Ketron audya 5 инструкция на русском

  • Page 1
    USER MANUAL…
  • Page 2
    KETRON • AUDYA…
  • Page 3: Playing The Demo Songs

    By using the DATA/VALUE wheel you can scroll various pages of demo songs1 Use the START/STOP button for start or stop the playback of the current song1 Press either the REGISTRATION or the PLAY LIST buttons to exit the DEMO mode1 KETRON • AUDYA…

  • Page 4: Table Of Contents

    Bass Bank ……….127 Arp & Licks ……….128 Voicetron ………… 25 Live Guitar ……….129 Master …………. 27 AUDYA FACTORY STYLES ……130 Master …………27 Drum Set ……….. 133 Main View ……….28 MIDI Implementation ……150 Main View ……….28 Control Change ……..

  • Page 5: Introduction

    Introduction Thank you for purchasing Ketron Audya Advanced Music Station. In this “User Manual” you can find the descriptions of all the main functions to get started by using the keyboard. Before using the unit, we strongly recommend you to read this manual thoroughly to ensure that you understand the operation of its many useful and convenient functions.

  • Page 6: Top Panel

    Introduction Top panel The front panel of Audya is divided in various NOTE operative sections. Some buttons and controls on the front panel are In the figure below, each number corresponds to marked by a blue serigraphy, meaning that a second its description.

  • Page 7: Rear Panel

    The same of USB 1. NOTE Along the keyboard, from C3 to E6, you can find letters and numbers for easy input of names, when saving files on the hard disk, and for a quick file search1 KETRON • AUDYA…

  • Page 8: Audio Connections

    AMPLIFIED SPEAKERS Connecting 4 auxiliary outputs to a mixer and to a PA system. MAIN OUT L/R LINE INPUT 1, 2, 3 and 4 INPUT L INPUT R MIXER AUX OUT 1, 2, 3 and 4 AMPLIFIED SPEAKERS KETRON • AUDYA…

  • Page 9: Midi Connection

    MIDI connection to an external interface connected to a computer. AUDIO/MIDI USB INTERFACE (or FIREWIRE) MIDI IN MIDI OUT MIDI IN MIDI OUT COMPUTER WITH A DAW APPLICATION (Cubase, Pro Tools, SONAR, Logic, Reaper, Live, Reason, Fruity Loops, Sequel, etc.) KETRON • AUDYA…

  • Page 10: Video Connection

    Connections VIDEO connection Connecting a VGA monitor. VGA MONITOR VIDEO PORT USB connection USB connection to a computer. COMPUTER CONNECTED VIA USB USB DEVICE KETRON • AUDYA…

  • Page 11
    Connections USB connection procedure ▀ Connect the USB cable to the USB DEVICE port of Audya, and to the USB port of a computer. After a while, “USB connected” will appear on the display of Audya (Figure A). All the functions on the front panel are disabled.
  • Page 12: Display And Function Keys

    Display and function buttons Display The heart of Audya is the display. The F1-F5 function buttons to the left, the F6-F10 function buttons to the right and the five User buttons below the display allow you to select the items displayed in the various screens.

  • Page 13: User Buttons

    Arranger will the selected style and the Arranger will automatically stop playing, except the drum part. start. If the Arranger is already playing, by pressing this button you will enable the same FILL. KETRON • AUDYA…

  • Page 14: Selecting Voices

    By turning the wheel clockwise/ counter-clockwise you can scroll the pages, just like the CURSOR Ó Á 1 Also, you can scroll the pages by pressing repeatedly the same VOICE family button (e1g1 PIANO, EL1PIANO and so on1) Figure 2 KETRON • AUDYA…

  • Page 15
    The RAM INS indication next to the SUPERSOLO button means that the INS voices will be loaded into memory temporarily1 For this reason, when you power OFF, the INS voices will not be retained in memory1 Figure 6 KETRON • AUDYA…
  • Page 16
    ▀ Press the GM button on the third row in the VOICE section. The display will show a list of the GM voices (Figure 10). Follow the same procedure for voices selection described on page Figure 10 KETRON • AUDYA…
  • Page 17: Selecting The Style

    Also, you can scroll the pages by pressing repeatedly the same STYLE NOTE family button (e1g1 BALLAD, POP and Note that the styles which contain an audio part so on1) (AUDIO DRUM, GROOVES, LIVE GUITAR) have the symbol ^ before the style name1 KETRON • AUDYA…

  • Page 18: Play Control

    (GUITAR, SYNTH, etc.) DRUM SET ▀ Selects one of the 53 built-in DRUM SETS to play directly from the keyboard (Figure 15). For more Figure 15 details see DRUM SET section. KETRON • AUDYA…

  • Page 19
    • DRUM MIXER page 68 • GM PART page 65 • STYLE MODE page 59 • STYLE VIEW page 53 • USER ASSIGNABLE page 113 • SEARCH page 119 KETRON • AUDYA…
  • Page 20: Mixer

    . In the upper part at left, the Figure 18 STYLE MASTER volume is shown. In the upper part at right, the RIGHT and 2 volumes are shown. In the lower part at left, DRUM, BASS, Figure 18 CHORD and LOWER volumes are shown. KETRON • AUDYA…

  • Page 21: Player

    STYLE section, that folder is recalled. To store PREV (previous) button. the position of a folder (WAVE, DJ LOOP, MP3, etc.) hold to 0-9 button of the keypad KETRON • AUDYA…

  • Page 22
    Press the WAVE button. Select an audio file from the WAVE folder. Press the START button (USER 5) or the ENTER button or the START button on the panel. The WAVE track starts playback and its LED flashes. KETRON • AUDYA…
  • Page 23
    CROSSFADE. When the CROSSFADE is finished, the LED of the WAVE track lights steadily while the LED of the MP3 track flashes. Note that you can apply the same procedure to any other tracks. Figure 26 KETRON • AUDYA…
  • Page 24
    (F2). In the lower part of the window a progress bar will appear during the file number- ing of the folder. Instead, if a numbering is already assigned, a pop-up to remove numbering will ap- pear. Figure 29 Figure 30 KETRON • AUDYA…
  • Page 25: Voicetron

    MICRO PRESETS each: PAGE 1 PAGE 2 F1–DRY F1–GIRL F2–REVERB SMALL F2–BABY F3–REVERB MEDIUM F3–VIBRATO F4–REVERB LARGE F4–PHONE F5–REVERB GATED F5–ANGEL F6–BOOST F6–MICRO_01 F7–ECHO REVERB F7–MICRO_02 F8–ECHO REVERB TAP F8–MICRO_03 F9–CORRECTION F9–MICRO_04 F10–BEAR F10–MICRO_05 KETRON • AUDYA…

  • Page 26
    For example, you can set a DUET effect for the START, a TRIO effect for the A variation of the Arranger, a VOCODER effect for the B variation of the Arranger and so on. For details see on page 104. KETRON • AUDYA…
  • Page 27: Master

    In1 Just press the FADE button while the Arranger or Note that the fade-out does not apply to the the Player are stopped1 microphone output. In this way, you will be able to talk/sing during the fade-out. KETRON • AUDYA…

  • Page 28: Main View

    Press the SAVE button on the front panel. A screen like Figure 39 will appear. Press the F6 button corresponding to CUSTOM STARTUP. At start-up the display will be set to the new MAIN VIEW. Figure 37 Figure 38 Figure 39 KETRON • AUDYA…

  • Page 29: Autoswitch Time

    If you set the AUTOSWITCH TIME (sec) to OFF, the AUTOSWITCH function will be switched off1 In this case, if you want to return to the MAIN VIEW from other screens, you must press manually the EXIT button on the front panel1 KETRON • AUDYA…

  • Page 30: Main View Description

    STYLE MASTER and the ABCD variation of the Arranger (Figure 42). F2 – The F2 button opens the window for the REGISTRATION selection (Figure 43). More details in the REGISTRATION section of this manual. Figure 43 KETRON • AUDYA…

  • Page 31
    LYRIC section of this window Figure 46 will appear empty (Figure 46). To return to the MAIN VIEW display, press the F10 button again, or any other button (STYLE, VOICES, DRUM SET, PROGRAM or Player button). KETRON • AUDYA…
  • Page 32: Midi Player (Main View)

    HOME function activated by the USER 3 button, as illustrated in Figure 50. The HOME function is useful when you want return to the MAIN VIEW and operate from the new functions. Figure 50 KETRON • AUDYA…

  • Page 33: Wave Player (Main View)

    CURSOR § ¶ buttons or the DATA/VALUE wheel and start by using the button ENTER. To return to the main window, press the F3 button (or F4) again. Figure 54 KETRON • AUDYA…

  • Page 34: Mp3/Sfx Player (Main View)

    CURSOR § ¶ buttons or the DATA/VALUE wheel and start with button ENTER. To return to the ordinary window, press the F3 button (or F4) again. Figure 58 Figure 59 KETRON • AUDYA…

  • Page 35: Dj Loop Player (Main View)

    The USER buttons from 1 to 4 in the MAIN VIEW window will have the following functions: USER 1: PAUSE/CONTINUE USER 2: STOP USER 3: LEAD ON/OFF (melody mute) USER 4: EXIT (exit from the Lyric or MAIN VIEW window). KETRON • AUDYA…

  • Page 36: Program

    That is, in the CURSOR Ó Á buttons or the wheel (Figure 65). above example, from Grand_Piano up to Pulse_Clavi111 KETRON • AUDYA…

  • Page 37
    PAN of three voices independently. The value from 63R to 64L corresponds to the right and to the left position, respectively (Figure 69). Press the CURSOR Ó Á buttons together to automatically set the PAN Figure 68 in the center position (>|<). Figure 69 KETRON • AUDYA…
  • Page 38
    3 of the PROGRAM, the parameters of the VOICE EDIT Select a different VOICE by using the F1 or F6 page are visible but you cannot modify the organ voice buttons and press the USER 1 button (Voice Edit) to parameters1 modify the voice parameters. KETRON • AUDYA…
  • Page 39
    ON/OFF: F1–PORTAMENTO ON/OFF: enable/disable the Portamento control. F2–AFTERTOUCH ON/OFF: enable/disable the Aftertouch control. F3–PITCH BEND ON/OFF: enable/disable the Pitch Bend control. F4–MODULATION ON/OFF: enable/disable the Modulation Wheel control. F5–EXPRESSION ON/OFF: enable/disable the Expression control. Figure 76 KETRON • AUDYA…
  • Page 40
    CHORUS or ECHO for User Cho1, User Cho2 … User Cho5 the remaining VOICES1 You can select an effect like DIST for the three VOICES or any combination of DIST+CHO or DIST+ECHO+CHO effects1 KETRON • AUDYA…
  • Page 41
    The values of the parameters for EFF1 ASSIGN and EFF1 TYPE are strictly connected to the parameters of the EFF1 SEND page1 You coud not hear any effect until you adjust the sends in the EFF1 SEND page, as explained Figure 85 later1 KETRON • AUDYA…
  • Page 42
    Once you select the parameter, you can modify the parameters by using the DATA/VALUE wheel or the CURSOR Ó Á buttons. Use the function F1/ F6 buttons to select one of three VOICES of the PROGRAM. Figure 90 KETRON • AUDYA…
  • Page 43
    DATA/VALUE wheel or the Figure 94 CURSOR Ó Á buttons. Press the USER 5 button (Control 1) again to return to the CONTROL 1 page. You can choose the the parameters by using the F1… F10 buttons: Figure 95 KETRON • AUDYA…
  • Page 44
    Voice1 Double and 2 Hands mode Voice2 They are the copy of the Double and Harmony-2 Voice3 Hands buttons on the panel. By recalling one VOICE, you can automatically activate the functions stored in the VOICE. KETRON • AUDYA…
  • Page 45
    Wha To Wheel: applies a wha-wha effect to the wheel NOTE • F4/F9–BEND ( Figure 102): you can assign a You can activate wha-wha effect as User Assignable Bend control to each VOICE. For example: control1 KETRON • AUDYA…
  • Page 46: Registration

    Registration Registration A Registration stores a complete configuration of the panel. Audya lets you to save two types of Registrations, SINGLE and BLOCK. By using the REGISTRATION button on the front panel you can enter the Registration functions. Creating a SINGLE REGISTRATION ▀…

  • Page 47
    Select the SINGLE REGISTRATION by using the DATA/VALUE wheel or the CURSOR § ¶ . Figure 109 Press the ENTER button in order to confirm the SINGLE REGISTRATION assigned to any F1-F10 button. Repeat the operation for each F1-F10 button. Figure 110 KETRON • AUDYA…
  • Page 48
    NOTE Press the SAVE button and give a name to the When you enter the Registration Block EDIT mode, the REGISTRATION BLOCK. NUMERIC option is automatically disabled1 Press the SAVE button and give a name to the KETRON • AUDYA…
  • Page 49
    If the NUMERIC ON function is disabled, you must manually select the REGISTRATION by using the CURSOR § ¶ buttons or the DATA/VALUE wheel and by pressing the ENTER button (Figure 116). Figure 115 Figure 116 KETRON • AUDYA…
  • Page 50: Play List

    When finished, press the USER 5 button (SAVE). Figure 118 Give a name to the PLAY LIST and press SAVE NOTE again. By pressing the A1PLAY ON/OFF button (USER 5) you can enable/disable the automatic playback of the songs currently in the Play List1 KETRON • AUDYA…

  • Page 51: Key Tunes

    The Key Tunes feature uses a WAVE track, so if a Key in the range 0-127. Tune is playing back, the Wave Player will not work F7 — LOOP ON/OFF: sets the loop on/off. • and viceversa1 F8 — HOLD ON/OFF: sets the hold on/off, that • KETRON • AUDYA…

  • Page 52: Double, Harmony

    TRILL effect, you will hear the trill effect produced by the note played at right or left of the starting note. You can modify the speed of the trill by using the SPEED parameter corresponding to the USER 2 button. KETRON • AUDYA…

  • Page 53: Style View

    Please note that the effects Chorus and Reverb are available for the drum and percussion parts (DRUM1 and DRUM2 and/or Audio Drum and Groove Bank). Figure 128 KETRON • AUDYA…

  • Page 54
    Figure 131 NOTE By pressing button USER 5 you can select the SINGLE or GLOBAL mode in order to change the single Varia- tion of the style or all the Variations1 KETRON • AUDYA…
  • Page 55: Audio Style Modeling

    The Audio Style Modeling is the powerful system For all the sections, you can scroll by using • of Audya sound engine. The place where you the DATA/VALUE wheel or choosing directly can “model” the style is the Style View section.

  • Page 56: The Audio Style Modeling Sections

    The automatic Bass MIDI Library, offers more than 180 bass riffs. It works on the Bass section replacing the normal bass part of the style. 4 — Arp&Lick The Arpeggio & Lick Library offers a variety of em- bellishment for various instruments: Piano, Guitar, KETRON • AUDYA…

  • Page 57
    5. While the style is playing you can change the in- strument choosing from the table by using the DATA/VALUE wheel. You can assign any GM voice. 6. To change the Bass Bank, stop the Arranger and repeat from step 3. KETRON • AUDYA…
  • Page 58
    Selecting the style ▀ 1. Press the USER STYLE button on the front panel. 2. Select the category by using the numeric keypad. 3. Select the style by choosing the previously given name (Figure 137). Figure 136 Figure 137 KETRON • AUDYA…
  • Page 59: Style Mode

    Arranger. AUTO: this mode lets you play 3 or more notes for chord recognition and then play the melody with one Figure 141 or two note max, without altering the tonality of the Arranger. KETRON • AUDYA…

  • Page 60
    Fill In if you apply an Aftertouch on the left split. FILL TO ARRANGE When this parameter is ON (Figure 146) each time you activate the Fill In, causes the automatic change Figure 143 to the next variation. Figure 144 Figure 145 Figure 146 KETRON • AUDYA…
  • Page 61
    Style. Press the F10 button (Global Enabled) to enable the VOICE TO ARRANGE function globally for all the Styles. Save your choices into the current style by pressing the SAVE button on the front panel. Figure 150 KETRON • AUDYA…
  • Page 62
    Fill In and the Break of the style. Figure 153 NOTE The AUTOCRASH works only if present within the style1 If the Autocrash is not programmed into the style its two options have no effect1 KETRON • AUDYA…
  • Page 63
    For example, when you don’t play again the root note or the fifth that you have just played. The function works only with the styles in which the alternate root/fifth bass was programmed. Figure 157 KETRON • AUDYA…
  • Page 64
    Normal: standard mode, with the Lower always active. Bas+Lower: only when the Arranger is stopped, the manual bass and the chord play together. Hold Stop: holds the Lower also when the Arranger is stopped, instead of being disabled in normal condition. KETRON • AUDYA…
  • Page 65: Gm Part

    Turn the DATA/VALUE to set the value. Figure Figure 163). selecting VOCAL ( the part is transposed by +12 semitones. Turn the button VOCALIZER on. To edit the MIDI MODE, please see VOICETRON section later in this manual. KETRON • AUDYA…

  • Page 66
    To find one or more parts in MUTE condition, press the F1-F6, F2-F7, F3-F8 or F4-F9 buttons repeatedly1 Press F5 or F10 to disable the MUTE condition1 Press the F10 button (SOLO) twice if you want to disable quickly the MUTE condition on any part1 Figure 168 KETRON • AUDYA…
  • Page 67
    F10–Keyb. Trans: Keyboard transposition Only for an example, in each MIDI file you can store: Tempo settings modified by the TEMPO SLOW • FAST buttons. Keyboard transposition (semitones and/or • octaves). Song transposition. • MIDI file parts transposition. • KETRON • AUDYA…
  • Page 68: Drum Mixer

    By pressing PAN POT, you can set the stero position of the single percussive parts of the drum by using the F1-F10 buttons and the DATA/VALUE Figure 175 wheel or by using the CURSOR Ó Á buttons. KETRON • AUDYA…

  • Page 69
    Variation (A B C D)1 So, if you select the B Variation, the Drum Remap screen will be empty1 In this way, you have the possibility to remap all the Variations of the style independently1 Figure 180 KETRON • AUDYA…
  • Page 70
    Once you are satisfied, press the SAVE button on the front panel, give a new name to the User style and press the USER 5 button (SAVE) to store the changes (Figure 184). Figure 183 Figure 184 KETRON • AUDYA…
  • Page 71: Drum Set

    Press F1 (KEY) to select the percussive instrument to assign to the note played on the keyboard. On our example is C1 of the KICK percussive group. If you assign another percussive instrument, press any other key on the keyboard. Figure 189 KETRON • AUDYA…

  • Page 72
    Figure 194 the selected USER DRUM SET is “MY_DRUM”. Figure 193 NOTE Please see all the DRUM SET lists and the percussive instruments included into the drum sets in the “Sounds” Figure 194 section of this manual1 KETRON • AUDYA…
  • Page 73: Drawbars

    In DRAWBARS mode, if you press the USER 1 button (PedToRotor) you can activate the rotor by using the pedal connected to SUSTAIN PEDAL on the rear panel1 The PedToRotor ON/OFF parameter is not stored into the user DRAWBARS so it must be activated manually1 KETRON • AUDYA…

  • Page 74: Ram Ins / Supersolo

    INS the folder called SUPERSOLO, containing high quality, voices, by using the F2 button (CLEAR SELECT) or the F6 exclusive for AUDYA, orchestral voices 1 button (CLEAR ALL)1 KETRON • AUDYA…

  • Page 75: Voice List

    Press the EDIT button to exit edit mode. The VOICE LIST button will stop flashing. At this point, if you press the VOICE LIST button, you will display your custom list for each family of the VOICE section. Figure 205 KETRON • AUDYA…

  • Page 76: Menu

    F8–TRANSPOSE RX: part transpose reception. Figure 208 NOTE By pressing the cursor Ó Á buttons together you set the default value — that is no MIDI channel1 It means that the part is not transmitted via MIDI1 KETRON • AUDYA…

  • Page 77
    F2–Voice2 F3–Voice3 F4–2ndVoice1 F5–2ndVoice2 F6–GM/RAM Voices NOTE F7–Drawbar To return to the previous MENU page, press the EXIT F8–Click button on the front panel1 To exit the MENU window F9–Percussion without saving changes, press the MENU button1 KETRON • AUDYA…
  • Page 78
    Exclusive Msg Pan Pot Tabs Exc. Msg EXPRESSION Program Change Sust./Soft/Sost. Figure 215 AFTERTOUCH PORTAMENTO PITCH BEND All Controls Mono/Poly All RPN ADSR All NRPN CUTOFF MODULATION RESONANCE VOLUME GM/GS Reset REVERB Reset All Controls Chorus/Effect Arabic Scale KETRON • AUDYA…
  • Page 79
    F2–Voice2 F7–Lower2 F3–Voice3 F8–Live Chord L (Mono) F4–2ndVoice1 F5–2ndVoice2 F9–Live Chord R F6–GM/RAM Voices VOICE/DRAWBAR F7–Drawbar Press the F10 button to open a window like Figure F8–Click 219. By pressing the F1-F10 buttons or the CURSOR F9–Percussion KETRON • AUDYA…
  • Page 80
    +/- 36 semitones transposition value in 1 semitone steps. By pressing the CURSOR Ó Á together you Figure 223 set the default value “—”, that is no transposition. F1–Right F2–Left F3–Bass F4–Lower1 F5–Lower2 F6–Chord1 F7–Chord2 F8–Chord3 F9–Chord4 F10–Chord5 KETRON • AUDYA…
  • Page 81
    Left: MIDI channel 2, both TX and RX track of the sequencer can be output directly Bass: MIDI channel 3, both TX and RX by using the Audya sound module. Chord1: MIDI channel 5, both TX and RX Drum1: MIDI channel 10, both TX and RX …
  • Page 82
    EXIT button or directly by pressing the MENU button. User1, User2, User3, User4 and User5 (see details To store the reverb type at start-up press the later) SAVE button on the front panel and F6 (CUSTOM STARTUP). KETRON • AUDYA…
  • Page 83
    GM parts (opens another Figure 233 window). F6– Right Level: settings of the Chorus level for the right hand (values 0-63). F7– Left/GM Level: settings of the Chorus level for the left hand and the GM parts (values 0-63). KETRON • AUDYA…
  • Page 84
    F2– LEVEL: Chorus level (values 0–63) F3– TIME: Chorus time (values 0–63) F4– MODE: Chorus mode (Chorus, Flanger, Tremolo and Phaser) F7– FEEDBACK: feedback amount (values 0–63) F8– DEPTH: Chorus depth (values 0–63) F9–RATE: Chorus rate (values 0–63) KETRON • AUDYA…
  • Page 85
    01 After you set the parameters you can to store the custom Echo by pressing the USER 5 button (SAVE) or the SAVE button on the front panel. A brief SAVE DATA TO DISK message will appear. KETRON • AUDYA…
  • Page 86
    01 After you set the parameters you can to store the custom Distortion by pressing the USER 5 button (SAVE) or the SAVE button on the front panel. A brief message SAVE DATA TO DISK will appear. KETRON • AUDYA…
  • Page 87
    After you set the parameters you can to store the custom Overdrive by pressing the USER 5 button (SAVE) or the SAVE button on the front panel. A brief message SAVE DATA TO DISK will appear. KETRON • AUDYA…
  • Page 88
    (SAVE) or the SAVE button on the front panel. A brief message SAVE DATA TO DISK will appear. NOTE By pressing the CURSOR Ó Á buttons together you set the default frequency value of the EQ band or the Gain value of the EQ band to 01 KETRON • AUDYA…
  • Page 89
    After you set the parameters you can to store the custom Wave Equalizer by pressing the USER 5 button (SAVE) or the SAVE button on the front panel. A brief message SAVE DATA TO DISK will appear. KETRON • AUDYA…
  • Page 90
    Right Boost Level parameter. MODULATION By pressing the F1 button on the KEYBOARD CONTROL page you can access the MODULATION settings (Figure 254). Here you can control the SENSITIVITY parameter for the Modulation Wheel (values 0–48). KETRON • AUDYA…
  • Page 91
    F7– Bass To Chord: bass to chord (values ON/OFF). F8– Bass Octave: bass octave (values +/- 2 octaves). F9– Lower1 Octave: Lower1 part octave (values +/- 2 octaves). F10– Lower2 Octave: Lower1 part octave (values +/- 2 octaves). KETRON • AUDYA…
  • Page 92
    F7– Arabic Set: selection of one Arabic set, from 1 to Figure 261 F8– Koma Tab (Harmony): activation of the Koma function, which replaces the HARMONY button in order to alter dynamically the pitch of the scale while you are playing. KETRON • AUDYA…
  • Page 93
    Values ON/OFF. F4– Fast Song: eliminates measures at the beginning of the Midi file, usually Count In or Setup Measure. Values ON/OFF. F5– Show File Icon: enables/disables the icons display for the file types. Values ON/OFF. KETRON • AUDYA…
  • Page 94
    MP3 by changing and DJ LOOP faders, as you like. the tempo of the style. F2– WAV DJ MIX: enables/disables (ON/OFF) the DJ MIX function between the WAVE and DJ LOOP Players (see procedure below). KETRON • AUDYA…
  • Page 95
    Wave 1/2, A.Drum By using the button USER 5 (SAVE) you can store up MP3-2 (SFX) to 5 outputs Presets. Select a Preset with the F6-F10 MP3-1 buttons and press the USER 5 button (SAVE). Voicetron Drawbars BASS KETRON • AUDYA…
  • Page 96
    By pressing the USER 1 button you can toggle the 1&2 Press the USER 1 button (ACTIVE/INACTIVE) to Stereo and the 1&2 Mono output, as shown by the enable/disable the METRONOME CLICK function, as arrow on Figure 2691 shown from the arrow in Figure 272. KETRON • AUDYA…
  • Page 97
    F7 — NORMAL TEXT: sets the normal text colour. F8 — HIGHLIGHT FORE: sets the highlighted text fore colour. F9 — HIGHLIGHT BACK: sets the highlighted text background colour. F10 — LYRIC UPPERCASE: sets upper/lower case for lyric text (karaoke). KETRON • AUDYA…
  • Page 98
    (START) to start playback of the recorded file. To browse and select any recorded audio WAV file, press the WAVE button in the Player section. NOTE The recording volume is set by the WAVE slider on the PLAYER section1 KETRON • AUDYA…
  • Page 99
    2 WAV tracks playing. NOTE Once the files are “merged”, a single audio file will be created, by using the lower number of the two files, and two 1bak files (backup files of the two original wav files)1 KETRON • AUDYA…
  • Page 100
    (MIDI RECORDING) to enter the MIDI recording environment. You will be prompted to give a name to the file. Digit the name for the MIDI file, directly from the keyboard (Figure 282). In the example, the file is “MIDI_01”. KETRON • AUDYA…
  • Page 101
    If you make a MIDI recording using an Audio Drum part for the drum, the drum sounds (AUDIO) will not be recorded into the MIDI recording1 If you want to record an Audio Drum please use the audio recording method1 KETRON • AUDYA…
  • Page 102: Midi Remix

    MIDI Remix MIDI Remix Audya offers a MIDI REMIX function to replace the drum track in any MIDI file with the drum part of an internal Style of Audya, even one with AUDIO DRUM part. Making a MIDI Remix ▀…

  • Page 103
    Just activate the REMIX by using the current MIDI file playing and select a style. • Now you can change the style during the REMIX. This operation can be useful to find the right style to combine with the MIDI file. KETRON • AUDYA…
  • Page 104: Voicetron

    By using the F1-F10 buttons you can select the By selecting the F2 button (MICRO2), you can choose following options: one of the following options: F1–MICRO1 F3–REVERB F2–MICRO2 F4–ECHO F3–REVERB F4–ECHO F5–TRANSFORM F6–COMPRESSOR F7–LIMITER F8–EQUALIZER F9–VIBRATO F10–PITCH KETRON • AUDYA…

  • Page 105
    CURSOR § ¶ bu t tons or the DATA/VALUE Figure 297 wheel: -21 dB 7:1 -18 dB 2:1 -24 dB 12:1 -15 dB 3:1 User -18 dB 5:1 KETRON • AUDYA…
  • Page 106
    Ó Á or the DATA/VALUE wheel (values +/- 24 semitones). Select the PITCH CORRECTION parameter by using the CURSOR § ¶ buttons and change the value by using the CURSOR Ó Á or the DATA/VALUE wheel Figure 301 (Off, Slight, Slow, Medium, Fast). KETRON • AUDYA…
  • Page 107
    MIDI file. In this mode, the harmonization is automatically controlled by the melody track of the MIDI file. Please see “Setting the VOCAL Figure 305 mode” on the GM Parts section in this manual. KETRON • AUDYA…
  • Page 108
    CURSOR § ¶ buttons or the DATA/VALUE wheel: Standard Jazz Down Open Jazz Up Octave Down Block Chord Down Jazz Block Chord Up Figure 309 KETRON • AUDYA…
  • Page 109
    5 voices (VOICES from 1 to 5) by using the DATA/VALUE wheel: VOLUME (values 0–63) PAN (values 64R >|< 63L) FORMANT (values 0–63) DETUNE (values 0–63) CUTOFF (values 0–38) RESONANCE (values 0–7) Figure 313 KETRON • AUDYA…
  • Page 110
    Useful when you must recall a particular equalization for different gigs (Figure 318). The User Preset is stored together the Voicetron Figure 317 Preset, as explained on the next page. Figure 318 KETRON • AUDYA…
  • Page 111
    A dialogue will appear to give a name ( Figure 321). Digit the name by using the keyboard and press the USER 5 button (SAVE) Once saved, you can recall the custom effect from the second page of the VOCALIZER window (Figure 322). KETRON • AUDYA…
  • Page 112: Search (Main View)

    Search Search (Main View) Audya features a useful SEARCH function in order to search files stored in the internal disk or in external USB devices. When is the MAIN VIEW is active, the search engine looks different from the normal view.

  • Page 113: User Assignable

    1, in order to produce a Wha-Wha effect. By pressing repeatedly the button you can set the same function to CHORD 1, CHORD 2, CHORD 3, CHORD 4, CHORD 5, BASS, ALL CHORDS, ALL STYLE and RIGHT. KETRON • AUDYA…

  • Page 114: User Styles

    Audya features two style families: FACTORY STYLES and USER STYLES . The FACTORY STYLES are the built-in styles of Audya and can be accessed by using the keypad in the STYLE section and the ordinary selection of the style by using the F1-F10 buttons, as already described in the “Styles”…

  • Page 115: Msp Function

    MSP function Audya offers a complete Multi Sample Player editor. To access the MSP function, press the WAVE button, choose a file from the list in the WAVE folder and press the EDIT button. Creating an MSP ▀ Select a WAV format file from the WAVE folder…

  • Page 116
    Figure 336 NOTE The MSP files created by Audya will be stores in a single file containing all the information data to work, unlike the previous versions of KETRON files which need to have the WAV files in the same folder1 Ot…
  • Page 117: Text Scrolling

    ▀ or a WAVE file Make the USB connection to access the hard disk of Audya. After connecting, open the WAVE folder and copy a text file (an ordinary TXT file) Figure 337 containing the lyric of a song. The name of the…

  • Page 118: Disk

    Disk Disk Audya features a bunch of functions dedicated to the disk management. Disk Menu ▀ Press the DISK button to see the content of the internal disk (Figure 341). The disk contains a certain number of folders, that you can access by using the CURSOR §…

  • Page 119: Usb Drive

    The same functions in the DISK MENU are available also for the files and folders of the USB Figure 345 drive. Search Audya features a useful SEARCH function in order to search files stored in the internal disk or in external USB devices. Searching a file ▀…

  • Page 120: Technical Tables

    Mute_Velo Slow_Strings Blowed Marimba Pop_Lead Strings2 Tenor Long_Vibe 12Strings Synstrings3 Mariachi Kalimba Solid_Body Growbrass2 Ep_Phase Warm Choir_Aah1 Blare Orch_Bell Ballad Choir_Aah2 Slide_Tbone Windchimes Funk Clarinet Rotary Bass&Guit2 Vocal Pan_Flute Dry_Organ Precision Tuuh Voice_Flute Drawbar Synbass3 Golden Synth14 KETRON • AUDYA…

  • Page 121
    Snare Alpen Choir2 Synth1 Crash Brazilian Cornet Softpad Scratch1 CountryFx Bright_Tbone Saw&Pulse Scratch2 MelobarFx Dixie Warmpad Scratch3 StratoFx Tbone_Section Fantasy Scratch4 Fingered Fall_Brass Magic Scratch5 Pop_Fx Brass3 Glockpad Fx_Slap JGuit&Slide Trombone Choir_Pad Laser Spanish Octabrass Digipad Punch4 KETRON • AUDYA…
  • Page 122: Drum Set

    Analog R&B Electro_Gm2 Brush Citypop Jazz_Gm2 SPECIAL KIT Brush_Gm2 Smooth Analog_Gm2 Pop_Super_Kit Sfx_Kit Acid Standard_Gm2 Funk_Super_Kit Orchestra_Gm2 Kick&Snare Folk Power_Super_Kit Orchestra JazzBrush Acoustic1 Studio Swing JazzDry LightPop Garage Vintage U.S.Pop Acoustic2 Hip_Box MeloRap Rock Modern Grunge House KETRON • AUDYA…

  • Page 123: Audio Drum

    MARCH4_4_120 BLUEGRASS_108 DISCFUNKRX_115 MARCH6_8_126 BLUES128RX2_51 DISCO’70_124 MAZURKA_148 BLUES12_8RX_96 DISCO1_122 MERENGUE_140 BLUES12_8_96 DISCO2FX_112 MODERATO1_112 BLUES1_72 DISCO2RX_112 MODERATO2_112 BLUES2RX_153 DISCO2_112 PARTYFOX_100 BLUES2_153 DISCO3_120 PARTYPOLKA120 BLUES3_60 DISCO4RX_116 PASODOBLE1_120 BLUES4RX_66 DISCOACID_128 PASODOBLE2_120 BLUES4_66 DISCOBRUSH_120 PIEDS_108 BLUESRIFF_126 DISCOFUNK_115 PIZZICA1_96 BOLERO_90 DIXIE1_210 POLKA_120 KETRON • AUDYA…

  • Page 124
    RNB13_81 SHUFFLE5_160 name, while “FX” stands for RNB14_80 SHUFFLE6_128 “effects” that is the original RNB15_114 SHUFFLE7_126 version with some effects RNB16_106 SLOW1_65 applied, like compressor, RNB17_100 SLOW2_80 reverb, etc1 RNB18_96 SLOW3_90 RNB19_110 SL_ROCK1FX_65 KETRON • AUDYA…
  • Page 125: Groove Bank (Drum 2)

    HOUSE_Kick2A CHACHA_D DANCE_Kick5B HOUSE_Kick2B CHACHA_E DANCE_Kick6A HOUSE_Kick3A CHACHA_F DANCE_Kick6B HOUSE_Kick3B CLAP_1 DANCE_Kick7A HOUSE_Kick4A CLAP_2 DANCE_Kick7B HOUSE_Kick4B CONGA_1_T DANCE_Kick8A HOUSE_Kick5A CONGA_2_T DANCE_Kick8B HOUSE_Kick5B CONGA_3_T FLAMENCO_A HOUSE_Kick6A CONGA_4_T FLAMENCO_B HOUSE_Kick6B CONGA_5_T FLAMENCO_C HOUSE_Kick7A CONGA_6_T FLAMENCO_D HOUSE_Kick7B CONGA_7_T FLAMENCO_E JAZZROCK_A KETRON • AUDYA…

  • Page 126
    MERENGUE_D SHUFFLE_B MERENGUE_E SHUFFLE_C MERENGUE_F STREET1 PANDERO1 STREET2 PANDERO2 SWING_A PANDERO_1_T SWING_B PANDERO_2_T SWING_C PASODOBLE TAMBORA POPDOWN_A TAMBOURIN16 POPDOWN_B TAMBOURIN16T POPFUNK_A TAMBOURINE_12 POPFUNK_B TAMBOURINE_24 POPJAZZ_A TAMBOURINE_8 POPJAZZ_B TRIPLET POPJAZZ_C URBAN POPJAZZ_D POPJAZZ_E POPJAZZ_F R&BLUES_A R&BLUES_B R&BLUES_C REELS KETRON • AUDYA…
  • Page 127: Bass Bank

    TWIST_1 BOLERO_2 FLAMENCO_3 MENEITO_2 TWIST_2 BOOGIE_1 FLIPBEAT_1 MERENGUE_1 WALZ_1 BOOGIE_2 FOLKSINGER_1 MERENGUE_2 WALZ_2 BOSSA_1 FOLKSINGER_2 MERENGUE_3 WALZ_3 BOSSA_2 FOLKSINGER_3 PDOBLE_1 WALZ_4 BOSSA_3 FOLKSINGER_4 PDOBLE_2 WALZ_5 BOSSA_4 FUNKY_1 POP_1 WALZ_6 BOSSA_5 FUNKY_10 POP_2 WALZ_7 BUGG_1 FUNKY_11 POP_3 WALZ_8 KETRON • AUDYA…

  • Page 128: Arp & Licks

    16STRINGS_T_1 8BANJO_12 8SYNT_T_1 16STRINGS_T_2 8BANJO_13 8SYNT_T_2 16STRINGS_T_3 8BANJO_14 8SYNT_T_3 16SYNT_1 8BANJO_2 8SYNT_T_4 16SYNT_10 8BANJO_3 8SYNT_T_5 16SYNT_11 8BANJO_4 8SYNT_T_6 16SYNT_12 8BANJO_5 8SYNT_T_7 16SYNT_13 8BANJO_6 8SYNT_T_8 16SYNT_14 8BANJO_7 8SYNT_T_9 16SYNT_15 8BANJO_8 16SYNT_16 8BANJO_9 16SYNT_17 8GUIT_1 16SYNT_18 8GUIT_2 16SYNT_19 8GUIT_3 KETRON • AUDYA…

  • Page 129: Live Guitar

    RUMBA_2 TRIPL_SOUL16 ENGLISH_WALZ RUMBA_3 UP_CLEAN FAST_FOLK RUMBA_4 UP_COUNTRY_1 FINGERPICK RUMBA_MIX_1 UP_COUNTRY_2 FOLK_12_8 RUMBA_MIX_2 UP_MUTED SAMBA_JAZZ WALTZ_1 IRISH_WALZ6_8 SHORT_ELECT1 WALTZ_2 LONG ELECT_1 SHORT_ELECT2 WALTZ_3 LONG ELECT_2 SHORT_FOLK1 WESTERN LONG FOLK_1 SHORT_FOLK2 LONG FOLK_2 SHUFFLE_1 PARTY_FOX_1 SHUFFLE_2 PARTY_FOX_2 SHUFFLE_3 KETRON • AUDYA…

  • Page 130: Audya Factory Styles

    Styles AUDYA FACTORY STYLES BALLAD DANCE COUNTRY N° STYLE N° STYLE N° STYLE ^8_BEAT_1 ^AFRO&BASS_1 ^APACHE ^8_BEAT_2 ^AFRO&BASS_2 ^BLUEGRASS ^8_LIGHT_FOLK ^AFRO&BASS_3 ^COUNTRY_BEAT ^16_BEAT_1 ^AFRO_HOUSE ^COUNTRY_FOX ^16_BEAT_2 ^DANCE_HALL ^COUNTRY_QUARTET ^HEAVY_BEAT ^DEEP&BASS_1 ^COUNTRY_ROOTS ^CLASSIC_BALLAD ^DEEP&BASS_2 ^COUNTRY_SURF ^COUNTRY_BEAT_1 ^DISCO_70’S ^IRISH_FOX ^COUNTRY_BEAT_2 ^DISCO_DANCE ^IRISH_SLOW_FOX…

  • Page 131
    Styles AUDYA FACTORY STYLES FOLK PARTY LATIN N° STYLE N° STYLE N° STYLE ^JIGS ^ORGEL_SAMBA ^BACHATA ^MARCH_4_4 ^PARTY_FOX ^BAJON ^MILONGA ^PARTY_POLKA_1 ^BALADA ^PAQUITO ^PARTY_POLKA_2 ^BALLENATO ^PARISIENNE ^PARTY_SAMBA ^BOLERO_1 ^PASO_DOBLE ^SCAND_SCHLAGER ^BOLERO_2 ^PIZZICA ^SCHLAGER ^BOSSA&SALSA ^QUEBEC_FOLKLORE ^SHUFFLE_BEAT ^BOSSA_LOUNGE ^REELS FOX_70 ^CALIENTE(R)
  • Page 132
    Styles AUDYA FACTORY STYLES SWING UNPLUGGED N° STYLE N° STYLE N° STYLE ^16_POP_ROCK ^BIG_BAND_1 ^16_BALLAD ^98_POP ^BIG_BAND_2 ^ANDALUZ ^ACOUSTIC_GROOVE ^BIG_BAND_SLOW ^BEGUINE ^ACOUSTIC_POP ^CHRISTMAS_FOX ^BLUEGRAS ^BRIT_POP ^FAST_BEBOP ^BOSSA_NOVA ^HIP_HOP ^GOGO(R) ^COUNTRY_ROCK ^DOWNBEAT ^JAZZ_COCKTAIL ^COUNTRY_BEAT ^EASY_FUSION ^JAZZ_QUARTET ^COUNTRY_POP ^ELECTRIC_POP ^JAZZ_WALZ ^FAST_SAMBA ^EMOTIONAL_R&B…
  • Page 133: Drum Set

    26 Fingsnap 01 74 Guiro02 46 Open01 94 Empty 27 Slap 75 Claves01 47 Tom10 95 Empty 28 Snare008 76 W_Block_Hi 48 Tom11 96 Empty 29 Scratch Up 77 W_Block_Lo 49 Crash02 97 Empty 30 Scratch Down 78 Cuica01 KETRON • AUDYA…

  • Page 134
    88 Empty 17 Empty 65 Timbales_Hi 41 Tom01 89 Empty 18 Empty 66 Timbales_Lo 42 Stick01 90 Empty 19 Empty 67 Agogo_Hi 43 Tom02 91 Empty 20 Empty 68 Agogo_Low 44 Close01 92 Empty 21 Empty 69 Cabasa KETRON • AUDYA…
  • Page 135
    Standard Gm2 Program Change 8 37 Rimshot05 85 Castagnet 14 Empty 62 Conga Slap 38 Snare012 86 Tambourine02 15 Empty 63 Conga_Hi 39 Clap01 87 Rimshot03 16 Empty 64 Conga_Low 40 Snare013 88 Snare011 17 Empty 65 Timbales_Hi KETRON • AUDYA…
  • Page 136
    106 Empty 29 Scratch Up 77 W_Block_Lo 59 Ride02 107 Empty 30 Scratch Down 78 Cuica01 60 Bongo_Hi 108 Empty 31 Sticks01 79 Cuica02 61 Bongo_Low 109 Empty 32 Click 80 Triangle01 33 Metronome 01 81 Triangle02 KETRON • AUDYA…
  • Page 137
    26 Fingsnap 01 74 Guiro02 53 Ridebell01 101 Empty 27 Slap 75 Claves01 54 Tambourine01 102 Empty 28 Snare008 76 W_Block_Hi 29 Scratch Up 77 W_Block_Lo 55 Crash04 103 Empty 30 Scratch Down 78 Cuica01 56 Cowbell01 104 Empty KETRON • AUDYA…
  • Page 138
    85 Clap03 58 Vibraslap 106 Empty 38 Snare054 86 Tambourine02 59 Ride02 107 Empty 39 Clap04 87 Rimshot20 60 Bongo_Hi 108 Empty 40 Snare031 88 Snare032 61 Bongo_Low 109 Empty 41 Tom26 89 Snare033 42 Close04 90 Snare050 KETRON • AUDYA…
  • Page 139
    19 Snare004 67 Agogo_Hi 52 Crash03 100 Empty 20 Snare005 68 Agogo_Low 53 Ridebell01 101 Empty 21 Snare006 69 Cabasa 54 Tambourine01 102 Empty 22 Tom Flam01 70 Maracas01 55 Crash04 103 Empty 23 Tom Flam02 71 Whistle01 KETRON • AUDYA…
  • Page 140
    32 Empty 80 Thunder 33 Empty 81 Wind 14 Snare001 62 Conga Slap 34 Empty 82 Seashore 15 Roll01 63 Conga_Hi 16 Roll02 64 Conga_Low 35 Empty 83 River 36 Empty 84 Bubble 17 Snare002 65 Timbales_Hi KETRON • AUDYA…
  • Page 141
    46 Open02 94 Open01 28 Snare008 76 W_Block_Hi 47 Tom04 95 Reverse 29 Scratch Up 77 W_Block_Lo 48 Tom05 96 Applause 30 Scratch Down 78 Cuica01 49 Crash02 97 Belltree 31 Sticks01 79 Cuica02 50 Tom06 98 Empty KETRON • AUDYA…
  • Page 142
    82 Shaker03 58 Vibraslap 106 Empty 35 Kick03 83 Shaker04 59 Ride03 107 Empty 60 Bongo_Hi 108 Empty 36 Kick02 84 Sticks02 61 Bongo_Low 109 Empty 37 Rimshot02 85 Clap01 38 Snare081 86 Tambourine02 39 Clap02 87 Rimshot11 KETRON • AUDYA…
  • Page 143
    105 Empty 38 Snare073 86 Tambourine02 58 Vibraslap 106 Empty 39 Clap05 87 Rimshot12 59 Ride01 107 Empty 40 Snare036 88 Snare031 60 Bongo_Hi 108 Empty 41 Tom20 89 Snare030 61 Bongo_Low 109 Empty 42 Stick06 90 Kick20 KETRON • AUDYA…
  • Page 144
    19 Snare004 67 Agogo_Hi 52 Crash03 100 Empty 20 Snare005 68 Agogo_Low 53 Ridebell01 101 Empty 21 Snare006 69 Cabasa 54 Tambourine01 102 Empty 22 Tom Flam01 70 Maracas01 55 Crash04 103 Empty 23 Tom Flam02 71 Whistle01 KETRON • AUDYA…
  • Page 145
    32 Empty 80 Snare024 14 Snare039 62 Conga Slap 33 Empty 81 Snare021 15 Roll01 63 Conga_Hi 34 Empty 82 Snare029 16 Roll02 64 Conga_Low 35 Empty 83 Snare030 17 Snare002 65 Timbales_Hi 36 Kick01 84 Snare070 KETRON • AUDYA…
  • Page 146
    46 Open05 94 Open02 28 Snare008 76 W_Block_Hi 47 Tom04 95 Reverse 29 Scratch Up 77 W_Block_Lo 48 Tom05 96 Applause 30 Scratch Down 78 Cuica01 49 Crash02 97 Belltree 31 Sticks01 79 Cuica02 50 Tom06 98 Empty KETRON • AUDYA…
  • Page 147
    61 Bongo_Low 109 Empty 45 Tom28 93 Stick18 46 Open05 94 Close01 Contemporary Program Change 86 47 Tom29 95 Reverse 48 Tom30 96 Applause 14 Snare001 62 Conga Slap 49 Crash02 97 Belltree 15 Roll01 63 Conga_Hi KETRON • AUDYA…
  • Page 148
    51 Ride03 99 Empty 24 Crash01 72 Whistle02 52 Crash03 100 Empty 25 Snare007 73 Guiro01 53 Ridebell01 101 Empty 26 Fingsnap 01 74 Guiro02 54 Tambourine01 102 Empty 27 Slap 75 Claves01 55 Crash04 103 Empty KETRON • AUDYA…
  • Page 149
    104 Empty 28 Kick55 76 Fingsnap03 57 Crash12 105 Empty 58 Open08 106 Empty 29 Roll03 77 Tambora01 59 Ride09 107 Empty 30 Kick56 78 Tambora03 60 Maracas01 108 Empty 31 Roll04 79 Empty 61 Maracas02 109 Empty KETRON • AUDYA…
  • Page 150: Midi Implementation

    62H rr 06H vv Reverb send level of drum instr. note rr. vv=00h to 7FH (see note 2) NRPN 1ErrH BnH 63H 1EH 62H rr 06H vv Chorus send level of drum instr. note rr. vv=00h to 7FH (see note 2) KETRON • AUDYA…

  • Page 151: Control Change

    = LC-1 or HC-1 (lead or harmony MIDI channel) ll = value LSB : 00H -7FH (default = 00H) mm = value MSB : 00H -7FH (default = 40H) MSB-LSB : 00-00H = -1 octave, 40-00H = no pitch bend, 7F-7FH = +1 octave KETRON • AUDYA…

  • Page 152: Non Registered Parameter Numbers

    MIDI messages to the new channel. Harmony and melody MIDI channels must be different: if you try set the melody channel at the current harmony channel value, the command will be ignored. You must change the harmony to another channel before. KETRON • AUDYA…

  • Page 153
    12 * Minor 7th + A = 12 * 3 + 9 = 45 Note: if you’ve downloaded a custom harmony table (using a Sysex 0), calling this NRPN will overwrite it. 0, 1 Vocalizer output: 0 = Main, 1 = Aux KETRON • AUDYA…
  • Page 154
    (see warning above). Note: enabling this mode without being in drum mode will result in muting the shifter (no beat is detected when not in drum mode, so no sound will be output) KETRON • AUDYA…
  • Page 155
    0…64…127 Voice 1 formant 0…64…127 Voice 2 formant 0…64…127 Voice 3 formant 0…64…127 Voice 4 formant 0…64…127 Voice 5 formant 0…38 Voice 1 tone frequency: harmony voice low pass filter cutoff frequency 0…38 Voice 2 tone frequency KETRON • AUDYA…
  • Page 156
    0, 1…127 Voice 4 portamento switch 0, 1…127 Voice 5 portamento switch 0…127 Voice 1 portamento time 0…127 Voice 2 portamento time 0…127 Voice 3 portamento time 0…127 Voice 4 portamento time 0…127 Voice 5 portamento time KETRON • AUDYA…
  • Page 157
    Echo preset: calls on echo preset. See table below for 0…8 description of the presets. Reverb input level 0…127 Echo input level 0…127 Send echo to reverb 0…127 Note: EQ band frequencies are fixed to the following values: KETRON • AUDYA…
  • Page 158
    -lead / harmony switches (System NRPN 5 to 7) -voice transform controls (System NRPN 17) -harmony formant & tone controls (Harmony NRPN 11 to 25) -vibrato (Harmony NRPN 26 to 45) -humanization (Harmony NRPN 46 to 50) KETRON • AUDYA…
  • Page 159: Specifications

    2 microphone inputs with separate gain control, 10-band equalizer, echo, reverb, pan, pitch shift, talk, voice transformation. VOICETRON Harmonizer with 5 separate voices by Ketron. Vocoder mode, auto-harmony by using the arranger, vocalizer track on MIDI file, advanced editing on all 5 voices. MIDI In 1, In 2, Out, Thru.

  • Page 160
    Notes Due to continuing product improvement efforts, specifications and appearance are subject to change without notice. Please visit frequently our website www.ketron.it to check for software updates, user manuals, etc. KETRON • AUDYA…
  • Page 161
    Notes KETRON • AUDYA…
  • Page 162
    KETRON s.r.l. Via Giuseppe Taliercio n. 7 60131 Ancona (Italy) Tel. +39 071 285771 Tel. +39 071 2857748 www.ketron.it email: ketron@ketron.it Printed in Italy…

KETRON Audya User Manual

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Summary of Contents for KETRON Audya

  • Page 1
    USER MANUAL…
  • Page 2
    KETRON • AUDYA…
  • Page 3: Playing The Demo Songs

    By using the DATA/VALUE wheel you can scroll various pages of demo songs1 Use the START/STOP button for start or stop the playback of the current song1 Press either the REGISTRATION or the PLAY LIST buttons to exit the DEMO mode1 KETRON • AUDYA…

  • Page 4: Table Of Contents

    Bass Bank ……….127 Arp & Licks ……….128 Voicetron ………… 25 Live Guitar ……….129 Master …………. 27 AUDYA FACTORY STYLES ……130 Master …………27 Drum Set ……….. 133 Main View ……….28 MIDI Implementation ……150 Main View ……….28 Control Change ……..

  • Page 5: Introduction

    Introduction Thank you for purchasing Ketron Audya Advanced Music Station. In this “User Manual” you can find the descriptions of all the main functions to get started by using the keyboard. Before using the unit, we strongly recommend you to read this manual thoroughly to ensure that you understand the operation of its many useful and convenient functions.

  • Page 6: Top Panel

    Introduction Top panel The front panel of Audya is divided in various NOTE operative sections. Some buttons and controls on the front panel are In the figure below, each number corresponds to marked by a blue serigraphy, meaning that a second its description.

  • Page 7: Rear Panel

    The same of USB 1. NOTE Along the keyboard, from C3 to E6, you can find letters and numbers for easy input of names, when saving files on the hard disk, and for a quick file search1 KETRON • AUDYA…

  • Page 8: Audio Connections

    AMPLIFIED SPEAKERS Connecting 4 auxiliary outputs to a mixer and to a PA system. MAIN OUT L/R LINE INPUT 1, 2, 3 and 4 INPUT L INPUT R MIXER AUX OUT 1, 2, 3 and 4 AMPLIFIED SPEAKERS KETRON • AUDYA…

  • Page 9: Midi Connection

    MIDI connection to an external interface connected to a computer. AUDIO/MIDI USB INTERFACE (or FIREWIRE) MIDI IN MIDI OUT MIDI IN MIDI OUT COMPUTER WITH A DAW APPLICATION (Cubase, Pro Tools, SONAR, Logic, Reaper, Live, Reason, Fruity Loops, Sequel, etc.) KETRON • AUDYA…

  • Page 10: Video Connection

    Connections VIDEO connection Connecting a VGA monitor. VGA MONITOR VIDEO PORT USB connection USB connection to a computer. COMPUTER CONNECTED VIA USB USB DEVICE KETRON • AUDYA…

  • Page 11
    Connections USB connection procedure ▀ Connect the USB cable to the USB DEVICE port of Audya, and to the USB port of a computer. After a while, “USB connected” will appear on the display of Audya (Figure A). All the functions on the front panel are disabled.
  • Page 12: Display And Function Keys

    Display and function buttons Display The heart of Audya is the display. The F1-F5 function buttons to the left, the F6-F10 function buttons to the right and the five User buttons below the display allow you to select the items displayed in the various screens.

  • Page 13: User Buttons

    Arranger will the selected style and the Arranger will automatically stop playing, except the drum part. start. If the Arranger is already playing, by pressing this button you will enable the same FILL. KETRON • AUDYA…

  • Page 14: Selecting Voices

    By turning the wheel clockwise/ counter-clockwise you can scroll the pages, just like the CURSOR Ó Á 1 Also, you can scroll the pages by pressing repeatedly the same VOICE family button (e1g1 PIANO, EL1PIANO and so on1) Figure 2 KETRON • AUDYA…

  • Page 15
    The RAM INS indication next to the SUPERSOLO button means that the INS voices will be loaded into memory temporarily1 For this reason, when you power OFF, the INS voices will not be retained in memory1 Figure 6 KETRON • AUDYA…
  • Page 16
    ▀ Press the GM button on the third row in the VOICE section. The display will show a list of the GM voices (Figure 10). Follow the same procedure for voices selection described on page Figure 10 KETRON • AUDYA…
  • Page 17: Selecting The Style

    Also, you can scroll the pages by pressing repeatedly the same STYLE NOTE family button (e1g1 BALLAD, POP and Note that the styles which contain an audio part so on1) (AUDIO DRUM, GROOVES, LIVE GUITAR) have the symbol ^ before the style name1 KETRON • AUDYA…

  • Page 18: Play Control

    (GUITAR, SYNTH, etc.) DRUM SET ▀ Selects one of the 53 built-in DRUM SETS to play directly from the keyboard (Figure 15). For more Figure 15 details see DRUM SET section. KETRON • AUDYA…

  • Page 19
    • DRUM MIXER page 68 • GM PART page 65 • STYLE MODE page 59 • STYLE VIEW page 53 • USER ASSIGNABLE page 113 • SEARCH page 119 KETRON • AUDYA…
  • Page 20: Mixer

    . In the upper part at left, the Figure 18 STYLE MASTER volume is shown. In the upper part at right, the RIGHT and 2 volumes are shown. In the lower part at left, DRUM, BASS, Figure 18 CHORD and LOWER volumes are shown. KETRON • AUDYA…

  • Page 21: Player

    STYLE section, that folder is recalled. To store PREV (previous) button. the position of a folder (WAVE, DJ LOOP, MP3, etc.) hold to 0-9 button of the keypad KETRON • AUDYA…

  • Page 22
    Press the WAVE button. Select an audio file from the WAVE folder. Press the START button (USER 5) or the ENTER button or the START button on the panel. The WAVE track starts playback and its LED flashes. KETRON • AUDYA…
  • Page 23
    CROSSFADE. When the CROSSFADE is finished, the LED of the WAVE track lights steadily while the LED of the MP3 track flashes. Note that you can apply the same procedure to any other tracks. Figure 26 KETRON • AUDYA…
  • Page 24
    (F2). In the lower part of the window a progress bar will appear during the file number- ing of the folder. Instead, if a numbering is already assigned, a pop-up to remove numbering will ap- pear. Figure 29 Figure 30 KETRON • AUDYA…
  • Page 25: Voicetron

    MICRO PRESETS each: PAGE 1 PAGE 2 F1–DRY F1–GIRL F2–REVERB SMALL F2–BABY F3–REVERB MEDIUM F3–VIBRATO F4–REVERB LARGE F4–PHONE F5–REVERB GATED F5–ANGEL F6–BOOST F6–MICRO_01 F7–ECHO REVERB F7–MICRO_02 F8–ECHO REVERB TAP F8–MICRO_03 F9–CORRECTION F9–MICRO_04 F10–BEAR F10–MICRO_05 KETRON • AUDYA…

  • Page 26
    For example, you can set a DUET effect for the START, a TRIO effect for the A variation of the Arranger, a VOCODER effect for the B variation of the Arranger and so on. For details see on page 104. KETRON • AUDYA…
  • Page 27: Master

    In1 Just press the FADE button while the Arranger or Note that the fade-out does not apply to the the Player are stopped1 microphone output. In this way, you will be able to talk/sing during the fade-out. KETRON • AUDYA…

  • Page 28: Main View

    Press the SAVE button on the front panel. A screen like Figure 39 will appear. Press the F6 button corresponding to CUSTOM STARTUP. At start-up the display will be set to the new MAIN VIEW. Figure 37 Figure 38 Figure 39 KETRON • AUDYA…

  • Page 29: Autoswitch Time

    If you set the AUTOSWITCH TIME (sec) to OFF, the AUTOSWITCH function will be switched off1 In this case, if you want to return to the MAIN VIEW from other screens, you must press manually the EXIT button on the front panel1 KETRON • AUDYA…

  • Page 30: Main View Description

    STYLE MASTER and the ABCD variation of the Arranger (Figure 42). F2 – The F2 button opens the window for the REGISTRATION selection (Figure 43). More details in the REGISTRATION section of this manual. Figure 43 KETRON • AUDYA…

  • Page 31
    LYRIC section of this window Figure 46 will appear empty (Figure 46). To return to the MAIN VIEW display, press the F10 button again, or any other button (STYLE, VOICES, DRUM SET, PROGRAM or Player button). KETRON • AUDYA…
  • Page 32: Midi Player (Main View)

    HOME function activated by the USER 3 button, as illustrated in Figure 50. The HOME function is useful when you want return to the MAIN VIEW and operate from the new functions. Figure 50 KETRON • AUDYA…

  • Page 33: Wave Player (Main View)

    CURSOR § ¶ buttons or the DATA/VALUE wheel and start by using the button ENTER. To return to the main window, press the F3 button (or F4) again. Figure 54 KETRON • AUDYA…

  • Page 34: Mp3/Sfx Player (Main View)

    CURSOR § ¶ buttons or the DATA/VALUE wheel and start with button ENTER. To return to the ordinary window, press the F3 button (or F4) again. Figure 58 Figure 59 KETRON • AUDYA…

  • Page 35: Dj Loop Player (Main View)

    The USER buttons from 1 to 4 in the MAIN VIEW window will have the following functions: USER 1: PAUSE/CONTINUE USER 2: STOP USER 3: LEAD ON/OFF (melody mute) USER 4: EXIT (exit from the Lyric or MAIN VIEW window). KETRON • AUDYA…

  • Page 36: Program

    That is, in the CURSOR Ó Á buttons or the wheel (Figure 65). above example, from Grand_Piano up to Pulse_Clavi111 KETRON • AUDYA…

  • Page 37
    PAN of three voices independently. The value from 63R to 64L corresponds to the right and to the left position, respectively (Figure 69). Press the CURSOR Ó Á buttons together to automatically set the PAN Figure 68 in the center position (>|<). Figure 69 KETRON • AUDYA…
  • Page 38
    3 of the PROGRAM, the parameters of the VOICE EDIT Select a different VOICE by using the F1 or F6 page are visible but you cannot modify the organ voice buttons and press the USER 1 button (Voice Edit) to parameters1 modify the voice parameters. KETRON • AUDYA…
  • Page 39
    ON/OFF: F1–PORTAMENTO ON/OFF: enable/disable the Portamento control. F2–AFTERTOUCH ON/OFF: enable/disable the Aftertouch control. F3–PITCH BEND ON/OFF: enable/disable the Pitch Bend control. F4–MODULATION ON/OFF: enable/disable the Modulation Wheel control. F5–EXPRESSION ON/OFF: enable/disable the Expression control. Figure 76 KETRON • AUDYA…
  • Page 40
    CHORUS or ECHO for User Cho1, User Cho2 … User Cho5 the remaining VOICES1 You can select an effect like DIST for the three VOICES or any combination of DIST+CHO or DIST+ECHO+CHO effects1 KETRON • AUDYA…
  • Page 41
    The values of the parameters for EFF1 ASSIGN and EFF1 TYPE are strictly connected to the parameters of the EFF1 SEND page1 You coud not hear any effect until you adjust the sends in the EFF1 SEND page, as explained Figure 85 later1 KETRON • AUDYA…
  • Page 42
    Once you select the parameter, you can modify the parameters by using the DATA/VALUE wheel or the CURSOR Ó Á buttons. Use the function F1/ F6 buttons to select one of three VOICES of the PROGRAM. Figure 90 KETRON • AUDYA…
  • Page 43
    DATA/VALUE wheel or the Figure 94 CURSOR Ó Á buttons. Press the USER 5 button (Control 1) again to return to the CONTROL 1 page. You can choose the the parameters by using the F1… F10 buttons: Figure 95 KETRON • AUDYA…
  • Page 44
    Voice1 Double and 2 Hands mode Voice2 They are the copy of the Double and Harmony-2 Voice3 Hands buttons on the panel. By recalling one VOICE, you can automatically activate the functions stored in the VOICE. KETRON • AUDYA…
  • Page 45
    Wha To Wheel: applies a wha-wha effect to the wheel NOTE • F4/F9–BEND ( Figure 102): you can assign a You can activate wha-wha effect as User Assignable Bend control to each VOICE. For example: control1 KETRON • AUDYA…
  • Page 46: Registration

    Registration Registration A Registration stores a complete configuration of the panel. Audya lets you to save two types of Registrations, SINGLE and BLOCK. By using the REGISTRATION button on the front panel you can enter the Registration functions. Creating a SINGLE REGISTRATION ▀…

  • Page 47
    Select the SINGLE REGISTRATION by using the DATA/VALUE wheel or the CURSOR § ¶ . Figure 109 Press the ENTER button in order to confirm the SINGLE REGISTRATION assigned to any F1-F10 button. Repeat the operation for each F1-F10 button. Figure 110 KETRON • AUDYA…
  • Page 48
    NOTE Press the SAVE button and give a name to the When you enter the Registration Block EDIT mode, the REGISTRATION BLOCK. NUMERIC option is automatically disabled1 Press the SAVE button and give a name to the KETRON • AUDYA…
  • Page 49
    If the NUMERIC ON function is disabled, you must manually select the REGISTRATION by using the CURSOR § ¶ buttons or the DATA/VALUE wheel and by pressing the ENTER button (Figure 116). Figure 115 Figure 116 KETRON • AUDYA…
  • Page 50: Play List

    When finished, press the USER 5 button (SAVE). Figure 118 Give a name to the PLAY LIST and press SAVE NOTE again. By pressing the A1PLAY ON/OFF button (USER 5) you can enable/disable the automatic playback of the songs currently in the Play List1 KETRON • AUDYA…

  • Page 51: Key Tunes

    The Key Tunes feature uses a WAVE track, so if a Key in the range 0-127. Tune is playing back, the Wave Player will not work F7 — LOOP ON/OFF: sets the loop on/off. • and viceversa1 F8 — HOLD ON/OFF: sets the hold on/off, that • KETRON • AUDYA…

  • Page 52: Double, Harmony

    TRILL effect, you will hear the trill effect produced by the note played at right or left of the starting note. You can modify the speed of the trill by using the SPEED parameter corresponding to the USER 2 button. KETRON • AUDYA…

  • Page 53: Style View

    Please note that the effects Chorus and Reverb are available for the drum and percussion parts (DRUM1 and DRUM2 and/or Audio Drum and Groove Bank). Figure 128 KETRON • AUDYA…

  • Page 54
    Figure 131 NOTE By pressing button USER 5 you can select the SINGLE or GLOBAL mode in order to change the single Varia- tion of the style or all the Variations1 KETRON • AUDYA…
  • Page 55: Audio Style Modeling

    The Audio Style Modeling is the powerful system For all the sections, you can scroll by using • of Audya sound engine. The place where you the DATA/VALUE wheel or choosing directly can “model” the style is the Style View section.

  • Page 56: The Audio Style Modeling Sections

    The automatic Bass MIDI Library, offers more than 180 bass riffs. It works on the Bass section replacing the normal bass part of the style. 4 — Arp&Lick The Arpeggio & Lick Library offers a variety of em- bellishment for various instruments: Piano, Guitar, KETRON • AUDYA…

  • Page 57
    5. While the style is playing you can change the in- strument choosing from the table by using the DATA/VALUE wheel. You can assign any GM voice. 6. To change the Bass Bank, stop the Arranger and repeat from step 3. KETRON • AUDYA…
  • Page 58
    Selecting the style ▀ 1. Press the USER STYLE button on the front panel. 2. Select the category by using the numeric keypad. 3. Select the style by choosing the previously given name (Figure 137). Figure 136 Figure 137 KETRON • AUDYA…
  • Page 59: Style Mode

    Arranger. AUTO: this mode lets you play 3 or more notes for chord recognition and then play the melody with one Figure 141 or two note max, without altering the tonality of the Arranger. KETRON • AUDYA…

  • Page 60
    Fill In if you apply an Aftertouch on the left split. FILL TO ARRANGE When this parameter is ON (Figure 146) each time you activate the Fill In, causes the automatic change Figure 143 to the next variation. Figure 144 Figure 145 Figure 146 KETRON • AUDYA…
  • Page 61
    Style. Press the F10 button (Global Enabled) to enable the VOICE TO ARRANGE function globally for all the Styles. Save your choices into the current style by pressing the SAVE button on the front panel. Figure 150 KETRON • AUDYA…
  • Page 62
    Fill In and the Break of the style. Figure 153 NOTE The AUTOCRASH works only if present within the style1 If the Autocrash is not programmed into the style its two options have no effect1 KETRON • AUDYA…
  • Page 63
    For example, when you don’t play again the root note or the fifth that you have just played. The function works only with the styles in which the alternate root/fifth bass was programmed. Figure 157 KETRON • AUDYA…
  • Page 64
    Normal: standard mode, with the Lower always active. Bas+Lower: only when the Arranger is stopped, the manual bass and the chord play together. Hold Stop: holds the Lower also when the Arranger is stopped, instead of being disabled in normal condition. KETRON • AUDYA…
  • Page 65: Gm Part

    Turn the DATA/VALUE to set the value. Figure Figure 163). selecting VOCAL ( the part is transposed by +12 semitones. Turn the button VOCALIZER on. To edit the MIDI MODE, please see VOICETRON section later in this manual. KETRON • AUDYA…

  • Page 66
    To find one or more parts in MUTE condition, press the F1-F6, F2-F7, F3-F8 or F4-F9 buttons repeatedly1 Press F5 or F10 to disable the MUTE condition1 Press the F10 button (SOLO) twice if you want to disable quickly the MUTE condition on any part1 Figure 168 KETRON • AUDYA…
  • Page 67
    F10–Keyb. Trans: Keyboard transposition Only for an example, in each MIDI file you can store: Tempo settings modified by the TEMPO SLOW • FAST buttons. Keyboard transposition (semitones and/or • octaves). Song transposition. • MIDI file parts transposition. • KETRON • AUDYA…
  • Page 68: Drum Mixer

    By pressing PAN POT, you can set the stero position of the single percussive parts of the drum by using the F1-F10 buttons and the DATA/VALUE Figure 175 wheel or by using the CURSOR Ó Á buttons. KETRON • AUDYA…

  • Page 69
    Variation (A B C D)1 So, if you select the B Variation, the Drum Remap screen will be empty1 In this way, you have the possibility to remap all the Variations of the style independently1 Figure 180 KETRON • AUDYA…
  • Page 70
    Once you are satisfied, press the SAVE button on the front panel, give a new name to the User style and press the USER 5 button (SAVE) to store the changes (Figure 184). Figure 183 Figure 184 KETRON • AUDYA…
  • Page 71: Drum Set

    Press F1 (KEY) to select the percussive instrument to assign to the note played on the keyboard. On our example is C1 of the KICK percussive group. If you assign another percussive instrument, press any other key on the keyboard. Figure 189 KETRON • AUDYA…

  • Page 72
    Figure 194 the selected USER DRUM SET is “MY_DRUM”. Figure 193 NOTE Please see all the DRUM SET lists and the percussive instruments included into the drum sets in the “Sounds” Figure 194 section of this manual1 KETRON • AUDYA…
  • Page 73: Drawbars

    In DRAWBARS mode, if you press the USER 1 button (PedToRotor) you can activate the rotor by using the pedal connected to SUSTAIN PEDAL on the rear panel1 The PedToRotor ON/OFF parameter is not stored into the user DRAWBARS so it must be activated manually1 KETRON • AUDYA…

  • Page 74: Ram Ins / Supersolo

    INS the folder called SUPERSOLO, containing high quality, voices, by using the F2 button (CLEAR SELECT) or the F6 exclusive for AUDYA, orchestral voices 1 button (CLEAR ALL)1 KETRON • AUDYA…

  • Page 75: Voice List

    Press the EDIT button to exit edit mode. The VOICE LIST button will stop flashing. At this point, if you press the VOICE LIST button, you will display your custom list for each family of the VOICE section. Figure 205 KETRON • AUDYA…

  • Page 76: Menu

    F8–TRANSPOSE RX: part transpose reception. Figure 208 NOTE By pressing the cursor Ó Á buttons together you set the default value — that is no MIDI channel1 It means that the part is not transmitted via MIDI1 KETRON • AUDYA…

  • Page 77
    F2–Voice2 F3–Voice3 F4–2ndVoice1 F5–2ndVoice2 F6–GM/RAM Voices NOTE F7–Drawbar To return to the previous MENU page, press the EXIT F8–Click button on the front panel1 To exit the MENU window F9–Percussion without saving changes, press the MENU button1 KETRON • AUDYA…
  • Page 78
    Exclusive Msg Pan Pot Tabs Exc. Msg EXPRESSION Program Change Sust./Soft/Sost. Figure 215 AFTERTOUCH PORTAMENTO PITCH BEND All Controls Mono/Poly All RPN ADSR All NRPN CUTOFF MODULATION RESONANCE VOLUME GM/GS Reset REVERB Reset All Controls Chorus/Effect Arabic Scale KETRON • AUDYA…
  • Page 79
    F2–Voice2 F7–Lower2 F3–Voice3 F8–Live Chord L (Mono) F4–2ndVoice1 F5–2ndVoice2 F9–Live Chord R F6–GM/RAM Voices VOICE/DRAWBAR F7–Drawbar Press the F10 button to open a window like Figure F8–Click 219. By pressing the F1-F10 buttons or the CURSOR F9–Percussion KETRON • AUDYA…
  • Page 80
    +/- 36 semitones transposition value in 1 semitone steps. By pressing the CURSOR Ó Á together you Figure 223 set the default value “—”, that is no transposition. F1–Right F2–Left F3–Bass F4–Lower1 F5–Lower2 F6–Chord1 F7–Chord2 F8–Chord3 F9–Chord4 F10–Chord5 KETRON • AUDYA…
  • Page 81
    Left: MIDI channel 2, both TX and RX track of the sequencer can be output directly Bass: MIDI channel 3, both TX and RX by using the Audya sound module. Chord1: MIDI channel 5, both TX and RX Drum1: MIDI channel 10, both TX and RX …
  • Page 82
    EXIT button or directly by pressing the MENU button. User1, User2, User3, User4 and User5 (see details To store the reverb type at start-up press the later) SAVE button on the front panel and F6 (CUSTOM STARTUP). KETRON • AUDYA…
  • Page 83
    GM parts (opens another Figure 233 window). F6– Right Level: settings of the Chorus level for the right hand (values 0-63). F7– Left/GM Level: settings of the Chorus level for the left hand and the GM parts (values 0-63). KETRON • AUDYA…
  • Page 84
    F2– LEVEL: Chorus level (values 0–63) F3– TIME: Chorus time (values 0–63) F4– MODE: Chorus mode (Chorus, Flanger, Tremolo and Phaser) F7– FEEDBACK: feedback amount (values 0–63) F8– DEPTH: Chorus depth (values 0–63) F9–RATE: Chorus rate (values 0–63) KETRON • AUDYA…
  • Page 85
    01 After you set the parameters you can to store the custom Echo by pressing the USER 5 button (SAVE) or the SAVE button on the front panel. A brief SAVE DATA TO DISK message will appear. KETRON • AUDYA…
  • Page 86
    01 After you set the parameters you can to store the custom Distortion by pressing the USER 5 button (SAVE) or the SAVE button on the front panel. A brief message SAVE DATA TO DISK will appear. KETRON • AUDYA…
  • Page 87
    After you set the parameters you can to store the custom Overdrive by pressing the USER 5 button (SAVE) or the SAVE button on the front panel. A brief message SAVE DATA TO DISK will appear. KETRON • AUDYA…
  • Page 88
    (SAVE) or the SAVE button on the front panel. A brief message SAVE DATA TO DISK will appear. NOTE By pressing the CURSOR Ó Á buttons together you set the default frequency value of the EQ band or the Gain value of the EQ band to 01 KETRON • AUDYA…
  • Page 89
    After you set the parameters you can to store the custom Wave Equalizer by pressing the USER 5 button (SAVE) or the SAVE button on the front panel. A brief message SAVE DATA TO DISK will appear. KETRON • AUDYA…
  • Page 90
    Right Boost Level parameter. MODULATION By pressing the F1 button on the KEYBOARD CONTROL page you can access the MODULATION settings (Figure 254). Here you can control the SENSITIVITY parameter for the Modulation Wheel (values 0–48). KETRON • AUDYA…
  • Page 91
    F7– Bass To Chord: bass to chord (values ON/OFF). F8– Bass Octave: bass octave (values +/- 2 octaves). F9– Lower1 Octave: Lower1 part octave (values +/- 2 octaves). F10– Lower2 Octave: Lower1 part octave (values +/- 2 octaves). KETRON • AUDYA…
  • Page 92
    F7– Arabic Set: selection of one Arabic set, from 1 to Figure 261 F8– Koma Tab (Harmony): activation of the Koma function, which replaces the HARMONY button in order to alter dynamically the pitch of the scale while you are playing. KETRON • AUDYA…
  • Page 93
    Values ON/OFF. F4– Fast Song: eliminates measures at the beginning of the Midi file, usually Count In or Setup Measure. Values ON/OFF. F5– Show File Icon: enables/disables the icons display for the file types. Values ON/OFF. KETRON • AUDYA…
  • Page 94
    MP3 by changing and DJ LOOP faders, as you like. the tempo of the style. F2– WAV DJ MIX: enables/disables (ON/OFF) the DJ MIX function between the WAVE and DJ LOOP Players (see procedure below). KETRON • AUDYA…
  • Page 95
    Wave 1/2, A.Drum By using the button USER 5 (SAVE) you can store up MP3-2 (SFX) to 5 outputs Presets. Select a Preset with the F6-F10 MP3-1 buttons and press the USER 5 button (SAVE). Voicetron Drawbars BASS KETRON • AUDYA…
  • Page 96
    By pressing the USER 1 button you can toggle the 1&2 Press the USER 1 button (ACTIVE/INACTIVE) to Stereo and the 1&2 Mono output, as shown by the enable/disable the METRONOME CLICK function, as arrow on Figure 2691 shown from the arrow in Figure 272. KETRON • AUDYA…
  • Page 97
    F7 — NORMAL TEXT: sets the normal text colour. F8 — HIGHLIGHT FORE: sets the highlighted text fore colour. F9 — HIGHLIGHT BACK: sets the highlighted text background colour. F10 — LYRIC UPPERCASE: sets upper/lower case for lyric text (karaoke). KETRON • AUDYA…
  • Page 98
    (START) to start playback of the recorded file. To browse and select any recorded audio WAV file, press the WAVE button in the Player section. NOTE The recording volume is set by the WAVE slider on the PLAYER section1 KETRON • AUDYA…
  • Page 99
    2 WAV tracks playing. NOTE Once the files are “merged”, a single audio file will be created, by using the lower number of the two files, and two 1bak files (backup files of the two original wav files)1 KETRON • AUDYA…
  • Page 100
    (MIDI RECORDING) to enter the MIDI recording environment. You will be prompted to give a name to the file. Digit the name for the MIDI file, directly from the keyboard (Figure 282). In the example, the file is “MIDI_01”. KETRON • AUDYA…
  • Page 101
    If you make a MIDI recording using an Audio Drum part for the drum, the drum sounds (AUDIO) will not be recorded into the MIDI recording1 If you want to record an Audio Drum please use the audio recording method1 KETRON • AUDYA…
  • Page 102: Midi Remix

    MIDI Remix MIDI Remix Audya offers a MIDI REMIX function to replace the drum track in any MIDI file with the drum part of an internal Style of Audya, even one with AUDIO DRUM part. Making a MIDI Remix ▀…

  • Page 103
    Just activate the REMIX by using the current MIDI file playing and select a style. • Now you can change the style during the REMIX. This operation can be useful to find the right style to combine with the MIDI file. KETRON • AUDYA…
  • Page 104: Voicetron

    By using the F1-F10 buttons you can select the By selecting the F2 button (MICRO2), you can choose following options: one of the following options: F1–MICRO1 F3–REVERB F2–MICRO2 F4–ECHO F3–REVERB F4–ECHO F5–TRANSFORM F6–COMPRESSOR F7–LIMITER F8–EQUALIZER F9–VIBRATO F10–PITCH KETRON • AUDYA…

  • Page 105
    CURSOR § ¶ bu t tons or the DATA/VALUE Figure 297 wheel: -21 dB 7:1 -18 dB 2:1 -24 dB 12:1 -15 dB 3:1 User -18 dB 5:1 KETRON • AUDYA…
  • Page 106
    Ó Á or the DATA/VALUE wheel (values +/- 24 semitones). Select the PITCH CORRECTION parameter by using the CURSOR § ¶ buttons and change the value by using the CURSOR Ó Á or the DATA/VALUE wheel Figure 301 (Off, Slight, Slow, Medium, Fast). KETRON • AUDYA…
  • Page 107
    MIDI file. In this mode, the harmonization is automatically controlled by the melody track of the MIDI file. Please see “Setting the VOCAL Figure 305 mode” on the GM Parts section in this manual. KETRON • AUDYA…
  • Page 108
    CURSOR § ¶ buttons or the DATA/VALUE wheel: Standard Jazz Down Open Jazz Up Octave Down Block Chord Down Jazz Block Chord Up Figure 309 KETRON • AUDYA…
  • Page 109
    5 voices (VOICES from 1 to 5) by using the DATA/VALUE wheel: VOLUME (values 0–63) PAN (values 64R >|< 63L) FORMANT (values 0–63) DETUNE (values 0–63) CUTOFF (values 0–38) RESONANCE (values 0–7) Figure 313 KETRON • AUDYA…
  • Page 110
    Useful when you must recall a particular equalization for different gigs (Figure 318). The User Preset is stored together the Voicetron Figure 317 Preset, as explained on the next page. Figure 318 KETRON • AUDYA…
  • Page 111
    A dialogue will appear to give a name ( Figure 321). Digit the name by using the keyboard and press the USER 5 button (SAVE) Once saved, you can recall the custom effect from the second page of the VOCALIZER window (Figure 322). KETRON • AUDYA…
  • Page 112: Search (Main View)

    Search Search (Main View) Audya features a useful SEARCH function in order to search files stored in the internal disk or in external USB devices. When is the MAIN VIEW is active, the search engine looks different from the normal view.

  • Page 113: User Assignable

    1, in order to produce a Wha-Wha effect. By pressing repeatedly the button you can set the same function to CHORD 1, CHORD 2, CHORD 3, CHORD 4, CHORD 5, BASS, ALL CHORDS, ALL STYLE and RIGHT. KETRON • AUDYA…

  • Page 114: User Styles

    Audya features two style families: FACTORY STYLES and USER STYLES . The FACTORY STYLES are the built-in styles of Audya and can be accessed by using the keypad in the STYLE section and the ordinary selection of the style by using the F1-F10 buttons, as already described in the “Styles”…

  • Page 115: Msp Function

    MSP function Audya offers a complete Multi Sample Player editor. To access the MSP function, press the WAVE button, choose a file from the list in the WAVE folder and press the EDIT button. Creating an MSP ▀ Select a WAV format file from the WAVE folder…

  • Page 116
    Figure 336 NOTE The MSP files created by Audya will be stores in a single file containing all the information data to work, unlike the previous versions of KETRON files which need to have the WAV files in the same folder1 Ot…
  • Page 117: Text Scrolling

    ▀ or a WAVE file Make the USB connection to access the hard disk of Audya. After connecting, open the WAVE folder and copy a text file (an ordinary TXT file) Figure 337 containing the lyric of a song. The name of the…

  • Page 118: Disk

    Disk Disk Audya features a bunch of functions dedicated to the disk management. Disk Menu ▀ Press the DISK button to see the content of the internal disk (Figure 341). The disk contains a certain number of folders, that you can access by using the CURSOR §…

  • Page 119: Usb Drive

    The same functions in the DISK MENU are available also for the files and folders of the USB Figure 345 drive. Search Audya features a useful SEARCH function in order to search files stored in the internal disk or in external USB devices. Searching a file ▀…

  • Page 120: Technical Tables

    Mute_Velo Slow_Strings Blowed Marimba Pop_Lead Strings2 Tenor Long_Vibe 12Strings Synstrings3 Mariachi Kalimba Solid_Body Growbrass2 Ep_Phase Warm Choir_Aah1 Blare Orch_Bell Ballad Choir_Aah2 Slide_Tbone Windchimes Funk Clarinet Rotary Bass&Guit2 Vocal Pan_Flute Dry_Organ Precision Tuuh Voice_Flute Drawbar Synbass3 Golden Synth14 KETRON • AUDYA…

  • Page 121
    Snare Alpen Choir2 Synth1 Crash Brazilian Cornet Softpad Scratch1 CountryFx Bright_Tbone Saw&Pulse Scratch2 MelobarFx Dixie Warmpad Scratch3 StratoFx Tbone_Section Fantasy Scratch4 Fingered Fall_Brass Magic Scratch5 Pop_Fx Brass3 Glockpad Fx_Slap JGuit&Slide Trombone Choir_Pad Laser Spanish Octabrass Digipad Punch4 KETRON • AUDYA…
  • Page 122: Drum Set

    Analog R&B Electro_Gm2 Brush Citypop Jazz_Gm2 SPECIAL KIT Brush_Gm2 Smooth Analog_Gm2 Pop_Super_Kit Sfx_Kit Acid Standard_Gm2 Funk_Super_Kit Orchestra_Gm2 Kick&Snare Folk Power_Super_Kit Orchestra JazzBrush Acoustic1 Studio Swing JazzDry LightPop Garage Vintage U.S.Pop Acoustic2 Hip_Box MeloRap Rock Modern Grunge House KETRON • AUDYA…

  • Page 123: Audio Drum

    MARCH4_4_120 BLUEGRASS_108 DISCFUNKRX_115 MARCH6_8_126 BLUES128RX2_51 DISCO’70_124 MAZURKA_148 BLUES12_8RX_96 DISCO1_122 MERENGUE_140 BLUES12_8_96 DISCO2FX_112 MODERATO1_112 BLUES1_72 DISCO2RX_112 MODERATO2_112 BLUES2RX_153 DISCO2_112 PARTYFOX_100 BLUES2_153 DISCO3_120 PARTYPOLKA120 BLUES3_60 DISCO4RX_116 PASODOBLE1_120 BLUES4RX_66 DISCOACID_128 PASODOBLE2_120 BLUES4_66 DISCOBRUSH_120 PIEDS_108 BLUESRIFF_126 DISCOFUNK_115 PIZZICA1_96 BOLERO_90 DIXIE1_210 POLKA_120 KETRON • AUDYA…

  • Page 124
    RNB13_81 SHUFFLE5_160 name, while “FX” stands for RNB14_80 SHUFFLE6_128 “effects” that is the original RNB15_114 SHUFFLE7_126 version with some effects RNB16_106 SLOW1_65 applied, like compressor, RNB17_100 SLOW2_80 reverb, etc1 RNB18_96 SLOW3_90 RNB19_110 SL_ROCK1FX_65 KETRON • AUDYA…
  • Page 125: Groove Bank (Drum 2)

    HOUSE_Kick2A CHACHA_D DANCE_Kick5B HOUSE_Kick2B CHACHA_E DANCE_Kick6A HOUSE_Kick3A CHACHA_F DANCE_Kick6B HOUSE_Kick3B CLAP_1 DANCE_Kick7A HOUSE_Kick4A CLAP_2 DANCE_Kick7B HOUSE_Kick4B CONGA_1_T DANCE_Kick8A HOUSE_Kick5A CONGA_2_T DANCE_Kick8B HOUSE_Kick5B CONGA_3_T FLAMENCO_A HOUSE_Kick6A CONGA_4_T FLAMENCO_B HOUSE_Kick6B CONGA_5_T FLAMENCO_C HOUSE_Kick7A CONGA_6_T FLAMENCO_D HOUSE_Kick7B CONGA_7_T FLAMENCO_E JAZZROCK_A KETRON • AUDYA…

  • Page 126
    MERENGUE_D SHUFFLE_B MERENGUE_E SHUFFLE_C MERENGUE_F STREET1 PANDERO1 STREET2 PANDERO2 SWING_A PANDERO_1_T SWING_B PANDERO_2_T SWING_C PASODOBLE TAMBORA POPDOWN_A TAMBOURIN16 POPDOWN_B TAMBOURIN16T POPFUNK_A TAMBOURINE_12 POPFUNK_B TAMBOURINE_24 POPJAZZ_A TAMBOURINE_8 POPJAZZ_B TRIPLET POPJAZZ_C URBAN POPJAZZ_D POPJAZZ_E POPJAZZ_F R&BLUES_A R&BLUES_B R&BLUES_C REELS KETRON • AUDYA…
  • Page 127: Bass Bank

    TWIST_1 BOLERO_2 FLAMENCO_3 MENEITO_2 TWIST_2 BOOGIE_1 FLIPBEAT_1 MERENGUE_1 WALZ_1 BOOGIE_2 FOLKSINGER_1 MERENGUE_2 WALZ_2 BOSSA_1 FOLKSINGER_2 MERENGUE_3 WALZ_3 BOSSA_2 FOLKSINGER_3 PDOBLE_1 WALZ_4 BOSSA_3 FOLKSINGER_4 PDOBLE_2 WALZ_5 BOSSA_4 FUNKY_1 POP_1 WALZ_6 BOSSA_5 FUNKY_10 POP_2 WALZ_7 BUGG_1 FUNKY_11 POP_3 WALZ_8 KETRON • AUDYA…

  • Page 128: Arp & Licks

    16STRINGS_T_1 8BANJO_12 8SYNT_T_1 16STRINGS_T_2 8BANJO_13 8SYNT_T_2 16STRINGS_T_3 8BANJO_14 8SYNT_T_3 16SYNT_1 8BANJO_2 8SYNT_T_4 16SYNT_10 8BANJO_3 8SYNT_T_5 16SYNT_11 8BANJO_4 8SYNT_T_6 16SYNT_12 8BANJO_5 8SYNT_T_7 16SYNT_13 8BANJO_6 8SYNT_T_8 16SYNT_14 8BANJO_7 8SYNT_T_9 16SYNT_15 8BANJO_8 16SYNT_16 8BANJO_9 16SYNT_17 8GUIT_1 16SYNT_18 8GUIT_2 16SYNT_19 8GUIT_3 KETRON • AUDYA…

  • Page 129: Live Guitar

    RUMBA_2 TRIPL_SOUL16 ENGLISH_WALZ RUMBA_3 UP_CLEAN FAST_FOLK RUMBA_4 UP_COUNTRY_1 FINGERPICK RUMBA_MIX_1 UP_COUNTRY_2 FOLK_12_8 RUMBA_MIX_2 UP_MUTED SAMBA_JAZZ WALTZ_1 IRISH_WALZ6_8 SHORT_ELECT1 WALTZ_2 LONG ELECT_1 SHORT_ELECT2 WALTZ_3 LONG ELECT_2 SHORT_FOLK1 WESTERN LONG FOLK_1 SHORT_FOLK2 LONG FOLK_2 SHUFFLE_1 PARTY_FOX_1 SHUFFLE_2 PARTY_FOX_2 SHUFFLE_3 KETRON • AUDYA…

  • Page 130: Audya Factory Styles

    Styles AUDYA FACTORY STYLES BALLAD DANCE COUNTRY N° STYLE N° STYLE N° STYLE ^8_BEAT_1 ^AFRO&BASS_1 ^APACHE ^8_BEAT_2 ^AFRO&BASS_2 ^BLUEGRASS ^8_LIGHT_FOLK ^AFRO&BASS_3 ^COUNTRY_BEAT ^16_BEAT_1 ^AFRO_HOUSE ^COUNTRY_FOX ^16_BEAT_2 ^DANCE_HALL ^COUNTRY_QUARTET ^HEAVY_BEAT ^DEEP&BASS_1 ^COUNTRY_ROOTS ^CLASSIC_BALLAD ^DEEP&BASS_2 ^COUNTRY_SURF ^COUNTRY_BEAT_1 ^DISCO_70’S ^IRISH_FOX ^COUNTRY_BEAT_2 ^DISCO_DANCE ^IRISH_SLOW_FOX…

  • Page 131
    Styles AUDYA FACTORY STYLES FOLK PARTY LATIN N° STYLE N° STYLE N° STYLE ^JIGS ^ORGEL_SAMBA ^BACHATA ^MARCH_4_4 ^PARTY_FOX ^BAJON ^MILONGA ^PARTY_POLKA_1 ^BALADA ^PAQUITO ^PARTY_POLKA_2 ^BALLENATO ^PARISIENNE ^PARTY_SAMBA ^BOLERO_1 ^PASO_DOBLE ^SCAND_SCHLAGER ^BOLERO_2 ^PIZZICA ^SCHLAGER ^BOSSA&SALSA ^QUEBEC_FOLKLORE ^SHUFFLE_BEAT ^BOSSA_LOUNGE ^REELS FOX_70 ^CALIENTE(R)
  • Page 132
    Styles AUDYA FACTORY STYLES SWING UNPLUGGED N° STYLE N° STYLE N° STYLE ^16_POP_ROCK ^BIG_BAND_1 ^16_BALLAD ^98_POP ^BIG_BAND_2 ^ANDALUZ ^ACOUSTIC_GROOVE ^BIG_BAND_SLOW ^BEGUINE ^ACOUSTIC_POP ^CHRISTMAS_FOX ^BLUEGRAS ^BRIT_POP ^FAST_BEBOP ^BOSSA_NOVA ^HIP_HOP ^GOGO(R) ^COUNTRY_ROCK ^DOWNBEAT ^JAZZ_COCKTAIL ^COUNTRY_BEAT ^EASY_FUSION ^JAZZ_QUARTET ^COUNTRY_POP ^ELECTRIC_POP ^JAZZ_WALZ ^FAST_SAMBA ^EMOTIONAL_R&B…
  • Page 133: Drum Set

    26 Fingsnap 01 74 Guiro02 46 Open01 94 Empty 27 Slap 75 Claves01 47 Tom10 95 Empty 28 Snare008 76 W_Block_Hi 48 Tom11 96 Empty 29 Scratch Up 77 W_Block_Lo 49 Crash02 97 Empty 30 Scratch Down 78 Cuica01 KETRON • AUDYA…

  • Page 134
    88 Empty 17 Empty 65 Timbales_Hi 41 Tom01 89 Empty 18 Empty 66 Timbales_Lo 42 Stick01 90 Empty 19 Empty 67 Agogo_Hi 43 Tom02 91 Empty 20 Empty 68 Agogo_Low 44 Close01 92 Empty 21 Empty 69 Cabasa KETRON • AUDYA…
  • Page 135
    Standard Gm2 Program Change 8 37 Rimshot05 85 Castagnet 14 Empty 62 Conga Slap 38 Snare012 86 Tambourine02 15 Empty 63 Conga_Hi 39 Clap01 87 Rimshot03 16 Empty 64 Conga_Low 40 Snare013 88 Snare011 17 Empty 65 Timbales_Hi KETRON • AUDYA…
  • Page 136
    106 Empty 29 Scratch Up 77 W_Block_Lo 59 Ride02 107 Empty 30 Scratch Down 78 Cuica01 60 Bongo_Hi 108 Empty 31 Sticks01 79 Cuica02 61 Bongo_Low 109 Empty 32 Click 80 Triangle01 33 Metronome 01 81 Triangle02 KETRON • AUDYA…
  • Page 137
    26 Fingsnap 01 74 Guiro02 53 Ridebell01 101 Empty 27 Slap 75 Claves01 54 Tambourine01 102 Empty 28 Snare008 76 W_Block_Hi 29 Scratch Up 77 W_Block_Lo 55 Crash04 103 Empty 30 Scratch Down 78 Cuica01 56 Cowbell01 104 Empty KETRON • AUDYA…
  • Page 138
    85 Clap03 58 Vibraslap 106 Empty 38 Snare054 86 Tambourine02 59 Ride02 107 Empty 39 Clap04 87 Rimshot20 60 Bongo_Hi 108 Empty 40 Snare031 88 Snare032 61 Bongo_Low 109 Empty 41 Tom26 89 Snare033 42 Close04 90 Snare050 KETRON • AUDYA…
  • Page 139
    19 Snare004 67 Agogo_Hi 52 Crash03 100 Empty 20 Snare005 68 Agogo_Low 53 Ridebell01 101 Empty 21 Snare006 69 Cabasa 54 Tambourine01 102 Empty 22 Tom Flam01 70 Maracas01 55 Crash04 103 Empty 23 Tom Flam02 71 Whistle01 KETRON • AUDYA…
  • Page 140
    32 Empty 80 Thunder 33 Empty 81 Wind 14 Snare001 62 Conga Slap 34 Empty 82 Seashore 15 Roll01 63 Conga_Hi 16 Roll02 64 Conga_Low 35 Empty 83 River 36 Empty 84 Bubble 17 Snare002 65 Timbales_Hi KETRON • AUDYA…
  • Page 141
    46 Open02 94 Open01 28 Snare008 76 W_Block_Hi 47 Tom04 95 Reverse 29 Scratch Up 77 W_Block_Lo 48 Tom05 96 Applause 30 Scratch Down 78 Cuica01 49 Crash02 97 Belltree 31 Sticks01 79 Cuica02 50 Tom06 98 Empty KETRON • AUDYA…
  • Page 142
    82 Shaker03 58 Vibraslap 106 Empty 35 Kick03 83 Shaker04 59 Ride03 107 Empty 60 Bongo_Hi 108 Empty 36 Kick02 84 Sticks02 61 Bongo_Low 109 Empty 37 Rimshot02 85 Clap01 38 Snare081 86 Tambourine02 39 Clap02 87 Rimshot11 KETRON • AUDYA…
  • Page 143
    105 Empty 38 Snare073 86 Tambourine02 58 Vibraslap 106 Empty 39 Clap05 87 Rimshot12 59 Ride01 107 Empty 40 Snare036 88 Snare031 60 Bongo_Hi 108 Empty 41 Tom20 89 Snare030 61 Bongo_Low 109 Empty 42 Stick06 90 Kick20 KETRON • AUDYA…
  • Page 144
    19 Snare004 67 Agogo_Hi 52 Crash03 100 Empty 20 Snare005 68 Agogo_Low 53 Ridebell01 101 Empty 21 Snare006 69 Cabasa 54 Tambourine01 102 Empty 22 Tom Flam01 70 Maracas01 55 Crash04 103 Empty 23 Tom Flam02 71 Whistle01 KETRON • AUDYA…
  • Page 145
    32 Empty 80 Snare024 14 Snare039 62 Conga Slap 33 Empty 81 Snare021 15 Roll01 63 Conga_Hi 34 Empty 82 Snare029 16 Roll02 64 Conga_Low 35 Empty 83 Snare030 17 Snare002 65 Timbales_Hi 36 Kick01 84 Snare070 KETRON • AUDYA…
  • Page 146
    46 Open05 94 Open02 28 Snare008 76 W_Block_Hi 47 Tom04 95 Reverse 29 Scratch Up 77 W_Block_Lo 48 Tom05 96 Applause 30 Scratch Down 78 Cuica01 49 Crash02 97 Belltree 31 Sticks01 79 Cuica02 50 Tom06 98 Empty KETRON • AUDYA…
  • Page 147
    61 Bongo_Low 109 Empty 45 Tom28 93 Stick18 46 Open05 94 Close01 Contemporary Program Change 86 47 Tom29 95 Reverse 48 Tom30 96 Applause 14 Snare001 62 Conga Slap 49 Crash02 97 Belltree 15 Roll01 63 Conga_Hi KETRON • AUDYA…
  • Page 148
    51 Ride03 99 Empty 24 Crash01 72 Whistle02 52 Crash03 100 Empty 25 Snare007 73 Guiro01 53 Ridebell01 101 Empty 26 Fingsnap 01 74 Guiro02 54 Tambourine01 102 Empty 27 Slap 75 Claves01 55 Crash04 103 Empty KETRON • AUDYA…
  • Page 149
    104 Empty 28 Kick55 76 Fingsnap03 57 Crash12 105 Empty 58 Open08 106 Empty 29 Roll03 77 Tambora01 59 Ride09 107 Empty 30 Kick56 78 Tambora03 60 Maracas01 108 Empty 31 Roll04 79 Empty 61 Maracas02 109 Empty KETRON • AUDYA…
  • Page 150: Midi Implementation

    62H rr 06H vv Reverb send level of drum instr. note rr. vv=00h to 7FH (see note 2) NRPN 1ErrH BnH 63H 1EH 62H rr 06H vv Chorus send level of drum instr. note rr. vv=00h to 7FH (see note 2) KETRON • AUDYA…

  • Page 151: Control Change

    = LC-1 or HC-1 (lead or harmony MIDI channel) ll = value LSB : 00H -7FH (default = 00H) mm = value MSB : 00H -7FH (default = 40H) MSB-LSB : 00-00H = -1 octave, 40-00H = no pitch bend, 7F-7FH = +1 octave KETRON • AUDYA…

  • Page 152: Non Registered Parameter Numbers

    MIDI messages to the new channel. Harmony and melody MIDI channels must be different: if you try set the melody channel at the current harmony channel value, the command will be ignored. You must change the harmony to another channel before. KETRON • AUDYA…

  • Page 153
    12 * Minor 7th + A = 12 * 3 + 9 = 45 Note: if you’ve downloaded a custom harmony table (using a Sysex 0), calling this NRPN will overwrite it. 0, 1 Vocalizer output: 0 = Main, 1 = Aux KETRON • AUDYA…
  • Page 154
    (see warning above). Note: enabling this mode without being in drum mode will result in muting the shifter (no beat is detected when not in drum mode, so no sound will be output) KETRON • AUDYA…
  • Page 155
    0…64…127 Voice 1 formant 0…64…127 Voice 2 formant 0…64…127 Voice 3 formant 0…64…127 Voice 4 formant 0…64…127 Voice 5 formant 0…38 Voice 1 tone frequency: harmony voice low pass filter cutoff frequency 0…38 Voice 2 tone frequency KETRON • AUDYA…
  • Page 156
    0, 1…127 Voice 4 portamento switch 0, 1…127 Voice 5 portamento switch 0…127 Voice 1 portamento time 0…127 Voice 2 portamento time 0…127 Voice 3 portamento time 0…127 Voice 4 portamento time 0…127 Voice 5 portamento time KETRON • AUDYA…
  • Page 157
    Echo preset: calls on echo preset. See table below for 0…8 description of the presets. Reverb input level 0…127 Echo input level 0…127 Send echo to reverb 0…127 Note: EQ band frequencies are fixed to the following values: KETRON • AUDYA…
  • Page 158
    -lead / harmony switches (System NRPN 5 to 7) -voice transform controls (System NRPN 17) -harmony formant & tone controls (Harmony NRPN 11 to 25) -vibrato (Harmony NRPN 26 to 45) -humanization (Harmony NRPN 46 to 50) KETRON • AUDYA…
  • Page 159: Specifications

    2 microphone inputs with separate gain control, 10-band equalizer, echo, reverb, pan, pitch shift, talk, voice transformation. VOICETRON Harmonizer with 5 separate voices by Ketron. Vocoder mode, auto-harmony by using the arranger, vocalizer track on MIDI file, advanced editing on all 5 voices. MIDI In 1, In 2, Out, Thru.

  • Page 160
    Notes Due to continuing product improvement efforts, specifications and appearance are subject to change without notice. Please visit frequently our website www.ketron.it to check for software updates, user manuals, etc. KETRON • AUDYA…
  • Page 161
    Notes KETRON • AUDYA…
  • Page 162
    KETRON s.r.l. Via Giuseppe Taliercio n. 7 60131 Ancona (Italy) Tel. +39 071 285771 Tel. +39 071 2857748 www.ketron.it email: ketron@ketron.it Printed in Italy…

Я тут недавно в этой ветке ссылку на вокршоп по Ketron Event-у публиковал.
Сегодня было это мероприятие по зуму, ну я сходил, — послушал и вопросы позадавал. 4 часа стрим шел. Делюсь впечатлениями и информацией, которой пока врядли где найти можно (ну разве что в youtube где эту трансляцию выложили, но в зуме он реально с людьми общался и на их вопросы отвечал)

Итак, по пунктам
1. Кетрон Event это официальная замена Audya (то есть, топовая модель), к слову, sd9 таковой не являлась. Как я понял, то у чего есть имена (Audya, Event) — это топовые инструменты, остальные — нет.
2. Есть версия только на 76 клавиш, и на 61 можно не ждать. Он сказал, что кетрон работают над урезанной версией этого синтезатора, там вроде будет 61 клавиша, но он пока не может об этом говорить.
3. Будет модуль, по возможностям идентичный Event-у, но они его хотят переработать немного в плане расположения кнопок, и оптимизировать под форм-фактор модуля. AJ (AjamSonic, который проводил лекцию, очень приятный демонстратор, к слову) сказал что по срокам, надеются до конца этого года выпустить. При этом он упомянул, что большинство чипов делается самим кетроном, поэтому они меньше зависят от кризиса в производстве чипов, который сейчас по всему миру происходит

Теперь по функционалу.
На ямаху вообще не похоже, думаю, на корг тоже :)

4. Насчет звуков — там есть всего 2 звука, но зато каждый из них может включать до 3-х войсов и можно для каждого регулировать пределы на клавиатуре где он будет звучать. Итого, получаем до 6 звуков причем нет привязки к «lower/upper» — где хочешь, там и располагай + звуки могут начать работать только если нажимаем на клавиатуру с заданными порогами велосити.

5. Аудио партии подгружаются прямо на ходу, выбираешь из списка заготовленных аудио loop-ов и они автоматически интегрируются в стиль. Можно использовать не только барабаны, а и гитары, бас-гитару и, кажется, аккорды.
Так как эти партии зависят от тональности и от взятого аккорда, то все это можно приготовить зараннее. При этом, если это «аккорд», например, то можно зараннее заготовить wav файл (придется делать в разных тональностях, как я понял, несколько wav-ок + для разных типов аккордов) и с гитарой и еще с чем хочешь уже сведенным. Не знаю, насколько это будет удобно, но такой подход…
6. Style Edit есть, я его попросил стиль создать с нуля показать, из того что я увидел — это можно делать, есть квантизация, есть «вытереть ноту», партию, и так далее — базовые функции. Насколько я понял, event edit отсутствует пока что, но будет апдейт операционной системы и добавят. Можно создавать свои «пользовательские» Drum Kit-ы.
7. Говорит, что добавились EDM стили (это считалось слабым местом кетрона), и сыграл один, но тут, думаю, нужно слушать.
8. LaunchPad, вроде, убрали, хотя добавили что-то другое, но в презентации до него не дошли
9. Есть фичи для Live исполнителя, например перейти в функцию «пианино по всей клавиатуре» одной кнопкой.
10. Можно программировать OTS. Про мультипады или их аналоги ничего сказано не было, видимо, их нет там.
11. Есть функция Registrations — но отдельных кнопок для регистрационной памяти как в ямахе — нет. Я не очень понял, что конкретно можно делать с этой функцией, но она есть :)
12. Стили с Audya можно будет купить на отдельной флешке — вроде, 90 долларов стоила флешка такая для SD9 — там конвертация, которую они должны сами делать, хотя говорят, что теоретически и пользователь может сделать тоже на компьютере, но это долго. Насчет стилей с SD9 я точно не понял, там, вроде, формат стилей поменялся — но можно загрузить стили в этот Event — он их конвертирует.
13. До семплирования не дошли, но он сказал, что сейчас используется технология стриминга с диска SSD (типа как на кроносе было, кажется).
14. Договорились, что он будет делать короткие обзорные видео по конкретному функционалу + собираться и организовывать беседы с группами заинтересованными. Пока там в зуме было около 40-50 человек, люди приходили и уходили, некоторые вопросы задавали.
15. Да — забыл совсем, там 8 вариаций можно делать на стиль, а не 4. То есть 4 кнопки, но справа еще кнопка одна и можно делать вариацию A-1 и A-2 и туда уже можно впихнуть что угодно по сути. Очень многие фабричные стили переработаны и имеют и аудио вставки и эти самые 8 вариаций (в SD9 по его словам это тоже поддерживалось, но самих стилей таких было мало).

По общим вопросам:
Графический интерфейс работает быстро, но именно по современности дизайна уступает и ямахе и коргу, на мой взгляд, но это личное мнение. Иногда функции не срабатывали из тех что он нажимал, приходилось делать некоторые вещи еще раз, но он сказал, что инструмент к нему доехал всего 2 дня назад, так что не исключено, что он просто не до конца всегда четко знал что нажимать конкретно. Думаю, если там будут баги — то покупатели быстро распространят эту информацию :)

Угол наклона экрана там не меняется, как на коргах, но зато можно по HDMI подключить сенсорный монитор любого доступного размера и нажимать на него пальцами.

Он работает сейчас над инструкцией на английском, вроде, будет на следующей неделе, по крайней мере, он должен ее отослать в кетрон.

В ассортименте сейчас в основном в Италии они есть, обкатывают на локальном рынке, следующая партия по всему миру ожидается в конце февраля — начале марта.
В общем, как доедет до нас — схожу в магазин — посмотрю на инструмент.

Cсылка на стрим в youtube

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Translation of Ketron Audya manual in Russian

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  • #1

ИЩУ ВЛАДЕЛЬЦЕВ ДАННОГО ПРИБОРА! Интересует сравнение с другими однотипными клавишами особенно с Tyros 3!
Стою перед диллемой: что брать-Ketron или Tyros

  • #2

ИЩУ ВЛАДЕЛЬЦЕВ ДАННОГО ПРИБОРА! Интересует сравнение с другими однотипными клавишами особенно с Tyros 3!
Стою перед диллемой: что брать-Ketron или Tyros

Это разные инструменты, хотя они одного класса.
Никто кроме Вас не решит, что Вам больше нравится — дыня или арбуз.
Поэтому, покупать такие вещи надо только после того, как Вы поиграете сами хотя бы пару часов на каждом их них. Брать по отзывам в интернете категорически нельзя. Ютуб тоже не помощник, так как и кетрон и тайрос можно угробить плохой записью и плохим выводом.
После всего этого, также сравните возможности по онлайн сервису у каждого из них и возможность приобретения миди-файлов, стилей и дополнительных звуков, разработанных для каждого их них. И нужность для Вас всего этого.
Короче, сами все щупайте.

ЗЫ. У меня после всех сравнений победил Тайрос 3, взял бы его, если бы нужен был хороший самоиграй :good:

Последнее редактирование:

  • #3

Спасибо,pinhole за ответ, но в том-то и дело,что пощупать у нас эти приборы нет возможности. Живем на Севере, вся инфа с инета. Аппарат заказываем у знакомых дилеров по сети, основываясь только впечатлениями от демок и советами «бывалых»

  • #4

Вчера в Берлине щупал всех троих(Ketron 5, Tyros 4 и Korg PA3X). Ketron не впечатлил, Ямаха показалась до мертвости вылизанной, а вот на Корге кайфонул — звучит приятно, живенький такой, настроение за ним появляется, при том , что практически все артикуляционные фишки Ямахи на нем присутствуют. В общем его и взял(хотя ехал за Тайросом).
Все вышесказанное на правах личного мнения.

  • #5

Купив Tyros, получаешь в качестве бонуса вход в огромное сообщество пользователей аппарата, кучу стилей и миди-файлов заточенных под него. С самоиграйками других контор ты остаёшься практически один на один.

Rustamlive


  • #6

вопрос владельцам ketron audya 5 !!! можно ли создавать свои собственные стили на этом инструменте??? если можно , подскажите как…это делается….

  • #7

см. manual ketron audya стр. 59 — Style Mode

Rustamlive


  • #8

В этом разделе я понял что можно менять звуки и эффекты стилей, а вот можно ли забивать стили с нуля???? вот в чем вопрос!!!…Например так, как это делается в коргах PA 3X…

Rustamlive


  • #9

все!!!! разобрался!!!! Все можно делать также как и в коргах!!!!Интересно мнение коллег по форуму….стоит ли менять KORG PA3X76 на KETRON AUDYA5
Привез тут один чувак , и не может разобраться, принес мне домой, я изучил , правда не полностью…и вот этот чувак просит обменять на мой корг…какие есть фитчи и баги у этих инструментов….Корг ра3 глючит , это известно….у Кетронов звук непревзойденный…..потом в Кетроне есть плеер wave…Ваше мнение коллеги?????

  • #10

рад за Вас, что разобрались с рулёжкой стилей с нуля……….если можно, то подробное (по этапам) описание как Вы это делаете и пример сохраненного «собственноручного» стиля в формате .PAT……..заранее благодарен

  • #11

какие есть фитчи и баги у этих инструментов

у кетрона мне не нДравятся «затыки» в начале такта живой гитарехи…….ждёмссс новую ось, говорят, что уже написАли

корг не шупал…… но многие плЯютЬся……..грят про глюк перезагрузки во время игры

  • #12

стоит ли менять KORG PA3X76 на KETRON AUDYA5
хммм………»не благодарное» это дело советы давать………но внимание обратите на цену новых инструментов — 185 супротИв 220 в арттехнологии

Rustamlive


  • #13

Сначала нажимаем кнопку USER STYLE,далее выбираем любой стиль из юзеров,нажимаем кнопку EDIT,откроется окно редакции стиля,в середине нижней части экрана есть кнопка NEW STYLE,далее F2,для установки параметров стиля размер,и количество тактов,опять F2, для выхода экрана параметров,с помощью курсора выбираем трек для записи,нажимаем F8-RECORD,и красная кнопка старт стоп.Забиваем ритм…Здесь есть заморочка, пока не нажмешь F8-RECORD,прослушать и выбрать нужный звук трека не получится,еще заморочка слева в нижней части экрана есть кнопка SOLO,она отвечает за воспроизведение трека отдельно и все вместе…. с помощью F1 устанавливаем варианты ритмов A,B,C,D,ну и всего остального — переходов,интро,и концовок.после окончания записи сохраняемся — кнопка SAVE ,в правом нижнем углу экрана.Значения громкостей и эффектов устанавливается после выхода из записи,с помощью кнопки VIEW,она находится слева от экрана , выше фейдеров,в разделе STYLE, СОХРАНЯЕМ И НАЗЫВАЕМ ритм с помощью кнопки SAVE….вот вроде все про запись стиля с нуля….а вот как сюда файл вложить?!! Отправил на майл адрес….

Последнее редактирование:

  • #15

а вот как сюда файл вложить

расширенный режим

  • #16

Корг ра3 глючит , это известно….

По конкретнее пожалуйста.
В чём именно выражаются глюки?
У меня PA1 ,хотел менять на PA3. Много времени с ним провёл глюков не заметил.

Rustamlive


  • #17

глюки бывают очень редко, выбираешь ритм , а кроме баса и падов ничего нет, приходиться перегружать инструмент

  • #18

выбираешь ритм , а кроме баса и падов ничего нет, приходиться перегружать инструмент

У меня такое происходит когда в MODE стоит SONG. Т.е. гоняю минуса,в режиме Song, затем хочу выбрать стиль и на тебе,те же симптомы.Но если предварительно нажимаю кнопку Style, затем выбираю стили,то всё в норме.

В моём корге,при переключении вариаций A B C D первая доля(нота) играет очень громко,т.е. как бы всплеск какой то,а в PA3 с этим всё в порядке,всё ровненько,чистенько.

Rustamlive


  • #19

Про Кетрон!!!! Други !!! кто знает как подвязать темп USER AUDIO DRUM к темпу самого инструмента????

  • #22

Здравствуйте, а не подскажите есть ли особые отличия по звуку audya и audya 5? И где можно взять стили для него? И звуки? И вообще какое нибудь программное обеспечение для cubase или logic? Хотя бы скрипты или что нибудь чтобы можно было управлять инструментом в любом daw……..
Зарание спасибо.
[email protected]

  • #24

кто знает как сделать так в audya 5 чтобы темп был одинаковым во всей песне((((
Записываю аудио трек самоиграя в программу тепм одинаковый и там и там все выставляю точно с начала а потом аудиа уплывает с темпа(((((

  • #25

…..попробуй в проге частоту с 44,1 на 48 kHz поменять, т.к. у аудиа 48……..

  • #26

…..попробуй в проге частоту с 44,1 на 48 kHz поменять, т.к. у аудиа 48……..

Попробовал ничего не вышло((((

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