page 248 — Adding Cylindrical Mapping

PHOTOSHOP CS3User Guide314Reorder Smart Filters❖ In the Layers palette, drag a Smart Filter up or down in the list. You can’t reorder Smart Filters ap

Page 249 — Rotate images

PHOTOSHOP CS3User Guide315• To show portions of the filter, paint the mask with white.• To make the filter partially visible, paint the mask with gray

Page 250

PHOTOSHOP CS3User Guide316Choose Window > Layer Comps to show the palette.Layer Comps paletteA. Apply Layer Comp icon B. Last Document State C. Sel

Page 251 — Chapter 9: Selecting

PHOTOSHOP CS3User Guide317Change and update a layer compIf you change the configuration of a layer comp, you need to update it.1 Select the layer comp

Page 253 — Select with the Lasso tool

PHOTOSHOP CS3User Guide319A vector mask creates a sharp-edged shape on a layer and is useful anytime you want to add a design element withclean, defin

Page 254 — User Guide

PHOTOSHOP CS3User Guide320• To make the layer partially visible, paint the mask with gray. Darker grays make the level more transparent, lightergrays

Page 255

PHOTOSHOP CS3User Guide321Add and edit vector masksYou create vector masks with the pen or shapes tools. For more information on working with these to

Page 256

PHOTOSHOP CS3User Guide322Note: By default, masks applied to Smart Objects aren’t linked to Smart Object layers.• To unlink a layer from its mask, cli

Page 257 — Select a color range

PHOTOSHOP CS3User Guide26You can view information about any tool by positioning the pointer over it. The name of the tool appears in a tool tipbelow t

Page 258 — Sampling color

PHOTOSHOP CS3User Guide323Mask layers with clipping masksA clipping mask lets you use the content of a layer to mask the layers above it. The masking

Page 259 — Adjusting pixel selections

PHOTOSHOP CS3User Guide324Combine multiple images into a group portraitYou can use the Auto-Align Layers command from the Edit menu to make a composit

Page 260 — Adjust selections manually

325Chapter 11: PaintingPainting changes the color of image pixels. You use painting tools and techniques to retouch images, create or editmasks on alp

Page 261 — Intersected selections

PHOTOSHOP CS3User Guide326Paint with the Brush tool or Pencil toolThe Brush tool and the Pencil tool paint the current foreground color on an image. T

Page 262 — Refine selection edges

PHOTOSHOP CS3User Guide3274 Select Aligned in the options bar to maintain the pattern’s continuity with your original start point, even if yourelease

Page 263

PHOTOSHOP CS3User Guide328Erase with the Eraser toolThe Eraser tool changes pixels to either the background color or to transparent. If you’re working

Page 264 — 3 Click OK

PHOTOSHOP CS3User Guide329• Select Contiguous to erase only pixels contiguous to the one you click, or deselect to erase all similar pixels in theimag

Page 265

PHOTOSHOP CS3User Guide330Auto Erase with the Pencil toolThe Auto Erase option for the Pencil tool lets you paint the background color over areas cont

Page 266

PHOTOSHOP CS3User Guide3313 Change options for the preset brush.Diameter Temporarily changes the brush size. Drag the slider or enter a value. If the

Page 267 — Copy between applications

PHOTOSHOP CS3User Guide332You can save the library anywhere. However, if you place the library file in the Presets/Brushes folder in the defaultpreset

Page 268

PHOTOSHOP CS3User Guide27Selection tools galleryCrop and slice tools galleryRetouching tools galleryThe marquee tools makerectangular, elliptical, sin

Page 269

PHOTOSHOP CS3User Guide333Thebrushstrokepreviewatthebottomofthepaletteshowshowpaintstrokeslookwiththecurrentbrushoptions.Brushes palette with Brush Ti

Page 270

PHOTOSHOP CS3User Guide334Create a brush and set painting options1 Open the Brushes palette by clicking the brushes palette button in the options bar.

Page 271 — Channels

PHOTOSHOP CS3User Guide335Flipping a brush tip on its x axis.A. Brush tip in its default position B. Flip X selected C. Flip X and Flip Y selectedFlip

Page 272

PHOTOSHOP CS3User Guide336Brush strokes with different hardness valuesSpacing Controls the distance between the brush marks in a stroke. To change the

Page 273 — Select and edit channels

PHOTOSHOP CS3User Guide337See also“Brushes palette overview” on page 332“Create a brush and set painting options” on page 334Brush shape dynamicsShape

Page 274

PHOTOSHOP CS3User Guide338Roundness Jitter and ControlSpecifies how the roundness of brush marks varies in a stroke. To specify the maximumpercentage

Page 275 — Merge channels

PHOTOSHOP CS3User Guide339Count Jitter and Control Specifies how the number of brush marks varies for each spacing interval. To specify themaximum per

Page 276 — Delete a channel

PHOTOSHOP CS3User Guide340Depth Jitter and Control Specifies how the depth varies when Texture Each Tip is selected. To specify the maximumpercentage

Page 277

PHOTOSHOP CS3User Guide341Brush strokes without color dynamics (left) and with color dynamics (right)Foreground/Background Jitter and Control Specifie

Page 278 — Change Quick Mask options

PHOTOSHOP CS3User Guide342Brush strokes without paint dynamics (left) and with paint dynamics (right)Opacity Jitter and Control Specifies how the opac

Page 279

PHOTOSHOP CS3User Guide28Painting tools galleryTheCloneStamptoolpaintswith a sample of an image.The Pattern Stamp toolpaints with part of an imageas a

Page 280

PHOTOSHOP CS3User Guide343Copy textures between toolsWhen you specify a texture for the current tool, you can copy the texture’s pattern and scale to

Page 281

PHOTOSHOP CS3User Guide344List of blending modesChoose from the Mode pop-up menu in the options bar.Note: Only the Normal, Dissolve, Darken, Multiply,

Page 282 — Channel calculations

PHOTOSHOP CS3User Guide345Hard Light Multiplies or screens the colors, depending on the blend color. The effect is similar to shining a harshspotlight

Page 283

PHOTOSHOP CS3User Guide346Blending mode examplesThese examples show the result of painting part of the image’s face using each blending mode.For a vid

Page 284 — Subtract

PHOTOSHOP CS3User Guide347GradientsApply a gradient fillThe Gradient tool creates a gradual blend between multiple colors. You can choose from preset

Page 285 — Chapter 10: Layers

PHOTOSHOP CS3User Guide348Angle gradient Shades in a counterclockwise sweep around the starting point.Reflected gradient Shades using symmetric linear

Page 286 — Layers palette overview

PHOTOSHOP CS3User Guide349Change how preset gradients are displayed❖ Choose a display option from the palette menu:Text Only Displays the gradients as

Page 287 — Create layers and groups

PHOTOSHOP CS3User Guide3506 To choose a color, do one of the following:• Double-click the color stop, or click the color swatch in the Stops section o

Page 288 — Duplicate layers

PHOTOSHOP CS3User Guide3516 To adjust the location of the midpoint opacity (the point midway between the starting and ending opacities), doone of the

Page 289

PHOTOSHOP CS3User Guide352Fill with the Paint Bucket toolThe Paint Bucket tool fills adjacent pixels that are similar in color value to the pixels you

Page 290 — Select layers

PHOTOSHOP CS3User Guide29Drawing and type tools galleryAnnotation, measuring, and navigation tools galleryThe Art History brush toolpaints with styliz

Page 291 — Link and unlink layers

PHOTOSHOP CS3User Guide353To apply a foreground color fill only to the areas that contain pixels, press Alt+Shift+Backspace (Windows) orOption+Shift+D

Page 292 — Move the content of layers

PHOTOSHOP CS3User Guide354Stroke a path with color1 Select the path in the Paths palette.2 Choose Stroke Path from the palette menu.3 In the Stroke Pa

Page 293

PHOTOSHOP CS3User Guide355See also“Generate a pattern using the Pattern Maker” on page 356“Create and use tool presets” on page 31Define an image as a

Page 294

PHOTOSHOP CS3User Guide356Delete a preset pattern❖ Do one of the following:• Select the pattern you want to delete, and choose Delete Pattern from the

Page 295

PHOTOSHOP CS3User Guide357Sample Detail Specifies the size of pattern slices in the tile. A high value maintains more of the original detail in thepat

Page 296 — Managing layers

358Chapter 12: DrawingThe drawing tools (the Pen and shape tools) let you create and edit vector shapes. You can work with shapes in shapelayersandasp

Page 297 — Delete a layer or group

PHOTOSHOP CS3User Guide359Fill Pixels Paints directly on a layer—much as a painting tool does. When you work in this mode, you’re creatingraster image

Page 298 — Merge and stamp layers

PHOTOSHOP CS3User Guide360See also“Edit shapes” on page 361“Drawing and type tools gallery” on page 29Draw multiple shapes in a layerYou can draw sepa

Page 300

PHOTOSHOP CS3User Guide362• Tofillashapewithapatternorgradient,selectashapelayerintheLayerspaletteandchooseLayer>ChangeLayerContent > Gradient,

Page 301 — Create a knockout

PHOTOSHOP CS3User Guide30Use a tool❖ Do one of the following:• Click a tool in the Tools palette. If there is a small triangle at a tool’s lower right

Page 302 — Group blend effects

PHOTOSHOP CS3User Guide363Square Constrains a rectangle or rounded rectangle to a square.Unconstrained Lets you set the width and height of a rectangl

Page 303 — 4 Click OK

PHOTOSHOP CS3User Guide364Note: The first segment you draw will not be visible until you click a second anchor point. (Select the Rubber Band optionin

Page 304 — Layer effects and styles

PHOTOSHOP CS3User Guide3654 Position the Pen tool where you want the curve segment to end, and do one of the following:• To create a C-shaped curve, d

Page 305 — Apply preset styles

PHOTOSHOP CS3User Guide366Finish drawing a path❖ Complete a path in one of the following ways:• To close a path, position the Pen tool over the first

Page 306

PHOTOSHOP CS3User Guide367Press Alt (Windows) or Option (Mac OS) to temporarily change the Pen tool to the Convert Point tool.4 SelectthePentoolfromth

Page 307 — Layer style options

PHOTOSHOP CS3User Guide368Draw using the magnetic pen optionsThe Magnetic Pen is an option of the Freeform Pen tool that lets you draw a path that sna

Page 308

PHOTOSHOP CS3User Guide369Managing pathsPaths palette overviewThePathspalette(Window>Paths)liststhenameandathumbnailimageofeachsavedpath,thecurrent

Page 310 — ❖ Do one of the following:

PHOTOSHOP CS3User Guide371Editing pathsPath segments, components, and pointsA path consists of one or more straight or curved segments. Anchor points

Page 311 — Copy layer styles

PHOTOSHOP CS3User Guide372Separate path components selectedSelect a pathSelecting a path component or path segment displays all of the anchor points o

Page 312 — Remove layer effects

PHOTOSHOP CS3User Guide31Precise Displays pointers as cross hairs.Brush Size (painting cursors only) Displays the painting tool cursors as brush shape

Page 313 — Adjustment and fill layers

PHOTOSHOP CS3User Guide373Adjust path segmentsYou can edit a path segment at any time, but editing existing segments is slightly different from drawin

Page 314 — Create a fill layer

PHOTOSHOP CS3User Guide374Drag the anchor point, or drag the direction point.Note: You can also apply a transformation, such as scaling or rotating, t

Page 315 — Nondestructive editing

PHOTOSHOP CS3User Guide375Note: In Illustrator and InDesign, you can change the distance of a nudge by changing the Keyboard Incrementpreference. When

Page 316

PHOTOSHOP CS3User Guide376Reshape a path component1Select the path name in the Paths palette, and use the Direct Selection tool to select an anchor po

Page 317 — Create Smart Objects

PHOTOSHOP CS3User Guide377Note: To align shapes that are on separate layers, use the Move tool.• To align components, use the Path Selection tool to s

Page 318

PHOTOSHOP CS3User Guide378Disable or temporarily override automatic Pen tool switchingYou can override automatic switching of the Pen tool to the Add

Page 319 — Apply a Smart Filter

PHOTOSHOP CS3User Guide379Converting a smooth point to a corner pointSee also“Path segments, components, and points” on page 371Converting between pat

Page 320

PHOTOSHOP CS3User Guide3804 Select an Operation option:New Selection Selects only the area defined by the path.Add To Selection Adds the area defined

Page 321

PHOTOSHOP CS3User Guide381Fill a path using the current Fill Path settings1Select the path in the Paths palette.2 Click the Fill Path button at the b

Page 322 — Layer comps

PHOTOSHOP CS3User Guide382Stroke a path using the current Stroke Path settings1Select the path in the Paths palette.2 ClicktheStrokePathbutton atthebo

Page 323 — Apply and view layer comps

PHOTOSHOP CS3User Guide32To choose a tool preset, click the Tool Preset picker in the options bar, and select a preset from the pop-up palette.You can

Page 324 — Export layer comps

383Chapter 13: FiltersYou can use filters to apply special effects to images or to perform common image editing tasks, such as sharpeningphotos. This

Page 325 — Masking layers

PHOTOSHOP CS3User Guide384See also“About plug-in modules” on page 50Apply a filter from the Filter menuYou can apply a filter to the active layer, or

Page 326

PHOTOSHOP CS3User Guide385Filter Gallery dialog boxA. Preview B. Filter category C. Thumbnail of selected filter D. Show/Hide filter thumbnails E. Fil

Page 327

PHOTOSHOP CS3User Guide386• To apply a filter to an area of a layer, select that area.• To apply a filter nondestructively, so you can change your fil

Page 328 — Unlinking layers and masks

PHOTOSHOP CS3User Guide387Tips for creating special effectsCreating edge effects Youcanusevarioustechniquestotreattheedgesofaneffectappliedtoonlyparto

Page 329

PHOTOSHOP CS3User Guide388Filter effects referenceArtistic filtersFilters from the Artistic submenu help you achieve painterly and artistic effects fo

Page 330

PHOTOSHOP CS3User Guide389Before (left) and after (right) using the Lens Blur filter; the background is blurred but foreground stays sharpNote: To app

Page 331

PHOTOSHOP CS3User Guide390controls how much the tonal values of neighboring pixels must diverge from the center pixel value before being partof the bl

Page 332 — Chapter 11: Painting

PHOTOSHOP CS3User Guide391Ripple Creates an undulating pattern on a selection, like ripples on the surface of a pond. For greater control, usethe Wave

Page 333 — Paint with a pattern

PHOTOSHOP CS3User Guide392Pixelate filtersThe filters in the Pixelate submenu sharply define a selection by clumping pixels of similar color values in

Page 334

ivColor-managing documents for online viewing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136Proofing colors

Page 335 — Erase with the Eraser tool

PHOTOSHOP CS3User Guide33Viewing imagesChange the screen modeYoucanusethescreenmodeoptionstoviewimagesonyourentirescreen.Youcanshoworhidethemenubar,ti

Page 336

PHOTOSHOP CS3User Guide393Sharpen filtersThe Sharpen filters focus blurred images by increasing the contrast of adjacent pixels.Sharpen and Sharpen Mo

Page 337 — Brush presets

PHOTOSHOP CS3User Guide394Plaster Moldsanimagefrom3Dplaster,andthencolorizestheresultusingtheforegroundandbackgroundcolor.Dark areas are raised, and l

Page 338

PHOTOSHOP CS3User Guide395Texture filtersUse the Texture filters to simulate the appearance of depth or substance, or to add an organic look.Craquelur

Page 339 — Brushes palette overview

PHOTOSHOP CS3User Guide396Offset Moves a selection a specified horizontal or vertical amount, leaving an empty space at the selection’s originallocati

Page 340

PHOTOSHOP CS3User Guide397Defining undistorted areasTheDisplace,Shear,andWavefiltersintheDistortsubmenuandtheOffsetfilterintheOthersubmenuletyoutreata

Page 341

PHOTOSHOP CS3User Guide398Apply the Color Halftone filter1 Choose Filter > Pixelate > Color Halftone.2 Enter a value in pixels for the maximum r

Page 342

PHOTOSHOP CS3User Guide3992 Select the center text box, which represents the pixel being evaluated. Enter the value by which you want tomultiply that

Page 343

PHOTOSHOP CS3User Guide400Lighting Effects typesYou can choose from several lighting types:Omni Shines light in all directions from directly above the

Page 344

PHOTOSHOP CS3User Guide401Lighting Effects stylesUse the Style menu in the Lighting Effects dialog box to choose from 17 light styles. You can also cr

Page 345

PHOTOSHOP CS3User Guide402Use the Texture Channel in the Lighting EffectsThe Texture Channel in the Lighting Effects dialog box lets you control light

Page 346

PHOTOSHOP CS3User Guide34Use the Navigator paletteYou use the Navigator palette to quickly change the view of your artwork using a thumbnail display.

Page 347

403Chapter 14: TypeType in Adobe Photoshop CS3 consists of vector-based type outlines—mathematically defined shapes that describethe letters, numbers,

Page 348

PHOTOSHOP CS3User Guide404Entering typeThere are three ways to create type: at a point, inside a paragraph, and along a path.• Point type is a horizon

Page 349

PHOTOSHOP CS3User Guide405Note: Youcanalsotransformpointtypewhileineditmode.HolddowntheCtrl(Windows)orCommand(MacOS)key.A bounding box appears around

Page 350 — Blending modes

PHOTOSHOP CS3User Guide406Note: You can transform point type while in edit mode. Hold down the Ctrl (Windows) or Command (Mac OS) key, anda bounding b

Page 351 — List of blending modes

PHOTOSHOP CS3User Guide407• Select one or more characters you want to edit.4 Enter text as desired.5 Commit the changes to the type layer.See also“For

Page 352

PHOTOSHOP CS3User Guide408Note: When you use anti-aliasing, type may be rendered inconsistently at small sizes and low resolutions (such as theresolut

Page 353 — Blending mode examples

PHOTOSHOP CS3User Guide409Find and replace text1 Do one of the following:• Selectthelayercontainingthetextyouwanttofindandreplace.Placetheinsertionpoi

Page 354 — Gradients

PHOTOSHOP CS3User Guide410Examples of hyphenation for different languagesA. “Cactophiles” in English USA B. “Cactophiles” in English UK C. “Cactophile

Page 355

PHOTOSHOP CS3User Guide411Formatting charactersAbout character formattingYou can set type attributes before you enter characters or reset them to chan

Page 356 — Create a smooth gradient

PHOTOSHOP CS3User Guide412Character paletteA. Font Family B. Font Size C. Ver tical S cale D. Set Tsume option E. Tracking F. Baseline Shift G. Langua

Page 357

PHOTOSHOP CS3User Guide35Zoom into or out of multiple images1Open one or more images, or copies of a single image.2 Choose Window > Arrange > Ti

Page 358 — Create a noise gradient

PHOTOSHOP CS3User Guide413The default unit of measurement for type is points. One PostScript point is equal to 1/72 of an inch in a 72-ppi image;howev

Page 359

PHOTOSHOP CS3User Guide4145 In the Adobe Color Picker, locate the color range you want using the triangle sliders on the color spectrum bar,andthencli

Page 360 — Fill the work canvas

PHOTOSHOP CS3User Guide415Specify superscript or subscript charactersSuperscript and subscript text (also called superior and inferior text) is reduce

Page 361

PHOTOSHOP CS3User Guide416• Type 1• TrueType• Multiple MasterYou can turn off the preview feature or change the point size of the font names in Type p

Page 362

PHOTOSHOP CS3User Guide417Glyph protection protects against incorrect, unreadable characters that appear if you enter non-roman text (forexample, Japa

Page 363

PHOTOSHOP CS3User Guide418Type with the Standard Ligatures and Discretionary Ligatures options unselected and selectedContextual Alternates Are altern

Page 364

PHOTOSHOP CS3User Guide419Line and character spacingSet leadingThe vertical space between lines of type is called leading (rhymes with sledding). For

Page 365 — Chapter 12: Drawing

PHOTOSHOP CS3User Guide420Kerning and tracking optionsA. Original text B. Text with optical kerning C. Text with manual kerning between W and a D. Tex

Page 366 — Drawing shapes

PHOTOSHOP CS3User Guide421Shift the baselineUse Baseline Shift to move selected characters up or down relative to the baseline of the surrounding text

Page 367

PHOTOSHOP CS3User Guide422Rotate type❖ Do the following:• Torotatetype,selectthetypelayeranduseanyrotatecommandortheFreeTransformcommand.Forparagrapht

Page 368

PHOTOSHOP CS3User Guide36Fit an image to the screen❖ Do one of the following:• Double-click the Hand tool in the toolbox.• Choose View > Fit On Scr

Page 369

PHOTOSHOP CS3User Guide423• To apply formatting to all paragraphs in the layer, select the type layer in the Layers palette.See also“Formatting charac

Page 370 — Drawing with the Pen tools

PHOTOSHOP CS3User Guide424The options for vertical type are:Top Align Text Aligns type to the top, leaving the bottom edge of the paragraph ragged.Cen

Page 372

PHOTOSHOP CS3User Guide426Specify hanging punctuation for Roman fontsHanging punctuation controls the alignment of punctuation marks for a specific pa

Page 373 — Finish drawing a path

PHOTOSHOP CS3User Guide4272 To specify options, choose Hyphenation from the Paragraph panel menu, and specify the following options:Words Longer Than

Page 374

PHOTOSHOP CS3User Guide428Single-line ComposerThe Single-line composer offers a traditional approach to composing type one line at a time. This option

Page 375

PHOTOSHOP CS3User Guide429Horizontal and vertical type on a closed path created by a shape toolSee also“Drawing shapes and paths” on page 358“Shift th

Page 376 — Managing paths

PHOTOSHOP CS3User Guide430Using the Direct Selection tool or Path Selection tool to move or flip type on a pathTo move type across a path without chan

Page 377 — Manage paths

PHOTOSHOP CS3User Guide4312 Do one of the following:• Select a type tool, and click the Warp button in the options bar.• Choose Layer > Type >

Page 378 — Editing paths

PHOTOSHOP CS3User Guide432Create a type selection borderWhen you use the Horizontal Type Mask tool or Vertical Type Mask tool, you create a selection

Page 379

PHOTOSHOP CS3User Guide37Without Match Zoom And Location (top), and with Match Zoom And Location (bottom) selected4 Select the Zoom tool or the Hand t

Page 380 — Adjust path segments

PHOTOSHOP CS3User Guide4337 (Optional) If the image layer is the background layer, double-click the image layer in the Layers palette to convertit fro

Page 381

PHOTOSHOP CS3User Guide434Reduce spacing around Asian type charactersTsume reduces the space around a character by a specified percentage value. As a

Page 382

PHOTOSHOP CS3User Guide435Align Asian charactersMojisoroe is the alignment of characters in Asian type. When a line of text contains different sizes o

Page 383

PHOTOSHOP CS3User Guide436• (Mac OS) From the Input pop-up menu at the right side of the menu bar, choose Show Character Palette.Note: (Mac OS) If the

Page 385

PHOTOSHOP CS3User Guide438Mojikumi Set 3, and Mojikumi Set 4Choose kinsoku shori settings for a paragraphKinsoku shori specifies line breaks for Japan

Page 386

PHOTOSHOP CS3User Guide439Specify a kinsoku line-breaking option❖ From the Paragraph panel menu, choose Kinsoku Shori Type and then choose one of the

Page 387 — Adding color to paths

440Chapter 15: Saving and exporting imagesAdobe Photoshop CS3 supports a variety of file formats to suit a wide range of output needs. You can save or

Page 388 — Stroke paths with color

PHOTOSHOP CS3User Guide441See also“Duplicate an image” on page 41“Save a camera raw image in another format” on page 92“Make a snapshot of an image” o

Page 389

PHOTOSHOP CS3User Guide442Use Lower Case Extension Makes the file extension lowercase.File Extension options (Mac OS) Specifies the format for file ex

Page 390 — Chapter 13: Filters

PHOTOSHOP CS3User Guide38Use the Info paletteThe Info palette displays file information about an image and also provides feedback about the color valu

Page 391

PHOTOSHOP CS3User Guide443See also“Large Document Format” on page 463“Photoshop Raw format” on page 461“TIFF” on page 466Testing Photoshop images for

Page 392 — Hide filter thumbnails

PHOTOSHOP CS3User Guide44412 In the Photoshop Save For Web & Devices dialog box, make adjustments, such as selecting a different format orquality

Page 393

PHOTOSHOP CS3User Guide4452 In the Save Adobe PDF dialog box, choose an Adobe PDF preset specifying whether the Photoshop PDF file willbeprintedonades

Page 394

PHOTOSHOP CS3User Guide446A few of the presets listed below are not available until you move them—as needed—from the Extras folder (wherethey are inst

Page 395 — Filter effects reference

PHOTOSHOP CS3User Guide447Rich Content PDF Creates accessible PDF files that include tags, hyperlinks, bookmarks, interactive elements, andlayers. Thi

Page 396

PHOTOSHOP CS3User Guide448General options for Adobe PDFYou can set the following options in the General section of the Adobe PDF Options dialog box:De

Page 397 — Distort filters

PHOTOSHOP CS3User Guide449The Compression area of the Adobe PDF Options dialog box is divided into three sections. Each section providesthe following

Page 398 — Noise filters

PHOTOSHOP CS3User Guide450Color management and PDF/X options for Adobe PDFYou can set the following options in the Output section of the Adobe PDF Opt

Page 399 — Render filters

PHOTOSHOP CS3User Guide451In Photoshop, you can save the preset using the Adobe PDF Presets command or clicking the Save Preset button intheSaveAdobeP

Page 400

PHOTOSHOP CS3User Guide452• To load an Adobe PDF preset, click the Load button, select the preset file, and click the Load button. The preset isadded

Page 401 — Stylize filters

PHOTOSHOP CS3User Guide39Clicking an eyedropper icon and choosing a readout mode from the pop-up menu4 For Ruler Units, choose a unit of measurement.5

Page 402 — Other filters

PHOTOSHOP CS3User Guide453Note: To have Photoshop prompt you before saving an image with multiple layers, select Ask Before Saving Layered TIFFFiles i

Page 403 — Applying specific filters

PHOTOSHOP CS3User Guide4543 Click OK.See also“PNG format” on page 465Save a file in GIF formatYou can use the Save As command to save RGB, Indexed Col

Page 404 — Apply the Displace filter

PHOTOSHOP CS3User Guide455Include Vector Data Preservesanyvectorgraphics(suchasshapesandtype)inthefile.However,vectordatainEPSand DCS files is availab

Page 405

PHOTOSHOP CS3User Guide456See also“Photoshop Raw format” on page 461Save a file in BMP formatThe BMP format is an image format for the Windows operati

Page 406 — Add Lighting Effects

PHOTOSHOP CS3User Guide457Note: You can’t save Duotone, Multichannel, or Bitmap mode images in JPEG 2000 format. To save these files in JPEG2000 forma

Page 407 — Adjust an Omni light

PHOTOSHOP CS3User Guide458Metadata Format Specifies the metadata formats to include in the image file. JPEG2000 XML is JPEG 2000-specificXML data; thi

Page 408 — Add or delete a light

PHOTOSHOP CS3User Guide4594 Select the Visible Layers Only option if you want to export only those layers that have visibility enabled in theLayers pa

Page 409

PHOTOSHOP CS3User Guide460Maximize compatibility when saving files1 Choose Edit > Preferences > File Handling (Windows) or Photoshop > Prefer

Page 410 — Chapter 14: Type

PHOTOSHOP CS3User Guide461Note: EPS TIFF format and EPS PICT format are more relevant to earlier versions of Photoshop. The current version ofPhotosho

Page 411

PHOTOSHOP CS3User Guide462BMP formatBMP is a standard Windows image format on DOS and Windows-compatible computers. BMP format supportsRGB, Indexed Co

Page 412 — Enter paragraph type

PHOTOSHOP CS3User Guide40File information view options when Version Cue is enabled2 Choose a view option from the pop-up menu:Note: If you have Versio

Page 413 — Editing text

PHOTOSHOP CS3User Guide463JPEG formatJoint Photographic Experts Group (JPEG) format is commonly used to display photographs and other continuous-tone

Page 414

PHOTOSHOP CS3User Guide464PCXPCX format is commonly used by IBM PC-compatible computers. Most PC software supports version 5 of PCXformat. A standard

Page 415 — Check and correct spelling

PHOTOSHOP CS3User Guide465You can use the Import command or the Open command to open a PICT resource. When saving a file as a PICTresource, you can sp

Page 416 — Assign a language for text

PHOTOSHOP CS3User Guide466TargaTheTarga®(TGA)formatisdesignedforsystemsusingtheTruevision®videoboardandiscommonlysupportedbyMS-DOS color applications.

Page 417 — Rasterize type layers

PHOTOSHOP CS3User Guide467Metadata that is stored in other formats, such as Exif, IPTC (IIM), GPS, and TIFF, is synchronized and describedwith XMP so

Page 418 — Formatting characters

PHOTOSHOP CS3User Guide468Create a noteWhen adding a note to your document, you can use the standard editing commands for your system (Undo, Cut,Copy,

Page 419

PHOTOSHOP CS3User Guide469Note: Resizing an image does not resize the annotation icons and note windows. The icons and note windows keep theirlocation

Page 420

PHOTOSHOP CS3User Guide470Adding digital copyright informationYou can add copyright information to Photoshop images and notify users that an image is

Page 421

PHOTOSHOP CS3User Guide471Embed a watermarkTo embed a digital watermark, you must first register with Digimarc Corporation—which maintains a database

Page 422

PHOTOSHOP CS3User Guide472Check the signal strength meterThe signal strength meter helps you determine whether a watermark is durable enough to surviv

Page 423

PHOTOSHOP CS3User Guide41See also“Adjust dynamic range view for HDR images” on page 81Duplicate an imageYou can duplicate an entire image (including a

Page 424 — Apply OpenType features

PHOTOSHOP CS3User Guide473Note: If you want a file to appear more than once in your PDF presentation, select the file and click Duplicate. You canthen

Page 425

PHOTOSHOP CS3User Guide4745 Click Save.6 IntheSavedialogbox,enteranameforthePDFpresentation,selectadestinationforthesavedfile,andthenclickSave.7 In th

Page 426 — Line and character spacing

PHOTOSHOP CS3User Guide475Selected Images From Bridge Uses images displayed in Bridge. All images in Bridge are used unless you selectspecific images

Page 427 — Adjust tracking

PHOTOSHOP CS3User Guide476A picture package layout1 Do one of the following:• (Photoshop) Choose File > Automate > Picture Package. If you have

Page 428 — Scaling and rotating type

PHOTOSHOP CS3User Guide477Add an image to a picture package by dragging the image from the desktop into a placeholder.You can change any image in the

Page 429 — Formatting paragraphs

PHOTOSHOP CS3User Guide478Dragging a placeholder to a new location in the Picture Package layout6 In the Grid area of the Picture Package Edit Layout

Page 430

PHOTOSHOP CS3User Guide479If the page-layout program cannot place Photoshop PSD files, follow these steps:1 If your image contains a transparent backg

Page 431

PHOTOSHOP CS3User Guide480Create transparency using image clipping pathsYou can use image clipping paths to define transparent areas in images you pla

Page 432

PHOTOSHOP CS3User Guide481Printing image clipping pathsSometimes an imagesetter cannot interpret image clipping paths, or an image clipping path is to

Page 433

PHOTOSHOP CS3User Guide482Link or embed a selection or image in an OLE application❖ Do one of the following:• Copy a selection in Photoshop, and inser

Page 434 — Composition methods

PHOTOSHOP CS3User Guide42See also“Use snapping” on page 45Change the unit of measurement1 Do one of the following:• Double-click a ruler.• (Windows) C

Page 435 — Creating type effects

483Chapter 16: PrintingPrinting is the process of sending your image to an output device. You can print on paper or film (positive ornegative), to a p

Page 436

PHOTOSHOP CS3User Guide484Monitors display images using light, whereas desktop printers reproduce images using inks, dyes, or pigments. Forthis reason

Page 437

PHOTOSHOP CS3User Guide485Print dialog boxA. Specify color management and proofing options B. Specifyprepressoutputoptions C. Preview print D. Set pap

Page 438

PHOTOSHOP CS3User Guide486• To save the print options without closing the dialog box, hold down Alt (Windows) or Option (Mac OS), and clickRemember.No

Page 439

PHOTOSHOP CS3User Guide487• Deselect Center Image, and drag the image in the preview area.Scale the print size of an image❖ Choose File > Print, an

Page 440 — Asian type

PHOTOSHOP CS3User Guide488Choose Color Management to display options for prepress and color management3 In the Print area, select Document.The profile

Page 441 — Use tate-chu-yoko

PHOTOSHOP CS3User Guide489The more accurately the profile describes the behavior of the output device and printing conditions (such as papertype), the

Page 442 — Align Asian characters

PHOTOSHOP CS3User Guide490Simulate Paper Color Simulates what colors look like on the paper of the simulated device. Using this optionproduces the mos

Page 443 — 7 Do one of the following:

PHOTOSHOP CS3User Guide491Printing images to a commercial printing pressPreparing images for pressFrom Photoshop, you can prepare image files for offs

Page 444

PHOTOSHOP CS3User Guide492Page marksA. Gradient tint bar B. Label C. Registration marks D. Progressive color bar E. Corner crop mark F. Center crop ma

Page 445

vChapter 11: PaintingPainting tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Page 447 — Saving images

PHOTOSHOP CS3User Guide493If you print separations directly to film, you probably want a negative, although in many countries film positives arecommon

Page 448

PHOTOSHOP CS3User Guide494Halftone screens with process ink at different screen angles; correctly registered dots form rosettes.In traditional print p

Page 449 — Save large documents

PHOTOSHOP CS3User Guide495For optimal output on a PostScript printer, the image resolution should be 1.5 to 2 times the halftone screenfrequency. If t

Page 450

PHOTOSHOP CS3User Guide496Prepare an image with spot channels for printing from another application1 If the image is a duotone, convert it to Multicha

Page 451 — Saving PDF files

PHOTOSHOP CS3User Guide497Trapping to correct misalignmentA. Misregistration with no trap B. Misregistration with trapTrapping is intended to correct

Page 452

PHOTOSHOP CS3User Guide4982 Determine the ratio of the final image dimensions to the original image dimensions. For example, the ratio of a6-by-9-inch

Page 453

PHOTOSHOP CS3User Guide499Convert an image to duotone1 Convert the image to grayscale by choosing Image > Mode > Grayscale. Only 8-bit grayscale

Page 454 — PDF compatibility levels

PHOTOSHOP CS3User Guide500You can use the Info palette to display ink percentages when you’re working with duotone images. Set the readoutmode to Actu

Page 456

PHOTOSHOP CS3User Guide502• Printing an image with a spot color channel to a composite color printer will print the spot color at an opacityindicated

Page 457 — Save an Adobe PDF preset

PHOTOSHOP CS3User Guide44Place a guide1If the rulers are not visible, choose View > Rulers.Note: For the most accurate readings, view the image at

Page 458

PHOTOSHOP CS3User Guide503Note: The Solidity and color choice options affect only the on-screen preview and the composite print. They have no effecton

Page 459

PHOTOSHOP CS3User Guide504Merge spot channels1 Select the spot channel in the Channels palette.2 Choose Merge Spot Channel from the palette menu.The s

Page 460

505Chapter 17: Web graphicsThe web tools in Adobe Photoshop CS3 can help you design and optimize individual web graphics or complete pagelayouts. Use

Page 461

PHOTOSHOP CS3User Guide506• Use the Save For Web & Devices dialog box to save rollover images in a web-compatible format and with anoptimized file

Page 462

PHOTOSHOP CS3User Guide507• With the Eyedropper tool selected, move the pointer over the color that you want to copy, and then right-click(Windows) or

Page 463

PHOTOSHOP CS3User Guide508User slices, layer-based slices, and auto slices look different—user slices and layer-based slices are defined by a solidlin

Page 464

PHOTOSHOP CS3User Guide509A layer-based slice is updated when the source layer is modified.Layer-basedslicesarelessflexiblethanuserslices;however,youc

Page 465

PHOTOSHOP CS3User Guide510Slice badges The following badges, or icons, indicate certain conditions.• User slice has Image content.• User slice has No

Page 466 — File formats

PHOTOSHOP CS3User Guide511Move, resize, and snap user slicesYou can move and resize user slices in Photoshop, but not in the Save For Web & Device

Page 467 — Photoshop EPS format

PHOTOSHOP CS3User Guide5125 Define how you want to divide each selected slice:• Select and enter a value for Slices Down or Slices Across to divide ea

Page 468

PHOTOSHOP CS3User Guide45Set guide and grid preferences1Do one of the following:• (Windows) Choose Edit > Preferences > Guides, Grid, Slices &am

Page 469

PHOTOSHOP CS3User Guide5132 Right-click (Windows) or Ctrl-click (Mac OS) and choose Combine Slices.Change the stacking order of slicesWhen slices over

Page 470

PHOTOSHOP CS3User Guide514Note: You cannot delete auto slices. If you delete all user slices and layer-based slices in an image, one auto slice coveri

Page 471 — PICT Resource

PHOTOSHOP CS3User Guide515Choose a background color for a sliceYou can select a background color to fill the transparent area (for Image slices) or en

Page 472 — Scitex CT

PHOTOSHOP CS3User Guide516Add HTML text to a sliceWhen you choose a slice of type No Image, you can enter text to be displayed in the slice area of th

Page 473 — Metadata and annotations

PHOTOSHOP CS3User Guide517Web photo gallery home pagePhotoshop provides a variety of styles for your gallery, which you can select using the Web Photo

Page 474 — Annotating images

PHOTOSHOP CS3User Guide518• HTML pages inside a pages subfolder.• JPEG thumbnail images inside a thumbnails subfolder.Making sure that your colors mat

Page 475 — Open and edit annotations

PHOTOSHOP CS3User Guide519• Titles Use (Available for some site styles) Specifies options for displaying captions under each image. SelectFilename to

Page 477

PHOTOSHOP CS3User Guide521Important: When customizing or creating a template for a gallery style, you should place each of the following tokenson a se

Page 478 — Embed a watermark

PHOTOSHOP CS3User Guide522%IMAGE_HEIGHT% Enables the Add Width And Height Attributes For Images check box. This allows the user todownload the attribu

Page 479 — Create a PDF presentation

PHOTOSHOP CS3User Guide46Hiding Extras only suppresses the display of Extras. It does not turn off these options.❖ Do one of the following:• To show o

Page 480

PHOTOSHOP CS3User Guide523%THUMBNAIL_WIDTH_NUMBER% This token is replaced by a numeral (only) representing the width of thethumbnail.%TITLE% Determine

Page 481

PHOTOSHOP CS3User Guide524Save For Web & Devices dialog boxA. Display options B. To ol box C. Preview pop-up menu D. Optimize pop-up menu E. Color

Page 482 — 6 Click OK

PHOTOSHOP CS3User Guide525View optimized image information and download timeThe annotation area below each image in the Save For Web & Devices dia

Page 483

PHOTOSHOP CS3User Guide5267 Click Save.8 In the Save Optimized As dialog box, do the following, and then click Save:• Enter a file name, and select a

Page 484

PHOTOSHOP CS3User Guide527Work with slices in the Save For Web & Devices dialog boxIf your image contains multiple slices, you must specify the sl

Page 485 — 9 Click Save

PHOTOSHOP CS3User Guide528Clip To Artboard (Illustrator only) Clips the artwork size to match the document’s Artboard boundary. Any artworkoutside the

Page 486

PHOTOSHOP CS3User Guide529The white areas of the mask (which include type or shapes on shape layers) indicate the image areas that will havethehighest

Page 487

PHOTOSHOP CS3User Guide530Web graphics optimization optionsWeb graphic formatsWeb graphics formats can be either bitmap (raster) or vector. The bitmap

Page 488

PHOTOSHOP CS3User Guide531Pixels that were fully transparent in the original image are filled with the selected color; pixels that were partiallytrans

Page 489

PHOTOSHOP CS3User Guide532(This palette is also called the web-safe palette.) Using the web palette can create larger files, and is recommendedonly wh

Page 490 — Chapter 16: Printing

PHOTOSHOP CS3User Guide47Rearranging tool presets in the Preset ManagerNote: To delete a preset in the Preset Manager, select the preset and click Del

Page 491

PHOTOSHOP CS3User Guide533Examples of transparency and mattingA. Original image B. Transparency selected with a matte color C. Transparency selected w

Page 492 — 3 Do one of the following:

PHOTOSHOP CS3User Guide534Interlace Displays a low-resolution version of the image in a browser while the full image file is downloading. Inter-lacing

Page 493

PHOTOSHOP CS3User Guide535You can add and delete colors in the color table, shift selected colors to web-safe colors, and lock selected colors topreve

Page 494 — Print vector data

PHOTOSHOP CS3User Guide536Shift a colorYou can change a selected color in the color table to any other RGB color value. When you regenerate the optimi

Page 495

PHOTOSHOP CS3User Guide5373 To revert transparency to original color, do one of the following:• Select the colors you want to revert and click the Map

Page 496 — Print a hard proof

PHOTOSHOP CS3User Guide5383 Click Save.Important: When you reload the table, all shifted colors will appear as full swatches and will be unlocked.Load

Page 497

PHOTOSHOP CS3User Guide539SWF optimization options (Illustrator)The Adobe Flash (SWF) file format is a vector-based graphics file format for the creat

Page 498

PHOTOSHOP CS3User Guide540SVG optimization options (Illustrator)SVG is a vector format that describes images as shapes, paths, text, and filter effect

Page 499 — 1 Choose File > Print

PHOTOSHOP CS3User Guide541• Convert To Outlines Converts type to vector paths. Use this option to preserve the visual appearance of type in allSVG Vie

Page 500

PHOTOSHOP CS3User Guide542HTML output optionsYou can set the following options in the HTML set:Output XHTML Creates web pages meeting the XHTML standa

Page 501

PHOTOSHOP CS3User Guide48Create a new library of presets1Do one of the following:• To save all the presets in the list as a library, make sure that al

Page 502

PHOTOSHOP CS3User Guide543Default Slice Naming Choose elements from the pop-up menus or enter text into the fields to create default namesfor slices.

Page 503

544Chapter 18: Video and animationIn Adobe Photoshop CS3, you can create frame-based animations by modifying image layers to create movementand change

Page 504 — Estimate scan resolution

PHOTOSHOP CS3User Guide545See also“Creating images for video” on page 549“Load video actions” on page 552“Adjustment and fill layers” on page 306Suppo

Page 505 — Printing duotones

PHOTOSHOP CS3User Guide546Animation palette overviewIn Photoshop, the Animation palette (Window > Animation) appears in frame mode, showing a thumb

Page 506

PHOTOSHOP CS3User Guide547Frame Delay Time Sets the duration of a frame during playback.Tween Animation Frames Adds a series of frames between two exi

Page 507

PHOTOSHOP CS3User Guide5482 Do one of the following:• Select a size option.• (Photoshop Extended) In timeline mode, select None to display only layer

Page 508 — Printing spot colors

PHOTOSHOP CS3User Guide549Important: You may lose some interpolated keyframes when converting a timeline animation to a frame animation (theappearance

Page 509

PHOTOSHOP CS3User Guide550Video preset file size guidesA. Action safe area (outer rectangle) B. Title safe area (inner rectangle)Note: Ifyouarecreatin

Page 510

PHOTOSHOP CS3User Guide5514:3 frame aspect ratio (left), and wider 16:9 frame aspect ratio (right)Pixel aspect ratio describes the ratio of width to h

Page 511

PHOTOSHOP CS3User Guide552Important: By default, nonsquare pixel documents open with Pixel Aspect Ratio Correction enabled. This setting scalesthe ima

Page 512 — Chapter 17: Web graphics

PHOTOSHOP CS3User Guide49Open a preferences dialog box1 Do one of the following:• (Windows) Choose Edit > Preferences and choose the desired prefer

Page 513

PHOTOSHOP CS3User Guide5534 Click Load.See also“Automating tasks” on page 610Adjust pixel aspect ratioYou can create a custom pixel aspect ratio in ex

Page 514 — Slicing web pages

PHOTOSHOP CS3User Guide554Before you export a layered Photoshop file for use in After Effects, do the following to reduce preview and renderingtime an

Page 515

PHOTOSHOP CS3User Guide555The folder should contain only those images you want to use as frames. The resulting animation will be moresuccessful if all

Page 517 — Modifying slices

PHOTOSHOP CS3User Guide557Alpha channel interpretation in video and image sequences (Photoshop Extended)Video and image sequences with alpha channels

Page 518

PHOTOSHOP CS3User Guide558“Restore frames in video layers (Photoshop Extended)” on page 559“Create hand-drawn animations (Photoshop Extended)” on page

Page 519 — Combine slices

PHOTOSHOP CS3User Guide559Use Shift + Option (Windows) or Shift + Alt (Mac OS) to temporarily show the clone source overlay. Use Shift +Option-drag (W

Page 520

PHOTOSHOP CS3User Guide560The Convert To Profile command (Edit > Convert To Profile) also converts all pixel edits to the document’s colorspace. Ho

Page 521 — Slice output options

PHOTOSHOP CS3User Guide561Open a video file❖ Choose File > Open, select a video file, and click Open.The video appears on a video layer in a new do

Page 522

PHOTOSHOP CS3User Guide562Layers (In timeline mode) with the layer duration bar selected to drag• Move the current-time indicator to the frame you wan

Page 524 — Create a web photo gallery

PHOTOSHOP CS3User Guide563Layers before applying the Lift Work Area commandLayers after applying the Lift Work Area commandExtract work area (Photosho

Page 525 — Web photo gallery options

PHOTOSHOP CS3User Guide564Resulting two layers after using the Split Video Layer commandGroup layers in a video or animation (Photoshop Extended)As yo

Page 526 — Web photo gallery styles

PHOTOSHOP CS3User Guide565Note: In Photoshop Extended, you can also create animations using a timeline and keyframes. See “Creating timelineanimations

Page 527

PHOTOSHOP CS3User Guide5667. Add more frames and edit layers as needed.The number of frames you can create is limited only by the amount of system mem

Page 528

PHOTOSHOP CS3User Guide567• In the Animation palette, click the Selects Next Frame button to select the next frame in the series as thecurrent frame.

Page 529

PHOTOSHOP CS3User Guide568The Propagate Frame 1 option in the Layers palette also determines how the changes you make to attributes in thefirst frame

Page 530 — Optimizing images

PHOTOSHOP CS3User Guide569pasted layers are visible, and the original layers are hidden. In the non-destination frames, the newly pasted layersare hid

Page 531

PHOTOSHOP CS3User Guide5706 Specify layer properties to be varied:Position Varies the position of the layer’s content in the new frames evenly between

Page 533

PHOTOSHOP CS3User Guide572Note: Looping options can also be set in the Save For Web & Devices dialog box. For more information, see “Save ForWeb &

Page 534

PHOTOSHOP CS3User Guide51• (Mac OS) Choose Photoshop > About Plug-in, and then choose a plug-in from the submenu.Recovery and undoUse the Undo or R

Page 535

PHOTOSHOP CS3User Guide5734. Add content to the layer.5. (Optional) Add a layer mask.A layer mask can be used to reveal only a portion of the layer’s

Page 536 — Save a file to e-mail

PHOTOSHOP CS3User Guide574See also“Choose interpolation method (Photoshop Extended)” on page 575“Create hand-drawn animations (Photoshop Extended)” on

Page 537 — JPEG optimization options

PHOTOSHOP CS3User Guide575• To select multiple keyframes, Shift-click the keyframes or drag a marquee around the keyframes.• To select all keyframes f

Page 538

PHOTOSHOP CS3User Guide576In Photoshop, the two types of interpolation are linear interpolation and hold interpolation.Linear Interpolation Creates an

Page 539

PHOTOSHOP CS3User Guide5772 Choose Layer > Video Layers and then choose one of the following:Insert Blank Frame Inserts a blank video frame in the

Page 540

PHOTOSHOP CS3User Guide578Onion skinningA. Current frame with one frame after B. Current frame with both one frame before and after C. Current frame w

Page 541

PHOTOSHOP CS3User Guide5792 In the Layers palette, select the layers you want for the animation, and choose Make Frames From Layers from theAnimation

Page 542

PHOTOSHOP CS3User Guide580Previewing video or timeline animations (Photoshop Extended)Your video or animation can be previewed in the document window.

Page 543

PHOTOSHOP CS3User Guide581• To specify the aspect ratio of the display device, choose either Standard (4:3) or Widescreen (16:9) from the AspectRatio

Page 544

PHOTOSHOP CS3User Guide582Optimize animation framesAfter you complete your animation, you should optimize it for efficient download to a web browser.

Page 545

PHOTOSHOP CS3User Guide523 Click OK.Work with the History paletteYou can use the History palette to jump to any recent state of the image created duri

Page 547 — G. Encoding menu

PHOTOSHOP CS3User Guide584MPEG-4 A multimedia standard for delivering audio and video streams over a range of bandwidths.Note: Photoshop also supports

Page 548 — Set output options

PHOTOSHOP CS3User Guide585Note: These options are available only if your movie has a text track, such as credits, titles, subtitles, and so forth.Stre

Page 549 — HTML output options

PHOTOSHOP CS3User Guide586reliability of the delivery network, you may want to increase keyframe frequency to one keyframe every 1 or 2seconds.Limit D

Page 551 — About animation

PHOTOSHOP CS3User Guide588original frame rates of the source clips) but uses more disk space. If available, specify how often the keyframes aregenerat

Page 552

PHOTOSHOP CS3User Guide5898 Under Range, select one of the following options:All Frames Renders all the frames in the Photoshop document.In Frame Lets

Page 553 — Animation palette overview

590Chapter 19: Technical imagingAdobe Photoshop CS3 Extended offers powerful tools for technical image analysis and editing, including MATLABintegrati

Page 554 — Change thumbnail size

PHOTOSHOP CS3User Guide5917 Click Apply and then OK.Connect/disconnect to Photoshop from MATLAB (Photoshop Extended)❖ In MATLAB, do one of the followi

Page 555

PHOTOSHOP CS3User Guide592New document attributes and defaultsEntering psnewdoc(W,H,R,N,M,F,A,B,P) creates a new document with values for the followin

Page 556 — Creating images for video

viChapter 16: PrintingPrinting from Photoshop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Page 557 — Aspect ratio

PHOTOSHOP CS3User Guide53• By default, deleting a state deletes that state and those that came after it. If you choose the Allow Non-LinearHistory opt

Page 558 — 1 Create a new document

PHOTOSHOP CS3User Guide593Open a DICOM file (Photoshop Extended)Before you open a DICOM file, you can specify how DICOM frames are opened (as layers o

Page 559

PHOTOSHOP CS3User Guide594DICOM metadata (Photoshop Extended)You can view and edit several categories of DICOM metadata in the Photoshop File Info dia

Page 560

PHOTOSHOP CS3User Guide595Image stacks are stored as Smart Objects. The processing options you can apply to the stack are called stack modes.Applying

Page 561 — Extended)

PHOTOSHOP CS3User Guide596Remove stack rendering❖ Choose Layers > Smart Objects > Stack Mode > None to remove any rendering from an image sta

Page 562

PHOTOSHOP CS3User Guide597Use a script to create an image stack (Photoshop Extended)You can use the Statistics script to automate creating and renderi

Page 563

PHOTOSHOP CS3User Guide5983 Enter the Logical Length and Logical Units that you want to set equal to the Pixel Length.For example, if the Pixel Length

Page 564

PHOTOSHOP CS3User Guide599Add or replace scale markersYou can place multiple scale markers in a document, or replace existing markers.Note: Additional

Page 565

PHOTOSHOP CS3User Guide600Note: When you measure with a particular tool, only the data points associated that tool will be displayed in the log,even i

Page 566

PHOTOSHOP CS3User Guide601measured at once, one histogram file is generated for the total selected area, plus additional histogram files for eachselec

Page 567

PHOTOSHOP CS3User Guide602Display the Measurement Log❖ Do one of the following:• Choose Analysis > Record Measurements.• Choose Window > Measure

Page 568

PHOTOSHOP CS3User Guide54Automatically Create New Snapshot When Saving Generates a snapshot every time you save.Allow Non-Linear History Makes changes

Page 569

PHOTOSHOP CS3User Guide6032 Do one of the following:• Choose Export from the Measurement Log options menu.• Click the Export icon at the top of the pa

Page 570

PHOTOSHOP CS3User Guide604Note: To record a count to the Measurement Log, you must have Count selected as a measurement data point. ChooseAnalysis >

Page 571 — Creating frame animations

PHOTOSHOP CS3User Guide605For a video on mapping 2D images onto 3D models, see www.adobe.com/go/vid0020.For a video on using the 3D camera tool, see w

Page 572 — • Add a style to layers

PHOTOSHOP CS3User Guide606Move, rotate, or scale a 3D modelYou can use the 3D object editing tools to rotate a 3D model around its x-axis, y-axis, or

Page 573 — Select animation frames

PHOTOSHOP CS3User Guide607To view or edit the numeric values for the x, y, and z position, rotation or field of view of the 3D camera, click thearrow

Page 574

PHOTOSHOP CS3User Guide608View cross sectionsYou can view a cross-section of a 3D model by intersecting it with an invisible plane that slices through

Page 575

PHOTOSHOP CS3User Guide609For3DfilessavedinPhotoshopformat,textureeditsaresavedwhenyousavethefile.Forother3Dfileformatsthatstore textures in external

Page 577

PHOTOSHOP CS3User Guide611View actions by name only❖ Choose Button Mode from the Actions palette menu. Choose Button Mode again to return to list mode

Page 578 — Choose a disposal method

PHOTOSHOP CS3User Guide6123 (Photoshoponly)SelectPauseForAudioAnnotationtoensurethateachaudioannotationinanactionisplayedbefore the next step in the a

Page 579 — Delete an entire animation

PHOTOSHOP CS3User Guide55Make a snapshot of an imageTheSnapshotcommandletsyoumakeatemporarycopy(orsnapshot)ofanystateoftheimage.Thenewsnapshotis added

Page 580

PHOTOSHOP CS3User Guide613Note: Any actions that you create are automatically listed in the Actions palette, but to truly save an action and not riskl

Page 581

PHOTOSHOP CS3User Guide614• To rename a set of actions, double-click the name of the set in the Actions palette or choose Set Options from theActions

Page 582

PHOTOSHOP CS3User Guide6153 Enter an action name, select an action set, and set additional options:Function Key Assigns a keyboard shortcut to the act

Page 583

PHOTOSHOP CS3User Guide616You can also display a short message when the action reaches the stop as a reminder of what needs to be done beforecontinuin

Page 584

PHOTOSHOP CS3User Guide617Insert a non-recordable menu commandYou cannot record the painting and toning tools, tool options, View commands, and Window

Page 585

PHOTOSHOP CS3User Guide6183 If a dialog box appears, change the settings, and click OK to record them, or click Cancel to retain the same values.Proce

Page 587

PHOTOSHOP CS3User Guide620Import Processes images from a digital camera, scanner, or a PDF document.Opened Files Processes all open files.Bridge Proce

Page 588

PHOTOSHOP CS3User Guide621Tips for cross-platform dropletsWhen creating droplets for both Windows and Mac OS, keep the following compatibility issues

Page 589

PHOTOSHOP CS3User Guide622if you don’t select this option and the Save As command in the action specifies a filename, the Batch commandoverwrites

Page 590

PHOTOSHOP CS3User Guide56• To delete a snapshot, select the snapshot and either choose Delete from the palette menu, click the Delete icon ,or drag th

Page 591 — 3G export settings

PHOTOSHOP CS3User Guide623Note: Refer to the scripting documentation included with your Photoshop application installation: Photoshop Apple-Script Ref

Page 592

PHOTOSHOP CS3User Guide6243. Create or import the data sets.You can create the data sets in the template, or import them from a text file. (See “Defin

Page 593 — DV Stream export settings

PHOTOSHOP CS3User Guide625Two versions of an image based on the same templateA. Visibility variable B. Pixel Replacement variable C. Text Replacement

Page 594

PHOTOSHOP CS3User Guide6266 To define variables for another layer, choose a layer from the Layer pop-up menu. An asterisk appears next to thename of a

Page 595 — Export image sequences

PHOTOSHOP CS3User Guide627Generate graphics using data setsAfter you define variables and one or more data sets, you can output, in batch mode, images

Page 596

PHOTOSHOP CS3User Guide628All variables defined in the PSD document must be defined in the text file. An error is displayed if the number ofvariables

Page 598

PHOTOSHOP CS3User Guide630• To return a new shortcut to the default, click Use Default.• To export the displayed set of shortcuts, click Summarize. Yo

Page 599

PHOTOSHOP CS3User Guide631Slice toolSlice Select toolKKSpot Healing Brush toolHealing Brush toolPatch toolRed Eye toolJJBrush toolPencil toolColor Rep

Page 600

PHOTOSHOP CS3User Guide632Keys for selecting tools in the Extract toolboxKeys for selecting tools in the Liquify toolboxRectangle toolRounded Rectangl

Page 601

PHOTOSHOP CS3User Guide57Change the scratch disk assignment1 Do any of the following in the Scratch Disks area of Performance preferences:• To change

Page 602

PHOTOSHOP CS3User Guide633Keys for working with Extract, Liquify, and Pattern MakerTurbulence tool T TFreeze Mask tool F FThaw Mask tool D DResult (Ex

Page 603 — Convert an image stack

PHOTOSHOP CS3User Guide634Cycle through Display menu in previewfrom bottom to topShift + F Shift + FDecrease/increase brush size by 1 Down Arrow/Up Ar

Page 604

PHOTOSHOP CS3User Guide635Keys for using the Filter GalleryKeys for using the Refine Edge dialog boxKeys for using the Black-and-White dialog boxKeys

Page 605

PHOTOSHOP CS3User Guide636Keys for using the Curves dialog boxRotate image right R RZoom in Control + + (plus) Command + + (plus)Zoom out Control + —

Page 606

PHOTOSHOP CS3User Guide637Keys for using PhotomergeKeys for using Vanishing PointSet a point to the composite curve Control-click the image Command-cl

Page 607 — Measurement Data Points

PHOTOSHOP CS3User Guide638Keys for working with blending modesDecrease brush hardness (Brush, Stamptools)Shift + [ Shift + [Undo last action Control +

Page 608

PHOTOSHOP CS3User Guide639Keys for viewing imagesThis is not a complete list of keyboard shortcuts. This table lists only those shortcuts that are not

Page 609

PHOTOSHOP CS3User Guide640Keys for selecting and moving objectsThis is not a complete list of keyboard shortcuts. This table lists only those shortcut

Page 610

PHOTOSHOP CS3User Guide641Keys for editing pathsThis is not a complete list of keyboard shortcuts. This table lists only those shortcuts that are not

Page 611

PHOTOSHOP CS3User Guide642Keys for painting objectsThis is not a complete list of keyboard shortcuts. This table lists only those shortcuts that are n

Page 612 — • Choose File > Open

58Chapter 3: Opening and importingimagesAdobe® Photoshop® CS3 can open and import many types of graphic files. To work effectively, you should under-s

Page 613

PHOTOSHOP CS3User Guide643Keys for transforming selections, selection borders, and pathsThis is not a complete list of keyboard shortcuts. This table

Page 614 — Change rendering effects

PHOTOSHOP CS3User Guide644Keys for slicing and optimizingKeys for using palettesThis is not a complete list of keyboard shortcuts. This table lists on

Page 615 — plane moves beyond

PHOTOSHOP CS3User Guide645Keys for using the Actions paletteResult Windows Mac OSSet options (except for Actions, Animation,Styles, Brushes, Tool Pres

Page 616

PHOTOSHOP CS3User Guide646Keys for using the Animation paletteKeys for using the Animation palette Timeline Mode (Photoshop Extended Only)Keys for usi

Page 618 — Specify playback speed

PHOTOSHOP CS3User Guide648Keys for using the Info paletteKeys for using the Layer Comps paletteKeys for using the Layers paletteStep backward through

Page 619 — Manage action sets

PHOTOSHOP CS3User Guide649Select next layer down/up Alt + [ or ] Option + [ or ]Move target layer down/up Control + [ or ] Command + [ or ]Merge a cop

Page 620

PHOTOSHOP CS3User Guide650Keys for using the Paths paletteKeys for using the Swatches paletteKeys for using Measurement (Photoshop Extended Only)Creat

Page 621 — Creating actions

PHOTOSHOP CS3User Guide651Keys for using 3D tools (Photoshop Extended)Keys for working with DICOM files (Photoshop Extended)Function keysExtend/shorte

Page 622 — Insert a stop

PHOTOSHOP CS3User Guide652Show/Hide Color palette F6 F6Show/Hide Layers palette F7 F7Show/Hide Info palette F8 F8Show/Hide Actions palette F9 Option +

Page 623

PHOTOSHOP CS3User Guide59Example of a vector image at different levels of magnificationYou can freely move or modify vector graphics without losing de

Page 624 — Edit and rerecord actions

653IndexNumerics16 bpc images 6032 bpc images 813D filesformats supported 604opening 605saving 6093D layers 6093D modelsediting textures from 608placi

Page 626 — Process a batch of files

INDEX655bitmap imagesabout 58resolution of 59transparency in 59Bitmap modeabout 111, 113converting to Grayscale 115Custom Pattern option 114Paint Buck

Page 627 — Droplet icon

INDEX656maximum number of 265merging 268mixing 179optimizing images with 528options for 272Quick Mask 270saving selections in 273selecting 266sequence

Page 629 — Scripting

INDEX658Create Droplet commandin Automate submenu 620Create Layers command 305Create Plane tool, in vanishingpoint 225Create Slice From Guidescommand

Page 631 — Define variables

INDEX660for nonsupported previews 460supporting paths 370file information area, in status bar 40file sizeabout 62required for alpha channels 265scanni

Page 632

INDEX661mapping tonal range to 189transparency 348, 349Grain filter 395Graphic Pen filter 393grayscale imagesabout 111colorizing 98, 170converting fro

Page 634 — 5 Click OK

PHOTOSHOP CS3User Guide60In addition to color channels, alphachannels, can be added to an image for storing and editing selections as masks,andspotcol

Page 635 — Import a data set

INDEX663Kkerning 419, 420keyboard shortcutsfull list of 629in Help 4keystone distortion, correcting 192kinsoku shori. See Asian typeknockoutsand spot

Page 637 — Default keyboard shortcuts

INDEX665Merge To HDR command 79Merge Visible Layers command 292mergingadjustment or fill layers 308all visible layers 291channels 268layers 291stamped

Page 638

INDEX666paintingoptions 343tools for 325with a color in vanishing point 225with patterns 326with sampled pixels in vanishingpoint 225Palette Knife fil

Page 639

INDEX667perspectiveadjusting 205applying 216changing by cropping 192correcting 205transforming 192perspective planesworking with vanishing point 225Ph

Page 640

INDEX668selection boundary 255video and animation in thetimeline 580Print command 483, 484print dimensions, changing 66, 486Print One Copy command 484

Page 641

INDEX669rulersabout 41changing settings 42zero origin 41Run Length Encoding (RLE)compression 459SSampled Blur filter 389samplingfrom layers 282images

Page 642

INDEX670previewing, using Refine Edgeoption 255refining edges of 255refining with Color Rangecommand 251removing fringe pixels from 257removing halos

Page 643

INDEX671Snap Neutral Midtones option ofAuto Color 186Snapshot command 55snapshotsclearing 52of state 52Soft light mode 344, 345soft proofs 159soft-pro

Page 644 — Keys for using Photomerge

INDEX672Hue/Saturation command 168made in Curves dialog box 164made with adjustment layers 158Match Color command 178Replace Color command 178saving 1

Page 645

PHOTOSHOP CS3User Guide61Image size and resolutionAbout pixel dimensions and resolutionThe pixel dimensions (image size or height and width) of a bitm

Page 646 — Keys for viewing images

INDEX673paragraph spacing 425scaling 421spacing between words 424with Paragraph palette 423typeface. See fontstypographers’ quotes 407Uunderlining. Se

Page 647

INDEX674work pathsabout 358converting selection to 380creating 369, 370working spaces, color 146workspacescustomizing 20customizing menus in 24deletin

Page 648 — Keys for editing paths

PHOTOSHOP CS3User Guide62Pixel dimensions equal document (output) size times resolution.A. Original dimensions and resolution B. Decreasing the resolu

Page 649 — Keys for painting objects

viiChapter 21: Keyboard shortcutsCustomizing keyboard shortcuts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Page 650 — Keys for formatting type

PHOTOSHOP CS3User Guide63About monitor resolutionYour monitor’s resolution is described in pixel dimensions. For example, if your monitor resolution a

Page 651 — Keys for using palettes

PHOTOSHOP CS3User Guide64Screen frequency examplesA. 65 lpi: Coarse screen typically used to print newsletters and grocery coupons B. 85 lpi: Average

Page 652

PHOTOSHOP CS3User Guide65You can avoid the need for resampling by scanning or creating the image at a sufficiently high resolution. If you wantto prev

Page 653

PHOTOSHOP CS3User Guide66Change the print dimensions and resolutionWhen creating an image for print media, it’s useful to specify image size in terms

Page 654

PHOTOSHOP CS3User Guide673 For Screen, enter the screen frequency for the output device. If necessary, choose a different unit of measurement.Note tha

Page 655

PHOTOSHOP CS3User Guide685 Click Start.6 Select the digital camera from which to import images.Note: If the name of your camera does not appear in the

Page 656

PHOTOSHOP CS3User Guide694 Make sure that Open Acquired Images in Photoshop is selected. If you have a large number of images to import,or if you want

Page 657

PHOTOSHOP CS3User Guide708 (Optional) Under Advanced, choose a color profile, or choose Don’t Color Manage This Document. For PixelAspect Ratio, choos

Page 658 — Function keys

PHOTOSHOP CS3User Guide71Sometimes Photoshop may not be able to determine the correct format for a file. This can happen, for example,because the file

Page 659

PHOTOSHOP CS3User Guide72Some PDF files contain a single image, and others contain multiple pages and images. When you open a PDF file inPhotoshop, yo

Page 660

1Chapter 1: Getting startedIf you haven’t installed your new software, begin by reading some information on installation and other prelimi-naries. Bef

Page 661

PHOTOSHOP CS3User Guide73Mode Sets the color mode for the new document. See also “Color modes” on page 110.Bit Depth Sets the bit depth for the new do

Page 662

PHOTOSHOP CS3User Guide743 Select options for the source image:Pixel Size Specifies the pixel dimensions of the image. Keep in mind that the on-screen

Page 663

PHOTOSHOP CS3User Guide75See also“About Smart Objects” on page 309Place a file in Photoshop1 Open the Photoshop document that is the destination for t

Page 664

PHOTOSHOP CS3User Guide76See also“Scale, rotate, skew, distort, apply perspective, or warp” on page 214“Warp an item” on page 217Place PDF or Illustra

Page 665

PHOTOSHOP CS3User Guide774 In the Paste dialog box, select how you want to paste the Adobe Illustrator art and then click OK:Smart Object Pastes the a

Page 666

PHOTOSHOP CS3User Guide78Merging images of different exposures to create an HDR imageA. Imagewithshadowdetailbuthighlightsclipped B. Image with highli

Page 667

PHOTOSHOP CS3User Guide79Blend Modes Normal, Dissolve, Behind, Clear, Darken, Multiply, Lighten, Color Darken, Linear Dodge (Add),Color Lighter, Diffe

Page 668

PHOTOSHOP CS3User Guide804 Click OK.A second Merge To HDR dialog box displays thumbnails of the images being used in the merged result, a preview ofth

Page 669

PHOTOSHOP CS3User Guide81• Vary the shutter speed to create different exposures. Changing the aperture changes the depth of field in eachexposure and

Page 670

PHOTOSHOP CS3User Guide822 In the HDR Conversion dialog box, choose a method for adjusting the brightness and contrast in the image:Exposure And Gamma

Page 671

PHOTOSHOP CS3User Guide2Read MeThe installation disc contains the Read Me file for your software. (This file is also copied to the application folderd

Page 672 — OLE (Object Linking and

PHOTOSHOP CS3User Guide836 Click OK to convert the 32-bpc image.See also“Curves overview” on page 163About the HDR Color Picker (Photoshop Extended)Th

Page 673

PHOTOSHOP CS3User Guide84Choose Colors for HDR imagesThe lower part of the HDR Color Picker functions like the regular color picker does with 8- or 24

Page 674

85Chapter 4: Camera RawAdobePhotoshopCameraRawsoftwareworkswithAdobePhotoshop,AdobeAfterEffects,andAdobeBridge.Youcan use Photoshop Camera Raw softwar

Page 675

PHOTOSHOP CS3User Guide86Using Bridge, you can apply, copy, and clear image settings, and you can see previews and metadata for camera rawfiles withou

Page 676

PHOTOSHOP CS3User Guide87DNG is an extension of the TIFF 6.0 format and is compatible with the TIFF-EP standard. It is possible (but notrequired) for

Page 677

PHOTOSHOP CS3User Guide886. Set workflow options for Photoshop.Set options to specify how images are saved from Camera Raw and how Photoshop should op

Page 678

PHOTOSHOP CS3User Guide89Camera Raw dialog box overviewCamera Raw dialog boxA. Filmstrip B. To ggle Filmstrip C. Camera, file name, and Exif informat

Page 679

PHOTOSHOP CS3User Guide90RGB Shows the red, green, and blue values of the pixel under the pointer in the preview image.Shadows and Highlights Displays

Page 680

PHOTOSHOP CS3User Guide91You can also synchronize settings to apply settings from the active image to all selected images. You can quickly applya set

Page 681

PHOTOSHOP CS3User Guide92See also“Convert files with the Image Processor” on page 618“Processing a batch of files” on page 618Open images in Camera Ra